#oneaday, Day 263: Original Sound Track

Music provides an emotional connection to memories. It can trigger memories, feelings and responses. Many people associate certain pieces of music with particular times in their lives. And, depending on your interests, these pieces of music can be from a variety of sources. They could be movie soundtracks. Pieces of music you've played yourself. The music that was playing when something awesome or terrible happened.

Or they might be video game soundtracks. Game soundtracks are quite unique in a way in that their technology has evolved very quickly. So rather than evolving over the course of hundreds of years like classical music, they evolved very distinct identities with each new generation of hardware, roughly a decade at a time. Today, we're in a peculiar situation where we have game soundtracks that are, at times, indistinguishable from movie soundtracks. But at the same time, we also are getting game soundtracks that deliberately hearken back to the distinctive sounds of the past. Which is confusing. But awesome.

So I thought I'd share a few pieces of music that I've enjoyed over the years. And, where applicable, if I can remember (and if they're not too embarrassing) the memory that's attached to them.

The Atari ST had a deeply, deeply terrible soundchip, especially when compared to its technically superior rival, the Commodore Amiga. That didn't stop a variety of composers such as Alistair Brimble trying their best to compose catchy tunes. I don't have a particular memory associated with this piece of music (besides playing Fantasy World Dizzy, that is) but this piece of music was oddly memorable. I'm not sure why, because it's not a spectacularly good piece of music. But it had that "hook".

Starfox/Starwing had a very distinctive soundtrack. The synth sounds used throughout coupled with the reasonably-convincing electric guitar sounds were actually far better than most of the stuff that the N64's execrable sound chip belched out. This piece of music in particular stuck with me. I remember playing Starfox/wing with headphones on in the lounge and getting told to be quiet because I was finding it all a bit exciting and going "Whooa!" a lot. C'mon. The first time you do that corkscrew descent to the surface of Venom? That was awesome.

I'm not afraid to admit I cried like a girl when (OMG SPOILER) Aeris/th died. I bought Final Fantasy VII specifically because my brother had said it was the first time a lot of people had felt genuine emotion from a video game. I wasn't disappointed. Aeris/th's death may be something of a cliché now. But at the time, what happened to her was shocking.

Silent Hill 2 is a game that's stuck with me for many years. Its powerful imagery, heartbreaking story and excellent theme song are partly to blame for this. The fact that I was so captivated by the story that I played through about 95% of it in one night is probably more to blame for this. I associate this piece of music with staying up that night, and also feel an emotional connection to it which I'm buggered if I can actually describe.

Not a game soundtrack, but Speed's score became my job interview soundtrack for a while. It was good driving music, so I'd listen to it on the way there and, assuming it hadn't all gone horribly wrong, on the way back too. Added a bit of drama to the commute if nothing else.

You might have forgotten about the 2204355 Dancing Chicken Man by now, but I certainly haven't. Why? Because the music on that video is now inextricably tied to my last weeks in Southampton. I was sitting up late one night contemplating the futility of existence (as you do) when SnakeLinkSonic posted a tweet which simply read "I CAN'T STOP WATCHING" and included a link to the original Flash animation that started all this nonsense off. The animation and the music made me laugh so much at I time when I was feeling so utterly terrible that I can't help but have it stuck in my mind. It reminds me of the days counting down until I'd have to leave and make a fresh start… a fresh start which I'm not sure has quite happened yet.

Basically, if there's ever a game featuring me, and I have to face a boss at the end of Disc 1, I want this music to be playing.

Again, not a specific memory attached to this one, but the Split/Second score is awesome and oddly inspirational. As such, I've adopted it as my official Going For A Run soundtrack. And it really works.

Last of all, this piece also doesn't have a specific memory attached to it (because I'm creating said memory right now), but it was introduced to me while I was writing this. (Thanks, Donna!) It's a pair of Dulcimers, an instrument I knew of but don't think I'd ever seen before. This piece is gorgeous; the sound of the instruments is full, resonant and has a sense of "purity" about it. I like it very much.

So there's some music for you. Hmm. That post took rather longer to put together than I thought it would. Oh well! Good night. Tune in tomorrow for the next episode in the thrilling series of events that has been taking place at the top of each post. Have I really just killed myself off?

#oneaday, Day 262: Padawan

I hate reality TV. Loathe it with a passion. I actually want to throw things at the TV if The X-Factor dares to show its face. And Big Brother just makes me want to… also throw things at the TV.

But I have one exception to this rule, one guilty pleasure, and that's The Apprentice. I'm not sure why this is, as it is consistently home to some of the most obnoxious peen-arses that have ever graced the nation's TV screens. But there's something oddly addictive about it.

Twitter helps, of course. The Apprentice is one of those shows that a lot of people on Twitter get behind, narrate, comment and enjoy together. It's like sitting together with an enormous group of friends, pointing and laughing at the prize gits on screen and (possibly) drinking to excess. Of course, it wouldn't be Twitter without other people trying to tell you what you can and can't post on your own stream, so add at least one person to the metaphorical throng of people who is sitting in the corner with their arms folded, sulking, whinging about everyone else having a good time.

That is an overstatement, of course. Most of my non-Apprentice-watching friends politely informed me that they'd either be avoiding Twitter for a while, or temporarily unfollowing me. Perfectly fine; it's the way Twitter's designed to work, after all. The image of the sourpuss in the corner was too amusing to leave out, though. And there are certainly those who do like to throw a strop when people aren't posting what they think should be posted. Balls to them, I say! Or indeed, I point them to this response to me from the fine and lovely @velourvelvet:

(Also, look, see? #newtwitter is good for something. You can see my original tweet and the reply! Stop moaning.)

Anyway. Tonight's episode revolved around sausages and the manufacturing and sale thereof. Naturally, the episode was edited to include as much innuendo as possible. Come on, we're British. What's the world coming to if you can't snicker at the line "Hello there sir, you look like a sausage connoisseur"?

As usual, the people involved appear to mostly be prize dicks. They have, of course, been chosen because they make "good telly". Pop in some grade-A peens amongst the blokes, pop in a few hotties and a few bitches amongst the girls, light the fuse and simply sit back. Easy. It also helps that grade-A peens who are also self-professed "entrepreneurs" up the knobjockey potential by, like, tenfold.

Tonight's casualty was Dan, who looked like a mashup between Nicolas Cage and Bruce Willis. If indeed it were possible to do a mashup of people's faces. Dan took on the poison chalice that was the first episode's project manager position. And his style of project management was to slam tables, say "fuck" a lot and stand back not doing very much besides adjusting his cuffs. And his response to "why didn't you sell anything?" was "I was managing the group". Yes. Badly.

It was actually quite a surprise to see him go, though. As one friend put it on Twitter, "they usually keep the biggest cunt in for at least 4-5 weeks". But to be fair, Dan has plenty of rivals for that illustrious post. Chief among them is Stuart, who deserves a punch in the balls for coming out with the line "everything I touch turns to sold" [sic] and miming punching numbers in on a calculator at every opportunity. The smart money is either on him being next out, or on him being kept in as long as possible to stir up as much discord as possible. My vote is for the latter.

Anyway. Enough talk of nonsense TV. And possibly time for bed.

#oneaday, Day 261: Random Access Memories

It's weird, the things you remember over time. Perhaps it's just me. But I've found over time that I have a fantastic memory for completely pointless crap and yet I can quite easily forget the things I need to buy from the shop in the space between stepping out of the house and reaching said shop.

So I thought I'd share a few stupid memories today for no apparent reason. I have hundreds of these. So this topic may return at some point in the future. For today, I'm going to focus on memories from my childhood.

First up: the ad starting at 2:17 of this vid right here:

Phurnacite. I'm still not entirely sure what it is, or was. But I remember this advert freaking me the fuck out when I was little despite, I believe, only ever seeing it once. Watching it now, it's completely laughable, overacted and utter nonsense. For the longest time, I couldn't even remember it was something to do with cookers. I remembered the image of the "doctors" with the masks on, though, and the woman crying going "HOW WILL I FEED MY FAMILY?"

Why do I remember that? That holds absolutely no benefit to me whatsoever unless taking part in a particularly specialist pub quiz on the subject of TV adverts from Christmas 1989 that freaked me the fuck out.

On a related note, the magazine advert for Mindscape's surgery-em-up game for the PC, Life and Death, also featured doctors in masks, bloodstained swabs and the like and also freaked me the fuck out. I have never been in hospital for an operation, and those adverts were the reason I was terrified of the prospect of ever having to do so. Disappointingly, Google Images has let me down on an actual picture of said advert. But it was in an issue of A.C.E. magazine. Which was 1) possibly the best multi-format magazine of all time, now sadly defunct and 2) the only games magazine I'm aware of that rated games out of 1,000.

At some other point during my childhood, another completely random memory I have is to do with visiting the chap who was my best friend at the time. We'd acquired some weird little toys called "Wiggly Gigglies" (yes, laugh it up, it was the 80s) and much to my chagrin, friend in question had acquired a glow-in-the-dark one. I was fascinated by the idea of a glow-in-the-dark anything at the time, so one or both of us decided that it would be a really fantastic idea to lock ourselves in his airing cupboard to see that luminousness at work. Unfortunately, the airing cupboard wasn't really big enough to even fit two kids inside, so I ended up shutting two of my fingers in the door and it really fucking hurt. It didn't break them or anything, but they were bleeding a bit. I went home shortly afterwards, and resolved never to do two things: touch a Wiggly Giggly again, and shut myself in an airing cupboard again.

In that case, the pain is probably the trigger to the memory. But as I kid, I hurt myself quite a bit—kids will be kids and all that. It's strange how that incident in particular sticks in my mind.

Let's cap this off with a third memory. What I like to call The Great Injustice. It was lunchtime at primary school, and I was enjoying a game with a girl called Anna with whom I had something of an off-on-off-on friendship in that way primary school kids do. Particularly kids of the opposite sex.

I forget the exact details of said game, but it involved swordfighting. Or rather, stick-fighting. Our school field had a number of big trees on it, and they often dropped decent-size sticks that were great for mock swordfights. And so it was that Anna and I were staging some sort of battle for some reason. It was fun. Lunchtime ended and we went inside.

When I got home that evening, I got absolutely bollocked. Turns out my mother had been wandering past the school field at the time we'd been playing our game, at a point when I'd evidently been "winning". As a result, I found myself in a lot of trouble for "hitting a girl with a stick". And no amount of protestation could convince my parents that it had, in fact, been just a game, and if you talked to Anna she would back up my story. Because, after all, who believes the screeches that come out of the mouth of an eight-year old when they're in trouble?

Hmm. These aren't terribly positive memories, are they? Perhaps I should make more of an effort to remember things that didn't freak me out or make me incandescent with an eight-year old's rage!

#oneaday, Day 260: In Between

I don't watch much TV, unless you count DVD box sets of favourite series like Buffy the Vampire Slayer and Angel. British TV has three main types: utterly terrible (Last of the Summer Wine, Dad's Army, anything involving Eamon Holmes), moderately inoffensive (usually involving people wandering around houses going "hmm, it's got character") and bloody brilliant (Spaced, Black Books, The IT Crowd, QI). One of the latter category I will always make an effort to watch is The Inbetweeners from Channel 4.

For the uninitiated, The Inbetweeners is a show about a group of four sixth formers (college-age 16-18 year olds, to the Americans among you). And it doesn't pull any punches whatsoever. Rather than being the sanitised view of school/college life that you see in most shows, this show is how it is. At least if you grew up in the late 90s or beyond. Possibly before; I couldn't say, since I only went through my late teens once and did so in the late 90s.

By "realistic", I mean "foul-mouthed, disgusting and sex-obsessed". And yet the characters involved are somehow likeable despite being, in many cases, terrible human beings. It's the contrasts that work well; there's Will the "specky twat", Simon, who is relatively normal despite stropping at his parents every five seconds, Jay the sex-obsessed, lying arsehole and Neil who is so very, painfully stupid. They're the perfect comic foils to each other, and the best thing about the show is that I know (or have at least met) all four of them at some points in my life. And no, I shan't be sharing who each one of them reminds me of!

The other thing that works so well is the variety of scrapes that they all get into. They're all situations that will be familiar to anyone who remembers being a sixth former. Getting your first car and it being crap. Panicking over sexual encounters. Taking advice from your friends even when you know they're a bunch of complete fucking idiots. And finding your place in the world.

I'm probably making this sound deeper than it actually is; mostly it's a comedy show with a wide variety of gross-out humour and a foul mouth. But despite its extremeness at times, it remains consistently entertaining, hilarious and, at times, horrifically uncomfortable.

If I didn't know so many people who loved watching it, I'd say it was perfect viewing for an exclusive audience of teenage boys… or at least those who remember being teenage boys. But judging from my Twitter feed there are a wide variety of people who love the show and feel much like I do; they'll make a specific effort to watch it and will happily quote it at every opportunity.

Channel 4, despite being the home of Big Brother for so long, has long been the home of awesome shows like this. Let's hope there are many more like it in the future; and that audiences around the world get to enjoy them too. With the content as it is, I couldn't say if it would ever make it onto American TV (tonight's episode featured Simon punching himself in the dick whilst shouting "GET BIG, YOU CUNT!" for example) but for those of you across the pond who like the idea of "kids talking like kids" and doing things that kids do, be sure to check it out.

#oneaday, Day 259: Home Again

I prepared the above comic in advance just in case I was too knackered to do a proper one upon returning from London. And I am pretty knackered. But I managed to get my ass outside and go running tonight. At 9pm. In the dark. In a country village. At least I remembered to take a torch with me this time; less stumbling wildly into darkness and a little more Alan Wake. Though with less of whatever that game has in it (because I still, to my shame, haven't played it yet. I KNOW, I KNOW, all right?) and a little more… well, just running. And walking.

I'm following the Couch to 5K programme (again… I started once before) that was originally introduced to me by the fine gentleman that is Mr Calin Grajko. Given that I'm presently in the middle of nowhere (well… the nearest gym is seven miles away) running seems like a safe, easy option to get some exercise without needing any 1) expense and 2) travel. The thing with gyms is, they're cool and all, but if you're already feeling lethargic and not wanting to leave the house, then travelling somewhere that is going to cause you to be grunting, breathless and possibly in pain is likely not high on your agenda. Unless you have a favourite hooker at that classy brothel you like so much.

But with running, yes you still have to leave your house, but you don't have to go anywhere to get started. The world is your gym. And rather than staring at your sweaty, gasping self for half an hour in those mirrors that gyms insist on putting absolutely bloody everywhere, you can take in the scenery. You can take different routes for variety and challenges. You can run in the dark. You can run in the middle of the day. In the cold. In the warm. In the wet. And you can use fancy-pants iPhone gadgetry to analyse your runs in a level of detail that you really don't need to. Or, possibly, attempt to run a route which lets you draw a giant cock on Google Maps. (I haven't done this. But having just thought of it, now I think I pretty much have to.)

So far I've completed Week 2, Day 1 of the programme. This meant that tonight was the first time I was running for a bit longer, but also walking for a bit longer too. The pattern for this week is run for 90 seconds, walk for 2 minutes, 6 times. Last week it was run for 60 seconds, walk for 90 seconds, 8 times. This week sounded like it should be easier. It isn't! Although as I've found previously with exercising, it's actually surprisingly quick to build up a little bit of stamina. I'm obviously not at the stage where I could even think about running a 5k without collapsing dead yet, but I've noticed a marginal difference between how easy it is to keep going since the first day I started.

Just gotta keep it up! Fortunately, there's a good iPhone app to keep the motivation up. It's called Get Running and it's really very simple; it's basically a glorified timer with vocal feedback telling you when to start and stop running, walking and so forth. It also tracks how far you are through the programme and suggests which day you should do next, as well as allowing you to tweet your progress. The nice thing about the vocal feedback is that it's recorded by a real person, which makes it infinitely more motivational than some robot going "You have… RUN… One. point? SIX! Miles."

Anyway. I have a bed to get to very shortly. And then lots and lots of things to write in this coming week. Adieu.

#oneaday, Day 258: More Eurogamer Thoughts

Apologies to those of you who don't give a damn about teh gaemz. But, well, I'm spending the weekend in the company of lots of new and shiny ones so I thought it was probably worth sharing a few brief thoughts on the noteworthy ones. Of course, there are also some "official writeups" around the place for you to enjoy – today I wrote about Dragon Age II, for example.

Dragon Age II, incidentally, is simply marvellous. I loved the first one (and am, in fact, currently replaying it) but only felt mild interest towards the sequel for some reason. I felt exactly the same about Mass Effect 2, in fact, and ended up absolutely loving that. Having played the demo of Dragon Age II… yeah. That's now a day-one purchase. They've fixed the niggly graphical issues of the first game, added a protagonist that actually talks (and is player-designable, like Mass Effect's Shepard) and made the combat make a bit more sense with a controller.

Some PC gamers have been a bit sniffy about this, thinking that it's evidence of the series "dumbing down", especially after the first game was a proposed return to BioWare's roots. But the cinematic nature of Dragon Age makes it ideal for playing one the couch via the big screen. So why shouldn't it be designed with console play in mind?

Regardless of your opinions on these decisions… it's looking solid, and I'm very much looking forward to it. It is to Dragon Age: Origins as Mass Effect 2 was to Mass Effect. That is to say, a massive improvement in almost every way.

Besides Dragon Age (which I had to wait for ages to play, and then had to play standing up, which made my shoulders ache) I also had a go at Motorstorm Apocalypse (which let me sit down, but made me wear 3D glasses). This was good fun. There were elements of Split/Second to the "driving amidst chaos" gameplay, though, there was less of the unpredictability of Disney's title. It was very clear that Apocalypse's environmental hazards are scripted rather than triggered by players or AI. It'll be interesting to see how this works in multiplayer, as many of the effects seemed to be timed conveniently to happen just as the player passed.

Apocalypse was notable for having probably the best 3D effect that I've seen so far; that said, the technology is still clearly flawed at the moment. Graphics are low-resolution, jaggedy and run at a poor frame rate. They also seem to flicker quite a bit, and it's easy to feel yourself going cross-eyed.

Dominating the show floor near the entrance was Def Jam: RapStar. The Eurogamer Expo, which was mostly filled with white nerds, was probably not the best place to show off this game. You couldn't fault the booth's staff for their enthusiasm, though, as they kept up a constantly energetic and noisy display all day. Of course, being not the world's biggest fan of that type of music (to say the least) I found it incredibly irritating. And I wasn't alone. Still, at least a few people seemed to be enjoying it.

But seriously. That game has fucking N-Dubz in it, which is enough reason to curse its name for all eternity. Not only that, but an N-Dubz song about Facebook. Seriously. Watch this. It's an embarrassment.

Do you really want to stand in front of your TV and sing that? Yes? Then I don't think we can be friends any more.

Settling down to a quiet night this evening before stepping back into the breach for the last time tomorrow. To anyone else attending, apparently there's a Tube strike tomorrow evening, too, so you may want to consider leaving the show early.

Normal business (well, as normal as it ever gets) will resume tomorrow evening. Possibly!

#oneaday, Day 257: Away Message

I'm away for the weekend. Specifically, I'm attending the Eurogamer Expo, the UK's answer to gaming conventions like PAX. It's been running for a good few years now apparently but I only really became aware of it this year. I decided to attend, as I thought it'd be a good opportunity to get hands-on with some of the latest hotness that I'd missed out on at PAX, as well as catch up with a few friends from Twitter.

Eurogamer Expo has a way to go yet before it can even think about competing with PAX in terms of scale, but it's certainly got potential. There are plenty of high-profile companies in attendance with their big games, and tickets sold out completely, so people are certainly interested in events like this. They need to sort out their non-existent press provision and look at more in the way of "special events" to make it a truly excellent gaming convention, though. Some evening concerts wouldn't go amiss; or more in the way of the few developer talks and presentations that they do have already.

Day 1 has so far passed in a most pleasant manner and I am looking forward to tomorrow. I wrote an article about Fable III today, you should totally go and read it, as it's awesome. Here's the rest of the day in one-word summary format:

Assassin's Creed Brotherhood Multiplayer: Tense.
Killzone 3: Loading.
Killzone 3 in 3D: Migraine.
Gran Turismo 5 in 3D: Cardboard.
Peter Molyneux: Entertaining.
Fable III: Amusing.
Dead Space 2: Frightening!
Gears of War 3 Beast Mode: Multiplayer?
Fallout: New Vegas: Fallout.
Saw II: Bloody.
3DTV: NO.
Rock Band 3: Realistic.
@jenjeahaly: Yay!
@shoinan: Fun!
@lewisdenby: Brief!
@LinkYeah: Freshers.
Eurogamer's press provision: Horseshit.
Being told off for taking a coffee while wearing the wrong wristband: Bewildering.
That redhead girl I saw at one point: WOW.
Tonight: Surprise!

So that was my day. Tomorrow will be another day and hopefully I'll get a chance to try out a lot of the things I didn't get to see today. There's a lot of really good-looking games on offer, most of which will be well familiar to people who went to PAX, in all likelihood. Fable III in playable form was the big deal for those who like that sort of thing, and it's looking lovely. Peter Molyneux's talk on the history of the Fable series and its influences from movies and games was particularly interesting, as you'll know already if you've read this like I suggested earlier.

It was great to finally put a face to some Twitter usernames, too, and meet a few new ones as well. Hopefully over the next couple of days there'll be more of that until we're all one nice big happy games-loving family of awesomeness.

And, of course, tonight. Surprising a very dear friend was totally worth it. Even if I got called a few rude names along the way.

For now, I bid you good night.

#oneaday, Day 256: Writer's Block

I'm actually surprised I've managed to go for 256 days without running out of things to write. Whenever I consider pitching an article idea to somebody, you know, "proper", it concerns me greatly that my brain will just zone out and forget how to be creative. But if this blog has proven one thing, it's that it's possible to come up with something that is at least readable every day.

Different people take very different approaches to writing. I remember back in school and at university, being encouraged to write detailed plans for any piece of writing. Including while under exam conditions. Being someone who never had trouble sitting down with a pen and piece of paper (or indeed in front of a computer) and letting the words flow naturally, it always struck me as something of a waste of time. For me, anyway. When I write, I tend to let my brain run several steps ahead of what my hands are writing. Thus, I find myself developing organic, natural arguments in the same way I would if I was talking to someone face-to-face. Perhaps more well-considered, since face-to-face conversations don't have the opportunity to go back and delete something stupid that you just said. Like the sentence I just deleted that you'll now never get to read. Hah. It might have been about you. How does that make you feel?

No, I can honestly say that I have never sat down and actually written down a plan of what I'm about to write. Thinking about it, though, I do go through the process. I make a plan in my head. I just don't commit it to paper, Word document or draft post. I've certainly never used Outline Mode in a word processor, which made it rather hard to explain the benefits of said mode when attempting to sell copies of iWork '09 to customers.

Once I've written the whole thing, depending on the "importance" of what I'm writing (i.e. whether it's a strictly personal thing, something I want to impress people with or something that I'm doing professionally) I'll go back and read over what I've written again. Sometimes I'll come to the conclusion that I was talking complete nonsense and delete huge chunks of work that will never be seen again. Such as that other paragraph all about your sister that I just deleted. (It wasn't really relevant to the matter at hand.) Other times I'll rearrange paragraphs and make them flow more naturally. And sometimes, just sometimes, I'll start all over again in the electronic equivalent of screwing up the piece of paper and flinging it in the bin. (Cmd-W, Cmd-N… yes, I'm a Mac user, deal with it.)

Eventually, I'll end up with something like this that, as I say, is at least readable if not necessarily the most interesting thing in the world. And then I do the same again tomorrow. And again the day after. And the following day. And… You get the idea.

I've done this process so often now that I use it on everything, from blog posts like this to feature-length articles on websites to comments on Facebook (seriously). It's pretty rare you'll catch me responding to something with nothing but a simple "lol" (actually, never on that one) or a smiley.

And that, everyone, is how you keep the creative juices flowing. Like anything, practice makes perfect, and the more consistently you do it, the more naturally it'll happen.

#oneaday, Day 255: The Big Pixels are Here!

Ladies and gents, it's my great pleasure to reveal The Big Pixels to you.

You may recall some days ago that I was mourning the loss of Kombo. Kombo's still not dead yet—feel free to drop by and support the remaining writers—but, to be frank, it's probably only a matter of time. It's very sad to see the end of something which has clearly had love, care and attention poured into it over the last few years, and I'm happy that I was part of the experience for a short while.

But this post isn't about mourning the past; it's about celebrating the future. And that future begins with today's launch of The Big Pixels.

The Big Pixels are a group of friends first and foremost, video game writers second, and we decided to band together to produce something that we'd want to read ourselves. Intelligent, thought-provoking games writing. No flamebait. No traffic-whoring. Just the kind of thing that gets people stroking their chin and going "Hmmm", and hopefully provoking some discussion. Those of you who follow The Squadron of Shame will undoubtedly dig what we're doing. And those of you who are tired of the same old news stories posted everywhere day after day will surely enjoy our work, too. It's an N4G commenter-free zone!

We're there to have fun and build a community, not to chase page hits. So the important thing for you (yes, you!), the reader, is that you enjoy it. Read our work. Tell us what you think in the comments. Feel free to share any pieces you find particularly interesting or entertaining. And help us to build up our own unique little corner of the internet; a home away from home for those who are sick of "Top Ten Tuesdays" featuring boobies, guns or any combination thereof, or people who are sick of seeing the same picture of Michael Pachter on every article where he says something contentious and/or stupid.

Since you're reading my blog, I'm going to draw particular attention to my own posts, of course. I am nothing if not a whore, after all. So while you're over there, feel free to check out a "reprint" of my article on game development's gender divide (featuring much-appreciated assistance from the very lovely Mitu Khandaker and Lauren Wainwright), a companion article to the most recent SquadCast on video game music, and a discussion of adult gaming. I hope you like them; and be sure to check out my buddies' work while you're over there. And don't forget the Looney Bin, receptacle for all manner of game-related crap that we've encountered in our journeys around the web.

It's been an interesting journey over the last few days, and it's only just beginning, for sure. Stay tuned to The Big Pixels, as we'll all be pushing out a wide variety of articles on all manner of game-related subjects every week. Follow us on Twitter and/or Facebook for the latest and to make us look popular and awesome.

Also, our review scoring system has a rainbow unicorn pixel in it. And there is absolutely no way you can say that isn't the most amazing thing you've ever seen. Unless Maru is your cat.

#oneaday, Day 254: Be The First Of Your Friends To Like This

I remember back in primary school we were encouraged to never use the words "nice" or "said" because they were boring. There are always better words to use, we were told, so we should be creative and extend our vocabularies.

Fast forward to today and we have much the same issue with the word "like", a word which is rapidly losing all meaning thanks to its total domination over the social networking space. Every day on Facebook, it's a fair bet that there is at least one entry in everyone's news feed that says "Amber likes OMG!! Where did you get you're shoes LOL! on ♥." or "Bob likes I hate it when your trying 2 go 2 sleep and u cant on Likebook." Not only do these sentences make no sense, they're a symbol of a peculiar shift in communication styles that has taken place in recent years, particularly amongst teens and tweens.

Essentially, rather than just typing "I hate it when you're trying to go to sleep and you can't" and sharing that particular inanity with the world (not to mention spelling it correctly), it seems that it's now much more the done thing to go and find a website which lists hundreds of said inanities for the sole purpose of allowing people to Like them on Facebook. There's a kind of "distancing" involved. Anyone can click "Like" on something. As soon as you write it yourself, it becomes more personal, and harder to do.

Trouble is, the word "Like" is being used so much that it stops making sense sometimes. Or its context is completely inappropriate. Take the latest "check-in" craze, GetGlue, which is actually a pretty neat idea. Users tag the things that they, yes, like as well as the things that they dislike and can then get suggestions of other things they might like based on other users' tastes. Fair enough. However, when a site offers you the opportunity to not only "Like" ebola but also check into it, you have to question if the correct terminology is really being used in this instance.

And where's the opportunity to dislike things? GetGlue is unusual in that it does specifically allow people to say "I don't like this". There's no opportunity to do that on Facebook. If a friend posts a status update that informs everyone that, say, their leg has fallen off and their family are dead and not only that, someone posted a bag of poo through their letterbox then the only things to do are to "Like" it, which seems rather tactless and inappropriate, or to actually leave a comment which will probably start with "I wish there was a Dislike button" and end with too many exclamation marks.

Perhaps Facebook is attempting to make us all more positive. Instead of writing "I'm so sad. My family are dead, my leg has fallen off and someone posted a bag of poo through my letterbox" which, let's face it, no-one is going to click "Like" on, perhaps you should put a positive spin on it. "My family are dead, my leg has fallen off and someone posted a bag of poo through my letterbox. But at least I found 76p in small change in my jacket pocket, Snickers later ftw!!!"

aplenty from there on, I feel.