#oneaday Day 535: Five of my favourite Evercade games

Yes, I know Metal Slug's not on this list. Call it a runner-up.

As you hopefully know, I do a lot of the blog posts on the Evercade website. I had a small flash of inspiration the other day for a recurring series of posts where I and the other chap who has started contributing to the site alternate between just doing a grab bag of our favourites from the library. No particular theme, just "here's five games I, personally, like, and think you should spend some time with".

We've already got this week's blog post covered, so I thought I would use today to shamelessly pinch my own formula — and I'm making no promises that I won't pick these exact five for the first time I do the new feature over on the Evercade site. If I do, I will probably talk about them marginally more professionally.

But for now, dear reader, with apologies to Rob of the excellent Beyond the Scanlines YouTube channel, here are Five Evercade Games I Just Think Are Neat. Note that these are not "the five best games on Evercade", they're just five arbitrarily chosen games that I particularly like. So if I missed your favourite, don't worry; I probably like it too.

Burnin' Rubber

Hailing from Data East Collection 1, one of the Evercade's launch lineup, Burnin' Rubber almost certainly holds the crown for the Evercade game I have, over the last five years since the system's launch, spent the most time in.

For the unfamiliar, Burnin' Rubber is a follow-up to Data East's arcade game Bump 'n' Jump. Indeed, in some locales this console version is just known as Bump 'n' Jump, but it's considerably enhanced and expanded over its arcade predecessor, making it more of a sequel — and a much better game. The concept is simple: drive your car up vertically scrolling stages, avoiding obstacles and smashing other cars out of the way either by ramming them into walls or leaping into the air and crashing down on them from above.

Burnin' Rubber is easy to learn but hard to master, and to date I haven't yet managed to beat it. But it's infectiously compelling thanks to its combination of straightforward controls, challenging but fair gameplay and inordinately catchy music. Ever since I first played it back on the original Evercade handheld, it's been a firm favourite of mine, and absolutely one of my top titles on the entire platform.

World Rally

Staying on the vehicular theme, World Rally from Gaelco Arcade 1 is next up. This high-speed isometric racer has absolutely sublime arcade-style handling, and is a real "in the zone" kind of game that probably makes you look like a superhuman to anyone watching over your shoulder.

Its genius lies in its brilliantly handled controls: rather than giving you complete freedom to turn your car in any direction, World Rally kind of "snaps" your car to the correct orientation as you exit a corner (assuming you remembered to actually steer around it) in a sort of "slot car" fashion. This prevents frustrating instances of oversteer and keeps the game pacy and accessible while still offering a gradually escalating challenge factor through increasingly complex courses.

Presentation is lovely, particularly with Gaelco's trademark low bit-rate digitised guitar noodling on the soundtrack. The sequel is lovely, too, and arguably looks nicer, but I think the original has the slight edge for me, personally.

Night Stalker

Possibly my favourite Intellivision game? It's definitely right up there with Tower of Doom and Cloudy Mountain. Anyway, Night Stalker is, for me, the best game on the Intellivision Collection 1 cartridge, and a game I come back to regularly.

The concept is straightforward: you're stuck in a maze, and robots are coming to get you. You must shoot the robots before they get you. The longer you survive, the more dangerous the robots get. You move slowly and have limited ammunition, so you need a certain amount of strategy to survive — and the ability to adapt as the situation changes.

Night Stalker is super-simple, atmospheric and enjoyable to play. We also mapped the Intellivision's somewhat idiosyncratic "disc and keypad" controls to the Evercade directional pad and buttons in an eminently sensible way, making it arguably more fun to play on Evercade than on original hardware. I'm sure there's some sicko out there who is all like "no, the Intellivision hand controller is the optimal way to play, actually", but for human beings with functional hands, you'll thank us for our control mappings on this one.

Tomb Raider

I enjoyed the original PC version of Tomb Raider back when it was current, and I remember not liking the PlayStation control scheme all that much — perhaps because I was so accustomed to the PC's keyboard controls. But returning to the series when we released Tomb Raider Collection 1 for Evercade gave me an all-new appreciation for this game's methodical puzzle-platforming.

Yes, the combat kind of sucks, but that's why I picked the first Tomb Raider: it's not a particular focus, whereas later games tried to play up the combat to varying degrees. You'll have the odd encounter with some nasties to deal with, but the majority of your time will be spent by yourself figuring out exactly how you're going to scale the enormous structure in front of you and probably breaking Lara's legs a few times in the process.

It's fashionable to bash the early Tomb Raider games today, but approach them with the appropriate mindset — i.e. that they're not Super Mario 64, nor are they trying to be — and there's a lot of fun to be had across the five games available on Evercade.

Shock Troopers

It's been a delight to get to know the NEOGEO a bit better with our NEOGEO cartridges for Evercade. Shock Troopers, which is on NEOGEO Arcade 1, is actually one of the games I did know reasonably well beforehand — in fact, it was one of the first NEOGEO games I ever played, with dotEmu's awful PC port from a few years back — but having it on Evercade is giving me a sense of rediscovered appreciation for it.

Shock Troopers isn't a remarkably original game — it's a top-down run-and-gun, Commando-style, albeit not scrolling exclusively vertically. Where it shines, though, is in how satisfying it is to play. Weapons have a real sense of oomph to them, ripping through enemies and blowing up vehicles and structures. The different characters all handle differently, catering to different play styles. And the game offers a stiff but fair challenge that allows you to make gradual progress if you stick with it and learn the enemy encounters. Plus multiple routes through it add replay value — along with a two-player mode.

It's one of the best-sounding NEOGEO games, too, with some excellent digital music and meaty sound effects. One day I might even be able to get beyond the second stage without having to credit-feed — but regardless of my own ineptitude at it, it's a game I always enjoy every time I fire it up.

Want to read my thoughts on various video games, visual novels and other popular culture things? Stop by MoeGamer.net, my site for all things fun where I am generally a lot more cheerful. And if you fancy watching some vids on classic games, drop by my YouTube channel.

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#oneaday Day 534: An evening of arcade

In gaming today, it's tempting to always want to be making progress on your "big game" of the moment: a lengthy epic that goes on into the tens or even hundreds of hours in length. But one thing I find it helpful to remind myself of on a regular basis is that short-form games very much have their place and their appeal, too. And it's in this area that retro gaming in particular tends to excel.

In recent weeks, I've been having a lot of fun getting to know the NEOGEO games we've released on Evercade this year. Most notably, I've been spending some time with the ever-delightful Metal Slug, which I hadn't spent a ton of time with prior to the Evercade release, and I've even been dipping my toes into the notoriously obtuse fighting game genre a little with Garou: Mark of the Wolves, which first impressions would seem to indicate is one of the more accessible SNK/NEOGEO fighting games in existence.

These games are immediately rewarding and fun. You probably won't be able to beat them on your first go — although in most cases, you can credit-feed — but there's a definite appeal element in the form of gradual mastery. With each attempt from the beginning of Metal Slug, I get to know the game a bit better, I learn more about how to play it effectively, and, assuming I'm paying attention to what I'm doing, I get a little bit further. At this point, I can occasionally make it up to the start of Mission 3 without losing a life; with each new attempt, that "occasionally" becomes "more frequently", and that's a really satisfying, rewarding feeling.

My concern is what I feel like is an increasing number of people getting to a point where they're writing off these short-form experiences as having no real inherent value. Perhaps it's because these games aren't telling a deep, thought-provoking or emotionally engaging story. Perhaps it's simply because they're short. Perhaps it's down to assumptions that short-form or arcade games are inherently "lesser" than 100+ hour epics on computers and consoles today.

I don't know. But I know that I definitely derive value from them, and I continue to feel proud that I'm involved in helping to preserve these games and educate new generations in their appeal elements thanks to my day job.

One day I still want to write a book. Or, at this point, probably several books, given the sheer number of games that are on Evercade by now. I should probably just stop thinking about doing that and actually do it, no?

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#oneaday Day 533: Enshittified parking

The wife and I made the silly error of deciding to go into town today. We thought we'd go get a Currywurst from the German market, plus she wanted to enquire at a music shop about some various bits and pieces.

We were having second thoughts when we got up, because it was dark, miserable and raining outside, but we thought "ah, no, we should go out, it'll do us good to get out of the house".

Reader, it was not good. Apart from the Currywurst, that was good. Although £9 for it was absolute daylight robbery, but I guess that is Just What Things Cost Now. And my wife did at least get the information she wanted from the music shop.

The rest of the trip was a miserable, rain-soaked experience, but probably the most irritating thing about the whole experience was what they've done to WestQuay parking. Instead of taking the tried-and-true approach of giving you a ticket, then you popping said ticket into a machine and paying for how long you spent in the car park, they have decided to make it all "technological", now requiring you to have your number plate scanned by ANPR when you enter, then before you leave, you have to remember to scan a QR code from a poster and pay on a website. Because that is somehow much better.

I will grant you that during busy periods, it could be frustrating to have to queue up for a ticket machine when you wanted to leave. It was frustrating when the ticket machine broke, too, or it ate your ticket, or any other shenanigans that might have occurred. But that's why they had the little man on the end of the "help" button to help you out.

The main issue with the "pay by phone" option they have chosen to go with is that there is no fucking phone signal inside the car park. Nor is there any Wi-Fi. So if you forget to scan one of the posters that is outside on the way back to the car park — or, indeed, if you took a route back to the car park that did not pass by one of these posters — it's an incredible pain in the arse to do something as simple as paying for parking, something which we have all been begrudgingly doing for many years at this point.

Of course, the whole thing has almost certainly been done in the name of collecting data on people who use the car park — they take your number plate when you enter and your name when you pay, so that's fun. They will probably try and spin this as somehow being "more convenient" when in fact it's several orders of magnitude more annoying than the old way of doing things.

But hey. We've made everything else worse with technology. Why should parking be left out of the party?

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#oneaday Day 532: Knackered

I'm absolutely exhausted, and I'm not entirely sure why. I guess this week has been a bit of a busy one with a trip to the office, and just before said trip I was ill, so I think I'm probably still feeling the lingering (after)effects of being ill. Or possibly just still being ill. Either way, it's 8pm and I just want to go to bed, so as soon as we've had some dinner, that's what I'm going to do.

Everything just feels so tiring these days — mentally, more than anything. I am beyond tired of the revolting end-stage capitalism hellscape we live in right now, and long for the AI bubble in particular to pop, if only so people can stop posting screenshots of Google's AI summaries and think that doing this, in any way, proves any sort of point. That and it would be super-cool if all the software everyone uses goes back to being functional and useful rather than having fucking chatbots everywhere.

It's frustrating. I was listening to Cory Doctorow and Ed Zitron talking about the whole "enshittification" thing earlier, and their conclusion is that as individual consumers, there unfortunately isn't a whole lot that we can do to stand up to this nonsense, because it's all happening at a corporate or even governmental level so far beyond the scale of one individual, it's impossible to do anything about. They do, however, note that that doesn't mean there's nothing you can do; they cite the example of attending Town Hall meetings and voicing your concerns about financially and environmentally ruinous data centres being constructed. Even so, though, this seems largely like an American thing — I don't even know if "Town Hall meetings" are a thing here — and, again, it's hard not to feel like a little ant about to be crushed by corporate authoritarianism.

I'd ignore all this shit completely if I could, but it's everywhere — and particularly getting its tendrils into things I actually care about, such as the creative sectors and particularly video games. The new Call of Duty is absolutely riddled with AI art, for example; Ubisoft's latest Anno game has "placeholder" AI art loading screens that definitely aren't just being called placeholders because they got caught; and it seems like every day, a new corporation decides that yes, the absolute best thing to do, despite the general public reacting universally negatively to it every time it happens, is to pivot to an "AI-first" approach, inevitably laying off swathes of the workforce in the process.

I thank my lucky stars I have a stable (I hope) job in the middle of all this, and that AI doesn't interfere with my job any more than having to ignore annoying sparkly buttons in social media management tools and occasionally telling people off for getting ChatGPT to "write" minor things when I'm right here and can do that for them in a matter of seconds without burning a fucking lake down.

God. The "future" sucks. It's a cliché to say at this point, but we really have taken the exact opposite lessons from "cyberpunk" and futuristic dystopia literature than were intended by their authors. We have all the negative aspects of a corporate-dominated end-stage capitalism hellscape, and none of the cool stuff like consumer-grade bionic arms and sex robots. (Well, okay. They're almost certainly working on the sex robot thing, though if it ends up being LLM-powered I'm not sure anyone is going to want to fuck ChatGPT.)

Is it any surprise I'm knackered when just existing through all this nonsense is draining the life force and will to live out of all of us? Probably not. So I'm going to enjoy my KFC and then go to bed.

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#oneaday Day 531: Riding the air

Kirby Air Riders is out today, and I've spent the evening playing it. Specifically, I've spent the evening playing the "Road Trip" mode that I didn't know anything about prior to starting the game. This is a single-player mode that is presumably intended to get you up to speed on everything you might be doing at any point in the other modes, but it also unlocks a bunch of stuff in a similar fashion to Smash Bros.' single-player modes from over the years.

The whole package is very Smash Bros., in fact, including the way you navigate the menus, the way you adjust your settings for a play session and the overall structure of the game. It's a very customisable game, from the look of things, so I'm looking forward to investigating the other aspects of it soon.

Road Trip, meanwhile, that I can talk about. In this mode, you pick a character and initial "machine" to ride on, and progress through a series of stages, each of which is split into a series of "encounters" on the road. Under most circumstances, you have a choice of three encounters to choose from at any point, with different rewards on offer for each. Successfully beating an encounter generally rewards you with some Road Trip-specific currency and a stat increase or two. Outside of the competitive events, you may also run into shops (where you can, of course, spend the aforementioned Road Trip-specific currency) and weird things that determine which of several branching paths you will take at the conclusion of the current stage.

The events you'll compete in on the Road Trip are generally pretty short in duration — races tend to be one or two laps at most, and the events which aren't races are all time-limited. It's enough to give you a look at the different things you can do in the game's other modes, but in a way that you never get particularly bogged down in anything. You rarely do the same type of event twice in a row, and the difficulty curve progresses nicely from "very easy" in the early stages to "genuinely quite challenging, but not annoyingly so" as you get closer to the conclusion.

As you progress through the Road Trip, you'll gain the opportunity to earn "memory shards", which tell the unfolding story. This is surprisingly dark, considering this is a Kirby game, involving a mechanical creature that has sat for aeons without being able to move because it requires someone's "strong will" to allow it to do anything, a terrifying orbital satellite that, among other things, constructs an army of robotic ants to rip this aforementioned creature to bits and rebuild it into a world-crushing weapon, and the implication that everyone's vehicles in the game are like Pokémon, if Pokémon were forms of sentient transporation rather than creatures that liked to fight. So maybe not all that much like Pokémon at all, other than the fact that they clearly have "personalities" of sorts, and partner up with the people of Kirby's world, Popstar, in a quasi-symbiotic relationship.

In the events, Kirby Air Riders is chaotic. For those concerned that it might be a bit too much like Mario Kart: it's nothing like Mario Kart. My wife saw me playing it briefly and said it looked like "Wipeout, but Kirby" and honestly she's not far from the truth there. There's a touch of F-Zero, a bit of Burnout, even a bit of Twisted Metal in there, depending on the type of event you're playing. I can see it easily being overwhelming for some players, but there is clearly method in the madness.

Probably the most clever thing it does is use an incredibly simple control scheme, much like Kirby platformers tend to. There are only two buttons to worry about: characters accelerate automatically, and the only time you need to press a button is when you want to slow down (which also charges up your boost) or use your character's "Special", which can only be used when a particular meter has charged.

The "Boost Charge" mechanic has a nicely tactile feel. You're effectively "pulling back" your character, winding them up and then letting them twang forward, though the exact implementation of this depends quite significantly on the machine you've chosen to ride. Some are built for drifting around corners; others stop dead when charging a boost and can thus immediately change direction when going around 90-degree bends; others still can't drift or boost at all, but make up for this with other strengths.

These differences between the machines, along with individual machines' special capabilities (such as the "Vampire Star" machine's ability to "bite" opponents, damaging and slowing them down and stealing their power-ups) and the stat growth throughout Road Trip mode mean that there's a surprising amount of depth considering how simple the game is to control. Different machines are eminently suitable to different types of event, so it pays to try and build up a collection — indeed, I believe to get the "true" ending for the game, you need to collect all of them prior to reaching the final encounter, though this is made more straightforward through a New Game+ option that lets you carry over the stuff you've already acquired.

There are some other interesting little things, too. A significant portion of the Road Trip mode involves the "Top Rider" mode, which is racing from a top-down perspective on simplified tracks. This is a lot of fun, though obviously less spectacular and chaotic than the 3D races — and it's nice that this is a whole mode you can play given equal weight to the "main" game mode. There are even different control options, depending on if you prefer "turn left and right" or "push the analogue stick in the direction you want to go" for these top-down sequences.

All in all, it seems like a really solid game given that distinctive Sora Ltd. polish. I'll be interested to see whether it has the juice to go for the long term on the multiplayer circuit; I can see this being a really solid multiplayer game, but, of course, it needs a community for that to work over the long term. I don't yet know if the broader community will take to it in the same way as something like Mario Kart — but then, Splatoon came out of nowhere on Wii U and managed to be a big enough hit (on the Wii U!) to spawn two sequels, so there's precedent for a Nintendo game not called Mario Kart or Smash Bros. to have a thriving online community.

More than anything, it's nice to see the Switch 2 finally picking up the pace with some solid releases — and on proper game cartridges, too. Now, if they'd just quit doing that dumbass Game Key Card thing completely I'd be very happy indeed…

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#oneaday Day 530: My way is always better

The review embargo for the "Analogue 3D" FPGA-based N64 clone system came up yesterday, and as is usually the case with such things, about a bazillion reviews all dropped at the same time. The machine looks like a nifty bit of kit — although calling your brand "Analogue" and then not actually having any analogue outputs on your device is a bit weird — and has been reviewing well. As an owner of a MiSTer Multisystem 2, I have no real need for one — just as well, since ordering Analogue stuff is an absolute fucking nightmare — but I'm glad this thing exists and, moreover, appears to be pretty cool.

What has been less cool are the inevitable arguments that have been breaking out in the comments of pretty much every single video and article I have seen on this thing. It's utterly ridiculous to see grown men (and I would place good money on it being all men) of a certain age all getting pissy over how different people choose to experience retro games.

Here's my feelings on the subject: I don't care. Really! I do not give the slightest shit, so long as you're having a good time and you aren't causing anyone else any trouble.

If you want to set yourself up with a MiSTer stack you built yourself, fab. If you want to buy a MiSTer Multisystem 2 to take the hard work out of building an FPGA device, great. If you want to buy a SuperStation One, I hope you love it. If you're running Batocera on a mini PC, more power to you. If you do all your retro gaming on an Anbernic handheld running its stock OS, have fun. If you've spent several weeks finding the perfect alternative operating system for an Anbernic handheld, I hope you've had a fulfilling time doing so. If you're an original hardware junkie with a massive physical collection, can I come and visit? If you have your childhood console and nothing but an Everdrive, amazing! And I'm probably contractually obliged to mention that if your experience with retro gaming begins and ends with an Evercade or Super Pocket handheld, that is 100% fine, too.

Y'see, the important thing with enjoying retro games, to me, is, funnily enough, the games themselves. So long as you're able to experience the games you want to play in the way you enjoy experiencing them, it absolutely does not matter how anyone else wants to do it.

And yet you just have to look through any of these comment threads to see the FPGA nuts arguing with passionate advocates for RetroArch; Windows vs Mac OS vs various flavours of Linux; "download for free!" types against "I prefer to buy official rereleases" people. Basically, if there are two opposing viewpoints possible in this area — and there are quite a few of those — you can count on representatives of those viewpoints all yelling at one another.

Why? Why does it matter to you that some people think the Analogue 3D is a cool device, and you don't? Why does it matter to you that you use software emulation on your Mac and some people prefer to use an FPGA solution?

It's just another example of the Internet being constantly, unnecessarily adversarial, and it's really rather tiresome. As I say, so far as I'm concerned, I have no personal pressing need for an Analogue 3D, as I already have a suitable solution for enjoying N64 games in place — but I absolutely, definitely do not begrudge anyone their desire to add one to their collection! So if you happen to be one of the people lucky enough to have one coming your way soon, I sincerely, absolutely hope you enjoy it. And that you play Beetle Adventure Racing if you haven't already.

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#oneaday Day 529: A different hotel

It's time for my monthly visit to the office, though this time things have been a little bit different for various reasons — not least of which is the fact that I'm staying in an unfamiliar hotel, as my usual place was full. This new place seems nice, if charmingly dated, though it is twice the price of my usual place. It's all getting expensed though, so no problem.

I actually have tomorrow off, which will be nice, as it's Andie's birthday and I won't have to brave the M25 in the middle of rush hour.

Today I elected to listen to some "criminal records" on the journey, because I just felt like it for some reason. My cheese of choice was Louise (Redknapp, nee Nurding), a fairly disposable pop singer that I primarily bought two albums for because I fancied her. Also I ended up quite enjoying them both, particularly the second, Woman In Me.

I was interested to discover that Louise had done some more albums after the two I was familiar with — including one from around 2000, and another that is quite recent. I actually really like what I've heard of the 2000 album, Elbow Beach, so far, but I haven't yet listened to the latest. I think that will be the accompaniment to my drive home tomorrow.

I've always had a soft spot for cheesy, disposable pop music, particularly from the mid to late '90s, because it's tuneful, it's catchy, it's uncomplicated and it plays well as background music you don't have to concentrate on too hard. As a teen, I did the majority of my music listening while doing homework in my bedroom, so it's always been a good accompaniment for doing anything that might be a bit tedious or repetitive — hence why I'm enjoying it so much as a soundtrack for driving.

It's also nice to be of an age where you don't have to make any apologies for what you listen to. I'm sure some of you are silently judging me for having owned two Louise albums in the past (my CD collection went to Music Magpie a long time ago though) but I don't care. Silly fluff it may be, but there's a place for silly fluff, particularly in a world that feels increasingly devoid of joy in the current moment.

Anyway, I'm typing this on my phone and getting annoyed at autocorrect, so I'm going to leave that there. I am looking forward to a nice sleep in this comfy bed, and then a leisurely drive back with some cheesy pop blaring tomorrow.

Maybe they'll have released the Epstein files by tomorrow!

#oneaday Day 528: Autumn plague

Andie and I were ill all over the weekend. Nothing serious — and thankfully not COVID, which we were both concerned it might have been — but the kind of cold that is just enough to be moderately debilitating and make you want to stay in bed for a good 75% of the day.

I think we're both over the worst, but we've both been left exceedingly exhausted, as neither of us have slept very well for the past two or three nights. Hopefully tonight will allow me to get a decent rest, as tomorrow I have to do a long drive for the monthly trip into the office — though it should (should!) be moderately less stressful as I'm driving down in the daytime in order to attend in the afternoon, and then I have the following day off work completely.

With all that in mind, a proportion of today has been spent napping, and I suspect an early night will follow. I genuinely couldn't keep my eyes open by the end of the morning's work, and so my lunch break was spent not eating and watching some TV, but just napping. It was nice.

A middle-of-the-day nap is not something I really started doing until a few years ago, and I'm aware that it can mess up your sleep schedule and all that business. But sometimes it's just nice to allow yourself that moment of peace and quiet, to shut down for a bit and attempt to replenish your depleted energy reserves. It doesn't always work, of course — sometimes waking up after a nice nap leaves you just wanting to nap a bit more — but at others, it can be just what you need to refresh yourself a bit. A power nap, or whatever.

For some reason, I find it much easier to fall asleep for a nap in the daytime than I do at night-time. Part of this is the mind's tendency to ruminate on things last thing at night, but I'm not exactly immune to that in the daytime, either. And yet still I find it much easier to nod off in the middle of the day than at night-time.

Perhaps part of this is down to the fact that from university onwards, I was a bit of a night owl. I have particularly fond memories of being up late one evening pootling about on the Internet, receiving a message from a friend of mine who said that they were going to the beach, and heading off for a thoroughly pleasant evening of night-time beach foolishness with said friend and some other mutual acquaintances.

There was also the period around 2010 or so where I was Going Through A Difficult Time, shall we say, and as part of that process I completely ruined my body clock to such a degree that I was going to bed at 5AM and not waking up until 12 hours later. Not my proudest moment, but also I think the support I was receiving at that time is what helped me get through that particularly difficult period, as incompatible as it may have temporarily made me with a "normal" existence.

Maybe I just like sleeping. I do like sleeping. Regardless, I'm going to sleep relatively early this evening in the hope that I feel a bit more human tomorrow, because right now I feel like a sentient pool of sludge.

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#oneaday Day 527: Dangerous toys

Do kids play with toys any more, or are they just plonked in front of a tablet or smartphone as soon as possible, and left to it? I guess in many ways this is the same question as people were probably asking twenty or more years ago, only with "tablet or smartphone" replaced by "TV or computer".

I occasionally think back and have fond memories of playing with toys as a kid. I was fortunate enough to have parents who would buy me cool things for birthdays and Christmas, but who were disciplined enough to not cave in to my every demand at other times, thereby helping me to understand the concepts of Enjoying What You Have and Delayed Gratification. On top of that, I have a brother ten years my senior, which meant that I had a bunch of cool hand-me-downs that I was able to enjoy. They may not have been the latest and greatest, but I still enjoyed playing with them, regardless.

I had all sorts of different things. I've written about Manta Force before, and that was definitely a favourite. I was also very fond of Scalextric and the Hornby train set we had — though both of those were something of a "luxury" option that only got taken out on particularly special occasions and/or when we could convince my Dad to go up into the loft.

There were smaller bits and pieces I have fond memories of, too. We had a big brown plastic box full of Lego, for example, and I used to enjoy fitting together the big "road" pieces from some sort of city set, and attempting to build buildings and cars to go into these scenes. Among this Lego was a beautifully constructed house that (I assume) my brother had built at some point in the dim and distant past, and I could never quite bring myself to take it to pieces — I never quite managed to make something quite as elaborate as that myself, but I enjoyed the attempt, and the tactile nature of just putting the pieces together.

One set of toys that stick in my mind oddly vividly is a collection of sci-fi themed-toys from a firm called Britains. These were distinctly 1950s "retro" in style, but I always thought they were pretty cool as they were modular — in other words, they came apart, and you could slot them together in different ways to make your own custom spaceships and vehicles.

They didn't really do anything by themselves, but for child me, they were a powerful spark for the imagination. Much like I did with Manta Force, I would imagine myself being among the little toy soldiers and their vehicles, playing out a story in my mind, not even thinking about the possibility of getting lead poisoning from these solid-metal models.

I sort of miss that, and I do often find myself wondering if today's kids have any concept of what playing in that way feels like. I, likewise, find myself wondering quite how many adults of my age take a bit of time now and again to disappear into an imaginary world, helped along by a few potentially toxic props. Because, after all, isn't that all people are really doing with a train set or Scalextric track?

Note to my wife: don't worry, I'm not about to start collecting 1980s toys. I absolutely do not have the room to do that. But I am thinking about maybe getting the old Scalextric out again for an evening or two…

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#oneaday Day 526: Full Metal Schoolgirl

Full disclosure: the other day when I said I was going to play Full Metal Schoolgirl, I actually ended up playing more Tears of the Kingdom. I didn't feel bad about that, either, but it did mean I haven't been able to talk about Full Metal Schoolgirl.

Until now! Because I played it this evening.

Full Metal Schoolgirl is a roguelite action game. I know, I know, we're not exactly short of those, but this one had my attention for a few reasons. Firstly: mecha gyaru schoolgirls. Secondly, it's developed by Yuke's, who do cool stuff. Thirdly, the entire concept of the game is savagely anti-capitalist, and frankly, with the world the way it is right now, that was rather appealing.

You take control of one of two mechanised schoolgirls, each of whom have their own reasons to want revenge on the local megacorporation, which has been turning its workers into cyborgs so they can work more hours without having to take a break. The upshot of this is that they have become "The Working Dead", doomed to continue working their meaningless, joyless jobs even after death.

Enter our schoolgirls, who raid the company's 100-floor headquarters, only for the one you didnt pick to get immediately injured and, predictably, show up as a recurring boss character at various points throughout proceedings.

Your gal has a melee and a ranged weapon. Ranged weapons either have infinite ammo and an overheat gauge, or a limited clip size (and thus the need to reload) but an infinite stock of ammunition. Melee weapons, meanwhile, use up a stamina bar with each strike, and this bar is also used for dashing, dodging and blocking.

The game flows on a room-by-room basis. You're not always locked in each room and have to defeat all the enemies to proceed, but you often are, particularly when some of the game's special mechanics come into play.

Clearing a room rewards you with loot, which can be replacements for either of your weapons or shield, a battery for healing, or a mod which confers a reasonably significant passive bonus of some description, along with a small passive penalty. You also gain various materials with every kill and most bits of scenery destroyed, and there's a currency that only applies to your current run that can be used for various purposes, such as opening locked item chests that can guarantee items of a particular rarity.

Part of the game's setup is that your chosen gal is livestreaming her massacre, and as she progresses, requests will come in from the viewers. These usually take the form of clearing the room in a time limit, without healing or without depleting your stamina bar completely at any point. When one of these comes in, you can accept it, or you can accept a harder variant for a bigger reward. If you successfully complete the request, your gal earns cash donations which do carry over between runs, and these, along with the materials, are used to upgrade her Base capabilities between runs.

It's a lot of fun so far! There's some nice weight to the combat, and plenty of variety in the guns. Since the enemies are robotic, they explode and shatter into pieces dramatically when you blast or slice them, and each room is furnished entirely with physics objects, meaning you absolutely wreck the joint with each encounter.

There are a variety of different enemy types that change up with each block of levels, including some who have a "job title" and act as a miniboss. These can be staggered, which leaves them open to a "Retirement Blow", a satisfying cinematic attack that usually defeats them outright.

Thus far I've enjoyed what I played, and it kept me occupied for a good two hours solid earlier. I'm looking forward to playing it some more — it's a nice, silly, fun game, and that's exactly what you want sometimes.

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