Tag: PC games

2460: The Continuing Adventures of Rosangela Blackwell

I've now completed four out of the five Blackwell games from Wadjet Eye Games, and I'm a big fan.

It's been particularly interesting to come to this series so soon after playing through Life is Strange's disappointing conclusion, because although they are technically inferior, the Blackwell games' scripts are light-years ahead of Life is Strange's relatively mediocre writing. A true case of substance over style if ever there was one, with Blackwell's simple pixel-art graphics thoroughly winning out over Life is Strange's beautiful stylised visuals.

The two aren't directly comparable, of course, dealing with rather different subject matter, so that's the last comparison I'm going to draw; I simply wanted to make the point that you don't necessarily need a big budget to showcase some excellent writing.

I'm going to refrain from spoiling the plots of the Blackwell games here because I thoroughly believe that any adventure game enthusiast worth their salt should play through all five of them. I will, however, talk about the series as a whole, and how it is constructed.

Blackwell isn't marketed as an episodic game, but it effectively is one. However, each of its five installments is completely self-contained in its own right — you simply get more out of the whole thing if you've played them in order, particularly in the case of Blackwell Deception, which features numerous callbacks to all the previous installments.

One of the things that is interesting about the series is how it has expanded in scope and ambition as time has gone on. First game The Blackwell Legacy was relatively low-key, with only a few environments to explore, and all of them represented in rather simplistic graphics. Then as the series progressed, the scale of the stories being told expanded to more diverse locations, rendered in greater detail, though still maintaining the old VGA-resolution pixel art look.

Alongside the growing production values for each episode, a real effort has been made to make them feel distinct from one another. Most notably, the passage of time between the episodes is handled extremely well, acknowledging advances in technology over the time period of the setting. In the first game, for example, Rosa only uses her computer for word processing. In the third (the second is set in the '60s and stars Rosa's aunt rather than Rosa herself) she can use it to check her email (and other people's email!), search the Internet and browse her perpetually "under construction" homepage. By the fourth game, she has a smartphone that can do Internet and email without having to return to her apartment.

What's nice about this is that it has a gameplay impact as well as making the setting feel convincingly "alive". It's noticeably more convenient to do everything through Rosa's smartphone in the fourth game, compared to the combination of her notebook and apartment-bound computer in the previous installments. And in the second episode, set in the past, you have to think about things in terms of how you would have gone about them in the '60s, without the conveniences of the modern age.

Each of the stories — and the overall "super-narrative" that they contribute to — is excellent, with Rosa and her perpetual ghostly companion Joey growing as characters significantly over the course of the games, and their relationship with one another deepening. Both of them are still masters of spitting acid at one another by the end, of course, but by then it's done with affection rather than the combination of distrust, curiosity and fear seen in the first episode.

The games also manage to spin convincing supernatural tales without going overboard. They're believable, well-crafted and clearly have had plenty of thought put into them, with explanations for the strange goings-on trickled tantalisingly through the various stories while still maintaining some mysteries for the grand finale. And a clear effort has been made to ensure the series as a whole has a consistent mythology and setting: characters from previous games show up in subsequent ones — or perhaps their descendants in some cases — and the attentive will notice a lot of the same company names cropping up over time. Not everything is explicitly told to the player, either; many of these connections are left for the player to infer and interpret, making it all the more satisfying.

As you can tell, I'm thoroughly enamoured by the Blackwell series, and very much looking forward to playing through the final installment in the very near future. If you're a fan of classic adventure games, I can highly recommend picking them all up. They're well worth your time and money, and Wadjet Eye Games should be commended for keeping the point-and-click adventure flag flying high and proud.

2459: Double Wang

0459_001

Having finished Shadow Warrior yesterday, I was considering picking up its sequel, which released today. Then someone said some magic words that stopped all consideration and caused me to hit the "buy" button immediately.

But let's rewind a moment to yesterday evening, while I was playing through the rest of the first game.

Shadow Warrior has a skill system whereby double-tapping a direction and using either the left or right mouse button will perform different special moves. There's a powerful thrust attack, a "sword beam" type affair, a spin attack, a crowd-controlling stun, a healing spell and a protection spell. Because they're mapped to controls you're already using for movement and attacking, weaving them in while you're avoiding and attacking enemies is pretty straightforward.

Hmm, I thought to myself while I was playing, contemplating the fact that Shadow Warrior had a rudimentary levelling system in place, whereby you could upgrade passive and active skills as well as your weapons by expending various currencies that you acquire through play. I wonder if a first-person Diablo would work?

Some of you may, at this point, wish to raise Borderlands as evidence that yes, a first-person Diablo would indeed work, but I was thinking more focused on the melee angle, since that was a key part of Shadow Warrior's appeal.

Oh well, I thought. I doubt it'll ever happen, even if it would probably be really good.

This morning, I Googled Shadow Warrior 2 to see what press and public alike thought of it. One of the first things I saw was "Shadow Warrior 2 is first-person Diablo."

Magic words. Bought. (And with a nice discount for owning some of developer Flying Wild Hog's other work!)

It's not an exaggeration to call Shadow Warrior 2 first-person Diablo, either. It has loot, colour-coded by rarity. It has a variety of different weapons. It has clear ways to "build" your character. It has skill trees that you can beef up as you gain levels. It has quests. It has four-player co-op. It even has a small amount of procedural generation, but it wisely limits this to just parts of levels, so there's still very much a hand-crafted feel to the whole experience.

So far, I actually think I like it better than Borderlands, for one very simple reason: all your level does is provide you with skill points that you can pump into your various active and passive skills. Enemies don't level up, and your stats don't scale with your level, either. This helps prevent the ridiculous situation you sometimes find yourself in in Borderlands where you fire a rocket into someone's face and it does a miniscule amount of damage. It also prevents "overlevelling", where you find yourself in a situation where enemies are providing you with so little XP that it's barely worth killing them.

I'm undecided as to whether I like it more than the first new Shadow Warrior as yet. I'm pretty sure I do. I certainly like it very much indeed — to the degree that if I don't see it on some Game of the Year lists at year's end I'll be very disappointed — but it has quite a different structure that takes a little adjusting to coming from the previous game's tightly designed "explore, monster arena, repeat" loop, and I can see this being a bit jarring to staunch fans of the original. The levels are sprawling, open affairs more akin to something like a Deus Ex zone, with plenty to explore — and plenty of incentive to wander around even once you've completed your mission objective. This means that the pacing is a bit more variable and less controlled by design than in the previous game, though with all that said, there's still a feeling that you're moving from encounter to encounter with pressure-free time to explore in between, so that's good.

There's also a new hub area with a couple of shops and some questgivers around, giving you a feeling of "coming home" back to base after a successful mission. There are also plenty of sidequests as well as the main story missions, so I get the impression there's a whole lot to do here.

The game promises 70 weapons, which is more than enough, but each can be further customised by inserting up to three upgrades into them. These have many and varied effects ranging from simply increasing damage to providing elemental affinities to your shots. This is fortunate, as in true Diablo tradition, you'll often come across Superior and Elite versions of enemies throughout the levels, many of whom have specific strengths and weaknesses with regard to elemental affinities. You can equip up to eight weapons at a time, and there's nothing stopping you having eight different swords for different purposes if you want to play that way.

Besides the weapons, you can "build" your character through attaching upgrades to your armour and powers, too. These might provide specific buffs to particular types of damage, or increased effectiveness of skills. Pleasingly for the co-op enthusiasts, there's even a multiplayer-specific equipment slot whose occupants generally buff you and your teammates with an "aura" emanating from your position. These auras can be damage increases, healing over time or defensive in nature, meaning if you really want to get into it, you can build yourself a well-balanced team that minimises its weaknesses — or simply pump as much damage as possible into each other to obliterate enemies in a matter of seconds.

Like the first game, the weapons are solid and satisfying to use, and most of them can be used in dual-wield "akimbo" fashion with the use of an upgrade. They make good noises and they rip through enemies in satisfying fashion; of particular note here are the chainsaws and chainswords, clearly inspired by Warhammer 40,000 — they cut into enemies with such precision it feels like you could carve your name into their guts.

Lo Wang's wit is present and correct, too, and in the same way as the previous game his jokes occasionally fall flat, and the character he has "riding along with him", much like in the first game, has some good chemistry with him, making for some amusing bickering. Plus all the usual "wang" jokes are present and correct.

Shadow Warrior 2 is very good indeed. If you've been considering picking it up, stop. Buy it. Play it. Love it. Who wanta some Wang?

2458: Who Wanta Some Wang?

0458_001

I finished the recent reboot of Shadow Warrior this evening, and I'm pretty astonished by quite how good that game was.

I really liked the original Shadow Warrior. A contemporary of Duke Nukem 3D and running on the same engine, it followed the mould for first-person shooters of the time by having varied levels, lots of enemies, a formidable difficulty level and a 3D engine that wasn't quite up to what the designers wanted to do at times. And, of course, a protagonist that spouted silly one liners at every opportunity.

The new Shadow Warrior is an interesting blend of old and new. There's clearly some old-school level design DNA in there, because the levels are all far from being Call of Duty-style linear corridors. The main route through each level is usually pretty obvious (and if it isn't, the game makes the next door you should go through glow) but, unusually for a modern shooter, there are plenty of opportunities to explore, leaving the main path of the level to "go and see what's over there". The game is packed with secrets of this type and is immensely rewarding for those who like to explore. There are even a number of "retro" secret areas that make use of the low-res textures from the original Shadow Warrior and flat lighting — not only do these provide pleasant fanservice for fans of the original, they also allow you to see immediately how far we've come in terms of graphics.

And boy, new Shadow Warrior is one hell of a looker. It's absolutely gorgeous from start to finish, with beautiful lighting, excellent texture work, interesting level designs and a variety of different environments. Plus it pays homage to the original Shadow Warrior and its other Build-engine contemporaries by setting the majority of its action in "realistic", relatable locations like city streets and parks, much as Shadow Warrior, Duke Nukem 3D and Blood all did.

The biggest surprise to me was how much I became invested in the story. In the original Shadow Warrior, again like its contemporaries, the story was largely throwaway, delivered mostly through the game's help text and short ending sequences at the conclusion of each episode. New Shadow Warrior, meanwhile, not only spins some convincing original Japanese-style mythology, it also converts protagonist Lo Wang from the admittedly amusing dirty old man he was in the original to a convincing (and younger) hero who has a genuine journey of development and self-discovery over the course of the narrative. He still spouts cheesy one-liners at every opportunity, but he does so with a certain degree of self-awareness, even giving up halfway through one at one point in the game and choosing instead to just say "fuck your mother" to the demon hordes he is attempting to dispatch at that moment.

Gameplay-wise, new Shadow Warrior is solid, too. Here it diverges a little from old-school Shadow Warrior's formula in that you don't encounter a trickle of enemies constantly as you explore the level. Rather, new Shadow Warrior adopts a somewhat Painkiller-esque approach, splitting each level into discrete encounters that sometimes consist of several waves of enemies in succession. They're monster arenas, basically, but the level design ensures that this structure doesn't become overly tiresome; it's pretty rare you'll just be dumped in a big room with a bunch of monsters. Instead, there will usually be plenty of cover to dodge around, destructible objects with which you can do additional damage and perhaps even some secret hidey-holes where you can get an advantageous position.

New Shadow Warrior's combat is exemplary for the genre. It doesn't overburden the player with a ton of possible weapons that all do basically the same thing (hi, Call of Duty) — instead, much like its old-school inspiration, it gradually introduces each weapon to the player one at a time over the course of several levels, until by the end of the game you're the sort of walking arsenal you were in '90s shooters, with each and every weapon having a situation in which it is useful. And the weapons feel great, to use; the shotgun is a particular highlight, having not only a satisfyingly loud noise, but the potential to blast pretty much anything into a fine paste.

Also worthy of note is the melee combat, which plays quite a central role for much of the game. First-person melee combat is often a bit crap, consisting of flailing wildly until someone falls over — indeed, the original Shadow Warrior's swordplay was rather like this. New Shadow Warrior, meanwhile, has a convincing feel of impact to its melee combat. When fighting melee-capable enemies, they'll block and parry your attacks convincingly, forcing you to outwit them. And with the game's various skill trees that you can unlock as you progress through the game, a double tap in a direction followed by holding one of the mouse buttons will unleash one of a number of different special attacks ranging from a simple powerful sword thrust to magic-like abilities that can control crowds, heal you, send out shockwaves or protect you from damage.

The reason the "monster arena" structure works is that it gives you time to appreciate the game's wonderful scenery and excellent level design in between fights. If the action was relentless, you wouldn't have much of an opportunity to do this, and developer Flying Wild Hog clearly knows that they've made a very pretty game. Not only that, but keeping the action to predictable "spikes" allows the player to take their time over combing the level for secrets without worrying about being attacked and potentially losing a ton of progress.

On the whole, I'm really impressed with new Shadow Warrior. It's one of the very best single-player first-person shooters (perhaps I should say first-person action game, due to the strong focus on melee combat) I've played recently — possibly one of the best I've ever had the pleasure of playing. And in a world where the bigger budget FPS titles are increasingly bland and dull, Shadow Warrior is a breath of fresh air.

2455: Not-So-Super Max

0455_001

I finally got around to finishing the last episode of Life is Strange yesterday. My final feelings about the whole thing were… overall positive, but a little mixed in a number of areas. Personally speaking, I didn't feel it was the utter masterpiece most critics made it out to be; in fact, there were a number of aspects in the final episode that I found fundamentally unsatisfying and downright awkward. More on those in a moment; let's talk more generally.

SIGNIFICANT SPOILERS FOR LIFE IS STRANGE AHEAD. YOU HAVE BEEN WARNED!

Continue reading "2455: Not-So-Super Max" →

2454: Spooks and Spectres

0454_001

I finally got around to starting the Blackwell miniseries of adventure games this evening. These are some games that I've had in my GOG.com library for quite a while now, but have never gotten around to playing before.

So far as I'm concerned, the Blackwell games have a good pedigree, as they come from Dave Gilbert's Wadjet Eye Games, who produced the subject of the very first Squadron of Shame SquadCast, The Shivah. While The Shivah was a little lacking in production values (as, too, is Blackwell — at least, its first episode is, anyway; I can't yet speak for the subsequent ones) it told an interesting story and was a good adventure game to boot.

The Blackwell series centres around protagonist Rosangela Blackwell, last of her family line. Both her aunt and her grandmother succumbed to a mysterious mental illness, and Rosa discovers that she may be at risk too. What the psychiatrists didn't know, however, is that the Blackwell family has a legacy: a ghost named Joey, who has been stuck in between this life and the next for the last forty years, and who has found himself "attached" to each generation of Blackwell women to fulfil some sort of greater purpose. Rosa is the latest to discover the existence of Joey, and is determined to get to the bottom of who he is and why he has been haunting her family.

The Blackwell Legacy, the first installment in the series, is largely concerned with establishing the characters and the setting. Joey isn't present until a good halfway through the storyline; prior to that, we simply see life through Rosa's eyes as she learns what little there is to know of her family's mysterious apparent mental illness. Once Joey shows up, however, the story becomes much more supernatural in nature: he and Rosa team up to help restless spirits move on to the next world.

The Blackwell Legacy opens with Rosa investigating the suicide of an NYU student. It gradually comes to light that she and two of her friends had been meddling in the occult — did these people not pay any attention to horror movies? — and consequently, two out of the group of three had ended up dead. The girl Rosa was originally sent to investigate passed on with no regrets, it seems, but one of her friends finds herself stuck between realities, unable to accept that she is dead, while the third attempted suicide and failed, ending up in the same psychiatric hospital where Rosa's aunt spent her twilight years.

The story strikes a good balance between "real world" investigation and the supernatural; in order to help the restless spirit move on, Rosa has to research the people involved and what they were up to. The game features a cool "clues" system where Rosa makes notes of important people, places and things in her notebook, and these can then all be brought up as topics of conversation when questioning witnesses. There's also an Ace Attorney Investigations-style system whereby Rosa can "connect" pairs of these clues to produce a third clue based on her conclusion, and indeed most of the puzzles in the game revolve around doing this, then asking someone about it.

The Blackwell Legacy was a short but enjoyable adventure that I enjoyed a lot — it certainly made me curious to see where the story goes in its subsequent installments. Its low-res pixel art with jerky scrolling brings to mind the old LucasArts games, it had some good, atmospheric music throughout and the voice acting was decent — albeit done with poor equipment and software, a criticism which could also be levelled at The Shivah. Joey is particularly prone to shouting into the mic and performing with particularly plosive plosives, for example, while other voiceovers have a great deal of background noise, presumably as a result of boosting quieter voices up in volume a bit too much.

The game was also a bit prone to crashing to desktop — I'm not sure what it is about adventure games that make them some of the most crashy games on the planet, but I swear, of all the games that have crashed on my PC in the last few years, most of them have been adventure games — but fortunately there's an autosave system that prevents losing too much progress.

Overall, I enjoyed The Blackwell Legacy a lot and I'm looking forward to playing its sequels. If you're a fan of classic late '90s-era point-and-clickers, you could do far worse than check it out.

2451: GTA Online: Simultaneously Amazing and Shit

0450_001

There are few things in this world that are simultaneously quite as amazing and quite as shit as Rockstar's Grand Theft Auto Online.

Every few months, I boot it up to see what's been added, and there's always been some pretty significant new content bolted on for free since I last tried. I get excited to try it, maybe even actually get to try it… and then before long I remember why I'm not playing Grand Theft Auto Online all day every day.

The most recent additions to the game — or new to me, anyway — are the Stunt races and the Motorcycle Clubs. The former provides a series of TrackMania-esque building blocks for track designers to construct physically improbable/impossible tracks using the game world as a backdrop, while the latter offers a new means of progression for small groups of up to eight players.

I haven't yet raised enough money to purchase a hideout for a Motorcycle Club yet, which is why I was doing the Stunt Races — conveniently, there's a trigger point for one right outside my in-game apartment. And I've been having an absolute blast participating in these races, which make the best of Grand Theft Auto's exaggerated vehicle physics with lots of jumps, switchbacks, corkscrews and all manner of other funtimes — plus, of course, the inevitable playing dirty that tends to come with the territory.

This was all absolutely great until the "host" of the session either went away from their keyboard or crashed, leaving their game logged in but not responding. Not only did this mean that we had to wait a long time between every event because the host wasn't there to manually press the "start event" button, but it also meant that at the end of one session in particular, everyone was left stuck as the results screen with no means of leaving the event or quitting back to the free-roaming mode short of completely quitting the game altogether then logging back in again. And with Grand Theft Auto V's astronomical initial load time, this is not a particularly appealing prospect.

I've run into this problem before, and I'm surprised it hasn't been fixed. Actually, no I'm not, because Grand Theft Auto Online is still missing a variety of features that a lot of other online games have had for a very long time.

Chief among the missing features is a "party" system whereby you and other players can form a group that sticks together, regardless of whether you're doing events or free-roam stuff. The game does keep people from the same event together if they vote to continue on to a new map, but if anyone chooses to exit to free-roam mode, they're immediately separated from all of the people they were just playing with.

Couple this with the fact that setting up a "friends only" game is a faff and a half, involving booting up Grand Theft Auto V's single-player game, then entering Grand Theft Auto Online from there — there's no means of starting a "friends only" session once you're already in Grand Theft Auto Online — and you have an online experience that is a real mess, particularly if you want to play with friends. And for those who think what I just described isn't a particular faff, you obviously haven't endured GTAV's load times.

It's kind of baffling how these features simply haven't been added to the game since it was launched, because I can't be the only one keenly feeling their absence. And it's frustrating, because the activities on offer in Grand Theft Auto Online are many, varied and a whole lot of fun. It's just such a monumental pain to get it working properly that I often give up out of sheer exasperation rather than wanting to stick with it.

GTA Online should be an absolute masterpiece. And it has the potential to be just that. But short of a fundamental revamp of how the whole online functionality works, it's doomed to remain an admirably fun and varied, yet ultimately frustrating and irritating experience that, for my money at least, often ends up feeling like more trouble than it's worth.

2445: The Best Music of Final Fantasy XIV

Since I appear to be on a Final Fantasy XIV roll at the moment thanks to the excellent new patch, I thought I'd devote today to some of my favourite tunes from the game as a whole.

I respond very strongly to music that I enjoy — so much so that any time I think about hanging up my Eorzean adventurer's shoes for good, it's pretty much always the music that gets me coming back time after time. Or, if it's not the only reason, then it's certainly a leading reason as to why I keep coming back.

So let's look at some great tracks from the game.

"Patch 3.4 boss theme"

I don't know if anyone knows the actual name for this theme yet, but it's an excellent one. It seemingly became tradition with A Realm Reborn that the last couple of patches in a cycle would use different boss music from the ones we had been enjoying previously, and Heavensward is continuing — or, perhaps more accurately, confirming — this tradition.

This boss theme mixes two important themes from the game as a whole: Heroes, which we'll come to in a moment, and Penitus, which we'll also come to in a moment. To put it another way, it mashes together one of the most recognisable musical motifs from Heavensward with one of the most recognisable musical motifs from A Realm Reborn to produce a track that very much feels like a "reward" for people who have at least been playing since 2.0.

Heroes

This theme, played during vanilla Heavensward's final boss fight against King Thordan and Knights of the Round, brought the already exciting story of FFXIV's first expansion to a climactic head. While the fight was a bit easy even when it first launched, people still enjoy running it today just to enjoy this music and the spectacular graphical effects throughout the battle.

Penitus

I was already thoroughly wrapped around this game's little finger by the time I got to level 50 and was faced with the two 8-player story dungeons that wrap up vanilla A Realm Reborn's storyline, but getting into Praetorium and hearing this wonderful piece of music — snatches of which had been heard in a variety of different styles right the way through from level 1 all the way to 50 — got me absolutely hyped to see the story through to the end.

Ultima

And then the game goes and throws this incredible track on you for the Absolutely Definitely Last Boss, Yessirree (Not). I'll let this one speak for itself.

Thunderer

Ultima is followed by this little wonder featuring one of the best key changes ever. Sadly the first time you hear it, it doesn't last anywhere near long enough because everyone absolutely obliterates the Real Final Boss, Definitely Totally For Real This Time in a matter of seconds these days.

Thankfully, Square Enix clearly knew they were on to a good thing with Thunderer, as it was reused in a couple of places — most notably in the Chrysalis trial which was added in one of the content patches, and, for many people, its most iconic appearance in Turn 5 of the Binding Coil of Bahamut, in which you fought the dread dragon Twintania, and which in the game's vanilla release acted as the "true" final boss. (Of course, this later all changed with Second and Final Coil, but still.)

Footsteps in the Snow

Shiva was one of my favourite Trials to be added to the game almost entirely because of this excellent piece of music that opened the fight and ran until the phase change. This music was first heard in the trailer for patch 2.4, Dreams of Ice, and got everyone well and truly hyped.

From the Ashes

Raid dungeon The Final Coil of Bahamut was, for many players, a highlight of the game due to its fascinating story — which, unlike the narrative of A Realm Reborn itself, which span off in a different direction, followed up on how Final Fantasy XIV 1.0 ended. Turn 12, the penultimate turn, is often cited as a particular favourite by many players simply due to this unique music, which was a highly dramatic, spine-tingling take on A Realm Reborn's main theme song Answers. The whole of The Binding Coil of Bahamut had featured music based on Answers, and this track felt like it was bringing everything to a dramatic conclusion.

Answers

And, having mentioned Turn 12, it would be remiss of me not to mention the way Answers was used in Turn 13, the absolutely definitely positively totally final boss of the game, or at least of the raids. I present it here in context, including battle sound effects, to show how it is used in the fight itself. The incredible crescendo during Teraflare is made of goosebumps.

I'm yet to do the new Alexander raid — my item level isn't quite high enough yet — but I understand the grand finale is suitably spectacular. T13 is going to take some topping, though.

2444: Wondrous Tails and the Accursed Hoard

0444_001

Spent a bit more time with the non-story aspects of FFXIV's 3.4 patch Soul Surrender today, so here's a few thoughts with that in mind.

First up, I finished my first Wondrous Tails journal, albeit rather poorly, so I have a good handle of what that's all about now.

Wondrous Tails is a new weekly quest where you acquire a journal from the adorable young Miqo'te Khloe Aliapoh. Khloe wants to hear all about your adventures, so you agree to help her out by filling in her journal with tales of some of your exploits. You are then presented with 16 different challenges for the week, nine of which you need to clear to complete the journal.

On the opposite page to the challenges you are to face is a 4×4 grid of blank spaces for stickers. You acquire these stickers by completing the challenges — one per challenge, though you don't get to choose which sticker you get. Fill a line in the journal and there's a reward separate from the one for completing 9 challenges. Fill two lines and there's another reward. Fill three and there's another still. These rewards are significant, at higher tiers consisting of Allagan Tomestones of Scripture, the current "top end" endgame currency, and even item level 250 armour which, while not the best in the game at the moment, is certainly pretty good.

They are not, however, easy to accomplish, as I've discovered this week. It's not completely random chance as to whether or not you fill some lines — by helping new players complete duties for the first time, you earn "Second Chance" points, which can be used in one of two ways: firstly, to mark a completed challenge as incomplete while marking an incomplete one as complete. This effectively allows you to do something again while removing the need to do something you don't want to do. You can choose the complete challenge to make incomplete, but not the incomplete challenge to make complete. Alternatively, you can spend two Second Chance points to shuffle the entire board of seals (including the ones you've already placed) in the hope that you will get a more advantageous arrangement. In order to make three lines with nine seals, you need their placement to be absolutely perfect — a horizontal, a vertical and a diagonal. As such, it's a bit of a gamble that you can't necessarily rely on.

I gambled and failed, ending up with no lines at all by the time I had nine seals — you can only use the shuffle option when you have between three and seven seals, so you can't just shuffle a completed board around. Still, I at least got the reward for completing the journal for the week, which is meaningful in itself, and there's always next week to try again.

Next up, I jumped in to the randomly generated Palace of the Dead in an attempt to finish my Aetherpool weapon and get something to take the place of my outdated i210 Anima weapon until I can finish the upgrade process. New to Palace of the Dead in this patch is the addition of the Accursed Hoard, a series of hidden treasures that can only be located by using Pomanders of Intuition, which last until you unearth a piece of the Accursed Hoard. Your party banks the pieces of the Hoard until you complete the tier of the Palace that you're on, and like everything else, if you party wipes you lose them.

Assuming you successfully completed a tier, each piece of the Hoard the party acquired will reward you with a sealed sack which must be taken to a new NPC in Quarrymill to appraise. There then follows a gacha-style appraisal sequence, during which you can anticipate how good the item you're about to get is via the animation that plays (or not!) during the appraisal sequence. There are some decent items available through this system — in my first batch of three sacks, I got a paissa minion, the expensive Thavnairian Bustier top and a firework. In the seven other sacks I acquired throughout the evening, I got more fireworks. It seems fireworks are the default "normal" draw, at least from the common bronze sacks, but there seems to be an above-zero chance of getting rare items from this, too, making Palace of the Dead a worthwhile activity for reasons other than acquiring the weapon.

There's obviously a lot of RNG in both of these systems that I've described, and some people don't like that, preferring a predictable goal that you can take aim for and always see your progress towards. Final Fantasy XIV has always been heavily RNG-driven, however, and so these two systems, while having the potential for enormous frustration, are firmly in keeping with what we've come to expect from the game to date!

2442: Planning for Patch Day

0442_001

It's Patch 3.4 for Final Fantasy XIV tomorrow, so naturally any players of the game have been poring over the patch notes, which were released in their entirety today.

Different people have different priorities when it comes to MMO patches. Here's what I intend to get up to:

Main scenario

Whenever a new patch comes out, I always do the main scenario quests first, because these usually 1) unlock at least some of the new content and 2) mean that I can't be hit with inadvertent spoilers from loose lips.

In the case of Patch 3.4, it's an exciting time for the game, since we not only get to find out a bit more about the mysterious "Warrior of Darkness" — seemingly our dark counterparts, and possibly even something to do with the character used in all the game's CG cutscenes — but we also start the run-up to the next expansion, which is set to be revealed in the not too distant future.

The smart money is on us finally heading to Ala Mhigo in the next expansion, as it's a place that has been frequently referenced in the game lore, and which is of particular importance to Raubahn, who has been a major character in the entire storyline so far. Our visit to the Ixali region of Xelphatol in 3.4 would seem to indicate our overall "journey" heading in that direction, too, but ultimately the truth remains to be seen.

Dungeons

Since I'm probably going to romp through the main scenario stuff first, I'll probably complete Xelphatol first, with The Great Gubal Library (Hard) coming afterwards, since it's just a sidequest.

I enjoy Final Fantasy XIV's dungeons, but they're always a bit too easy for my liking. This is almost certainly deliberate, as a means to make them friendly to casual players rather than hardcore raiders, but it would be nice to have some new dungeons that the majority of the playerbase don't vastly outgear the moment they step inside.

At least if nothing else the new dungeons will provide some gear to help people "catch up" to the cutting-edge item level, and dungeon boss fights are always memorable experiences. I can't honestly say I'm hugely excited about either of the dungeons coming up in this patch, but I will reserve judgement until I see them for myself!

Sophia, the Goddess

A new Trial is always enjoyable, because although they're just single boss fights, they tend to be absolutely spectacular, with some of the best music and graphical effects in the game. The preview footage for the battle with Sophia looks to be no exception to this; hopefully it won't become another Sephirot, where people moan and complain every time it comes up in Trials roulette mere days after it being released. (I actually quite liked the Sephirot fight!)

Alexander

I've been underwhelmed by Alexander throughout the 3.x patch cycle, but then, I wasn't anticipating it to be particularly up my alley from the moment it was first announced. I'm not a big fan of steampunk and the comic relief that the Goblins generally provide in Final Fantasy XIV doesn't lend itself well to the sort of epic conflict that raids, for me, need to be truly exciting. Also the music in Alexander up until now is awful (although admittedly in keeping with the Goblin theme) and I hope to God we at least get some suitably epic music for the final battle.

All that said, I'm particularly interested to see how the Alexander cycle ends. We were promised some sort of interesting encounter involving time manipulation, so I'm very interested to see where that goes. Beyond that, I hope the team have learned some valuable lessons from Alexander's development and the lukewarm to poor reception it has had from the player base.

Squadrons

This content caught my eye when it was first announced, and it's probably going to be little more than glorified Retainer Ventures — i.e. wind up a minion, send them on their way to do something off-screen for 18 hours, then check the results when they get back — but I like the idea, nonetheless, plus there's potential for it to be expanded in the future. In fact, the developers have specifically said they'd like to make it so that players' Squadron members can be taken into dungeons, so that will immediately make this stuff worthwhile.

Wondrous Tails

I'm intrigued by this: a randomly selected series of weekly objectives with some significant rewards on offer for completing them. What I'm most interested in is exactly what content is going to be involved with this. Are we going to see something that expects us to do Extreme difficulty trials and The Binding Coil of Bahamut at its original difficulty level? (Or, at least, not unsynced with level 60 gear and stats)?

Mechanically speaking, Wondrous Tails sounds like a way to make old content relevant again, something which has historically been accomplished with the Relic weapon quests. Wondrous Tails is divorced from all other aspects of progression, however, so it can be tackled alongside whatever route you want to go with, be it raiding, Relic or a combination thereof.

Palace of the Dead

I like Palace of the Dead a lot, and it's getting some tweaks in 3.4, the exact details of which haven't been given. What I'm most looking forward to is it being extended to the full 200 floors in patch 3.45, with floor 100 being the end of its "story mode" and floors 101-200 being effectively a "hard mode". Palace of the Dead already offers some worthwhile rewards in the form of weapons; I'm interested to see what the deeper floors will offer.

Apartments

Since they're set to sell for just 500,000 gil, I'll likely finally get my own piece of personal housing in the form of an apartment. It's a pity you can't do gardening in them, since gardening is one of the key benefits of having either a personal or a Free Company house, but I'll enjoy having a space to call my own that I can fiddle around with and decorate.

The onward grind

I'm making decent progress on my Dark Knight Anima weapon, and will continue to do this throughout 3.4; hopefully the new additions to the game will make this process more varied and interesting.

Beyond that, I've been levelling White Mage and enjoying it, so I might try my hand at a bit more healing than I have been doing in the past, though naturally gearing WHM up will have to be balanced with gearing DRK, which is still my main.

Overall, I'm really interested to see where 3.4 takes the game, and especially interested to hear the first details of the new expansion when they finally arrive. Hopefully it won't be too much of a tease when it's revealed!