1877: Aaaaand We're Back

Made it home, though my last flight from Dublin back to Southampton was delayed by two hours and the heating appeared to be broken in the part of Dublin's airport that I had to wait for my flight in. It was very cold indeed and not the sort of experience I wanted before 7am. But the time eventually passed — assisted partly by Criminal Girls, whose "Education Block" chapter has made the whole experience very much worthwhile — and I got on the noisy shed-with-wings that was to carry me back to my home town, and that was that.

Unfortunately, the two-hour delay meant that I missed out on a few hours of work (and, consequently, money) today, but there's not a lot I can do about that, unfortunately. I have several hours of work tomorrow, though, so that will help, and from here I can start trying to get myself into some sort of routine, working on various different things over the course of the week in an attempt to (hopefully) make ends meet somehow.

I'm a little worried about the future, to be perfectly honest. Right now it's quite difficult to determine quite how much money I'll be able to get rolling in each month, but I guess that's something I'll be able to figure out with time — coupled with determining how much time I need to spend chasing paying work up, and how much time I have to pursue other projects which may or may not lead to something. It's anxiety-inducing, but at least it's not stressful and soul-destroying in the same way that being systematically bullied out of a "regular" job has proven to be on more than one occasion in my life. So I guess there's that.

In the meantime, I have some fond memories of the weekend just gone to look back on, and I'm glad about that. We've already been confusing people with talk of vampire zombie maids and poisonous war elephants, and it's clear that everyone had a good time, albeit an exhausting one.

I shall sleep extremely well tonight, I'm sure. At 20 past 10 in the evening, I'm struggling to keep my eyes open; I did the final boss of Syrcus Tower in Final Fantasy XIV mostly with my eyes shut. (It's quite easy.) So I think it's probably time to admit defeat to the exhaustion of the last few days that has finally caught up with me, slump into bed and fall asleep. That, at least, is satisfying; while I'm sad to have left my friends behind, it's also good to be home, and back to my own bed.

1876: Connecting Flight

Good morning from Dublin! Today has been a very long day. Technically it's already "tomorrow" but I haven't yet made it home from Boston (my connecting flight leaves in a couple of hours) so I thought I'd take the opportunity to scribble a quick post.

This PAX weekend has been pretty much everything I hoped it would be. I had a great time with my friends, I saw some cool stuff at the show and I picked up some fun swag.

Most importantly, we successfully carried a number of formerly Internet-only relationships into the offline realm. Doing this is always a nerve-wracking experience — regardless of whether said relationship is platonic, romantic or anything else — and so it's always a pleasure when things come together and we all get along.

I actually wasn't too worried this time around, though. Something brought us all together in the world of Final Fantasy XIV and the fact most of us have been together for nigh on two years now says something positive about us and what we mean to one another. There have been tough times, as with any relationship, and people have come and gone over time, but the people with whom I spent my weekend represent a core group that I have always very much enjoyed spending virtual time with — and it turns out I enjoy spending real time with, too. It's just a pity we're all so scattered.

"I'm glad everyone is exactly how they seem to be," said one of our number last night, possibly slightly fuelled by a beer or two. "It means that everyone's genuine. And that we're all as fucked up as each other."

That latter point is key, and not necessarily a bad thing. Almost without exception, we've all had Shit to Deal With to varying degrees over the years, and our adventures in Eorzea have provided not only some much-needed escape at times, but also an outlet through which we can talk about the things that have been bothering us with like-minded individuals.

And that is immeasurably valuable; in an age where it seems people are drifting further and further apart from one another for various reasons, it's comforting to have a group that is pretty much always there for you. I know I'm grateful for these friends, and I'm sure they are too.

Now coffee is calling, closely followed by a connecting flight, a taxi ride back home and then almost straight back out (hopefully with time for a shower first!) to go and teach clarinet to kids. It's all go, huh. I shall sleep well tonight, for sure.

1875: Ohayou, Goshujin-Sama

Third day of PAX East today, but the main thing I want to talk about tonight is what we've been collectively doing for the past couple of hours: creating characters in Maid: The Role-Playing Game, an anime-inspired tabletop roleplaying game that I hadn't even heard of this weekend.

Maid is a peculiar and hilarious game, heavily based on random generation. Of course, you can pick and choose the characteristics you want to customise things a bit more, but the true joy of character creation in Maid comes from rolling dice and seeing what on Earth happens.

For example, the character I rolled was a boyish lolita (who actually is a guy) with an overactive imagination who was born into a hereditary line of maids and who binge eats when she has a "stress explosion". Another character rolled by one of our number was a super-cool blind ninja maid who wields a raygun (called Ray Charles… work it out) and who is actually a traitorous infiltrator of the master's household. There's a huge combination of characteristics, which make for some hilariously complex and deeply flawed characters.

We've spent about two hours creating characters and haven't actually tried playing the game at all yet, but it's been an absolute blast. From what I understand, it can be played in three different ways: purely based on randomly generated events, as a more structured "adventure" or in a competitive manner where all the maid players are attempting to win as much "favour" from the master as possible.

I've ordered my own copy of the game, since when I went to try and pick it up today at PAX it had sold out — apparently it's been a popular product for the past few years ever since it first came to light. Fortunately, I found that Amazon had a copy for a pretty cheap price, so I'm looking forward to perusing it at my leisure when I get home. And perhaps — hopefully — convincing some of my more open-minded friends to give it a try at some point!

It's a fine example of the creativity that you'll come across if you head a little bit off the beaten track — not just in video games, but also in tabletop games and other media, too. It's a gloriously chaotic game that doesn't take itself anywhere near as seriously as some of the more established tabletop role-playing games — not that that's anything negative in itself, but sometimes you don't want the hardcore "weight" of a Dungeons and Dragons and just want to play something a little… ridiculous. And Maid certainly appears to cater to that.

Can't wait to give it a proper try.

1874: PAX East, Day Two

Day two of PAX East today, and I'm getting much the same feeling as I had last time I came: the feeling that I'm among "my people", and that everyone here is having a good time, whether they're fat bearded nerds wandering around ogling the latest excitingness in gaming or computer parts, or some of the staggeringly beautiful cosplayers who have been gracing the show floor.

Today we caught the Final Fantasy XIV: Heavensward panel, which gave some details about the upcoming expansion pack for the reason we're all here. It's releasing on June 23rd, so that's some time to get caught up — though it's also just before our wedding, so… well. Honeymoon in Eorzea it is… or, rather, honeymoon in Ishgard, I should say.

One thing that's struck me during this visit is quite what an all-encompassing medium video games is. People here are passionate about their hobby. In the Final Fantasy XIV panel, for example, people gave director/producer Naoki Yoshida two standing ovations (aside: how many other game makers can truly boast a fanbase that passionate?) Elsewhere, there's beautiful artwork based on video games, live music performances based on classic video game tracks, incredible, distinctive T-shirt designs and all manner of other goodness. It's a pleasure to be a part of.

I've managed to pick up a couple of PSone games that I used to own, too; there's quite a few "retro" game stores around the show floor, so I've managed to pick up copies of Parasite Eve, which I played back in the day, and Chrono Cross, which never released in Europe and which I've always been curious to play. I don't know if I'll play them immediately, but I'm happy to have them on my shelf.

Tomorrow I'm not sure what the plan is, but hopefully we'll have the opportunity to get our hands on a few games. There's a few interesting indie games that I'm hoping to have a play around with, ranging from the entertaining-sounding party game Move or Die to some Japanese PC doujin goodness from Playism.

For now, we're probably going to play a maid-themed RPG then head to bed. I'm exhausted, but I'm having a great time.

1873: PAX East, Day One

Day one of PAX East 2015 today, and we had a pretty good day, though my legs haven't ached this much for a very long time. It's been quite some time since I had occasion to stand up for the vast majority of the day, let alone walk around a whole bunch, and consequently it's been a bit of a shock to the system!

We've seen plenty of cool stuff, though, and we exhibited our pro-1337 Final Fantasy XIV skills in public by expertly taking down Shiva in a single attempt in front of everyone, then getting a T-shirt and a patch for our efforts. We also got a brief look at Final Fantasy Type-0 HD, which is looking lovely, but we didn't get close enough to have a play because the line was too long. (In fact, the guy manning the line pretty much gave us posters to get us to go away.)

I got to see my former colleague Cassandra over as Ysbryd Games, too — she didn't recognise me at first as, I quote, "there are a lot of white dudes with beards here", but halfway through her sales pitch for the excellent VA-11 HALL-A she realised who she was speaking to and whisked me behind the booth's curtains for a private look at the demo build without having to wait for people to finish playing it on the show floor. VA-11 HALL-A is looking wonderfully promising, incidentally; one to keep an eye on, for sure, as I noted when I last took a peek at it over at MoeGamer.

Then this evening we sat in on a Giant Bomb panel which was pretty entertaining — though, I must confess, not being a particularly regular viewer of their content, some of the references went right over my head. They're a charismatic, entertaining bunch, though, and clearly comfortable dealing with the public even when they ask awkward questions.

Tomorrow will probably be slightly more laid back. We're getting there reasonably early in time for the Final Fantasy XIV panel, which will reveal some of the first concrete details of the upcoming expansion Heavensward, and from there… well, who knows.

For now, though, bed is calling. Very loud.

1872: Long Trip

I'm in Boston! PAX East proper starts tomorrow, so today was all about actually getting to the place, getting together with people and then just bumming around to have a bit of fun.

I was a little stressed out at the prospect of the journey, to be honest. When I'm going abroad, I usually travel with other people whom I can rely on and ask questions of, so this was a relatively new experience to me. Still, I got through safely, and my bag even arrived at the same time as I did, which is the main thing I was worried about.

The reason I was a little anxious was that this was also the first time I'd taken a multi-stage trip to the States — in this case, flying from my local airport Southampton to Dublin, then onwards from there to Boston. I was particularly interested to discover that Dublin airport has a "pre-clearance" area for visitors to the States. I hadn't come across this before, but it appears to be an extremely good idea: rather than wasting hours of time after you've been stuck on a plane for hours, pre-clearance allows you to do all the immigration and passport control nonsense before you actually take your flight. It's actually sort of surreal; it looks like you're entering the States — there are pictures of Obama and everything — but in reality you're just heading for a normal airport gate.

When I arrived at Boston I successfully navigated the subway system to the hotel I'm staying at with my friends; this cost a fraction of the price of getting a cab, so it was an infinitely preferable option given that my funds are somewhat limited at present.

I'm not sure what we're going to see at PAX tomorrow; for one thing, we're probably going to take on the Final Fantasy XIV battle challenge and fight Shiva in the hope of winning a T-shirt, but other than that, I couldn't tell you yet.

For now, though, it's after midnight (here) and my body clock still probably reckons it's about 6:15 in the morning, so I better go to bed. Night!

1871: Imminent Departure

In a few short hours, I'm catching a flight to Dublin… and then on to Boston, Massachusetts (or however you spell it) to attend video game expo and general nerd convention PAX East.

I'm really looking forward to it. Last time I attended, as I've mentioned previously on here, was back in 2010, when I was going through a bit of a shitty time in my life. Once again, it seems, my trip to the States has coincided with a somewhat shitty time in my life, albeit for different (and slightly less horrible, though not by a huge amount) reasons than last time around. Once again, I am looking to the trip to take my mind off things for a few days and to remind myself that yes, I do have friends, not everything in life is terrible and that sometimes, occasionally, it is possible to have a good time and be happy.

I'm not sure what I'm going to see at PAX. In some ways, I'm not even sure I care too much; I'm going more for the overall experience, to have the opportunity to see some things I might not normally have the opportunity to see, and to hang out with friends who have become an important part of my life. It's not the first time I've met a group of "Internet friends" and made their real-life acquaintance, but it is the first time I've done so with a single game we all play together as a basis.

I ended up having a somewhat heartfelt discussion with my Free Company-mates in Final Fantasy XIV the other night, and I admitted that the game had been something of a "lifeline" for me through some difficult times. I was unsurprised to discover that I was far from the only person who felt that way; the frequency with which I see my virtual comrades online makes it abundantly clear how important the experience is to them, for various reasons — be it the opportunity to hang out with virtual friends, to go on virtual adventures, to try and be the best at a challenging game or any other reason people might have to log in day after day.

The "friends" part is important, though. We've all "known" one another for a good proportion of time now; some of us have been playing the game since beta, which means we've been playing for coming up on two full years. Others joined more recently but integrated themselves into the overall group without too much trouble; other people left and went their own way; others took a break and came back, hopefully to stay. Being a cooperative game, it's a game that is, at least in part, about trust: everyone has a role to play. People trust the tanks to keep the rest of the party from being punched in the face. People trust the healers to keep them alive. People trust the damage-dealers to kill things as quickly and effectively as possible. Together, it's a wonderfully satisfying feeling, and the more we've played together — because most of us will partner up with one another rather than strangers by preference — the more we've come to know each other, trust one another and have fun together.

This is why I'm looking forward to PAX. It's an opportunity to hang out in the flesh with these people I've come to regard as real friends. Even if very few of us are as pretty (or, indeed, as female!) as our in-game characters. 🙂

Updates may be sporadic over the next few days as I'll be reliant on public/hotel Internet, but expect something from me… hopefully! If not, I'll write stuff anyway and publish in a big splurge when I get back. 🙂

1870: Cards, Cards, Cards

Spent a bit of time playing Triple Triad in Final Fantasy XIV this evening, and had a lot of fun.

Triple Triad, for the uninitiated, was a card game introduced in Final Fantasy VIII. It's a very simple game, although optional advanced rules can make it surprisingly brain-melting, particularly when they're used in combination. And it's a flexible enough game that, by playing around with these rules, a player with a "better" deck of cards isn't necessarily always going to beat someone with "bad" cards.

For those who have never encountered the game, here's how it works: There's a 3×3 grid onto which you and your opponent take it in turns playing cards from a hand of five. (This means there will be one card left over at the end.) Cards have four numbers on them, corresponding to the four edges of the card. When you lay a card down and it "touches" the edge of another card (for example, you played a card in the middle-left space while there was already a card in the central space, meaning the right side of your card is touching the left side of the card already there) you compare the numbers. Under the normal rules, if the number you laid down is bigger than the number that was already there, you flip the card and claim it as your own. (For example, using the situation above, if the card in the middle had a "4" on its left edge, and the card you laid had a "5" or higher on its right edge, you'd claim the middle card.) Whoever has the most cards under their control when the board is filled wins. Simple.

The advanced rules fall into several different categories. Variations on "Open" mean that you and your opponent reveal either three or all of your cards from the outset, allowing for a degree of forward planning. "Random" disallows you from using the five-card decks you've built yourself, instead pulling five random cards from your complete collection. "Order" forces you to play the cards from your deck in the order you put them in there. "Chaos" forces you to play the cards from your deck in a random order. "Reverse" flips the normal rules on their head, meaning smaller numbers now beat larger numbers — this rule makes a "bad" deck suddenly very good. "Ascension" causes cards of the same type to inflate in value the more of them that are placed on the board. "Same" allows you to claim cards if you put down a card and the numbers on two of its sides match two cards already on the table. "Plus" is a similar rule, only instead of matching numbers, the two sides must add up to the same value. Both "Same" and "Plus" can set off combos, too, allowing you to potentially take the whole board in one go with a lucky or well-planned move.

As you can imagine, combining these rules can make for a game with a surprising amount of flexibility, and change the feel of it altogether. But even in its basic form, Triple Triad is a surprisingly compelling little diversion, and the more you play it, the more cunning little strategies you'll spot and be able to adopt. Final Fantasy XIV allows you to challenge various non-player characters around the game world to a game — who may potentially give up some rare cards if you beat them — and also to play other players. In the latter case, you have the option of customising the rules to your liking, or throwing caution to the wind and having a "Roulette" match in which the rules are determined randomly. There are also regular tournaments — the first one started today — in which you have a set period of time in which to complete (and hopefully win!) as many games as you possibly can in order to score points and get yourself on the leaderboard.

It's an extremely well fleshed-out version of a game that was a lot of fun to play against the computer in Final Fantasy VIII; it's even more fun to be able to challenge friends to a game thanks to Final Fantasy XIV's massively multiplayer nature.

And if nothing else, it's something to do while waiting in a queue for a dungeon…

1869: Back at the Chalkface

I'm doing something tomorrow that I've sworn a number of times I'd never do: I'm going back into a Music classroom in a school.

Things are a little different this time around, though. For starters, I'm not there as a regular teacher; I'm instead doing some work (my first, in fact) for the local music service covering an illness absence. It's also only for a couple of hours, so even if it ends up being an absolutely hellish experience (which I sincerely hope it won't!) then it won't be long before I can escape.

But let's be positive. I'm actually quite curious to see how this school is doing things, because it's the first time I've come across a school giving instrumental lessons to a whole class at once — in this case, year 3 and 4 children playing clarinet. My past experience in the Music classroom has been limited to schools with a budget of about £5 a year for the arts, and an equipment cupboard full of little more than horrible '90s keyboards, broken percussion instruments and perhaps a couple of recorders if you're lucky. 30 kids having the opportunity to learn a "proper" (for want of a better word) instrument like the clarinet is a new one on me, and I'm all for it.

Music was one of my defining "things" growing up. I started learning the piano from an early age and did pretty well. I got through exams without too much difficulty, often performed in public, participated in local music festivals (including the unusual experiences of piano duets and trios, which I kind of miss the bizarreness of) and eventually started teaching before I left for university. I picked up the clarinet and the saxophone while I was at secondary school, and these opened the door to more social music-making occasions such as the school orchestra and bands, and the county concert band (which, although fun, was one of my first real experiences with social anxiety, particularly when I overheard someone I thought was my friend taking the piss out of me behind my back). It was often hard work, but it was enjoyable, and I made a lot of good friends at university through music, too.

It was something that, as I was growing up, you had to make a specific effort to do, though. Music to me was "special" — something a bit outside of the norm — and I liked it for that. I liked that it gave me a skill that a lot of other people around me didn't have. I liked being able to play a piece on the piano and people who normally wouldn't give me the time of day would suddenly (and, usually, temporarily) think I was cool and talented. I find myself wondering whether I'd feel the same way if I'd "had" to study my instruments, rather than wanting to.

This is why I'm intrigued to see this whole-class approach to instrumental teaching. I'm not convinced it's going to be ideal, since an instrument like the clarinet in particular isn't suited to everyone. It's an opportunity for these kids to make music together, though, and using an instrument that's eminently more relatable than the usual "school music" mainstays of tambourines, tambours and guiros. And a bit more practical than getting everyone playing the piano — although I do know of some schools that take similar approaches with keyboard tuition.

Anyway. That's my day tomorrow; hopefully it will lead on to new and exciting things.

1868: A Relic Reborn, Again (and Again)

I am finally on the final step of one of Final Fantasy XIV's most lengthy, gruelling challenges: the "Relic" quest, which can begin the moment you hit level 50 and will keep you going right up into top-tier endgame play. It was designed as an alternative for more "casual" players to be able to get better weapons over time without having to jump into super-difficult raids — a process which requires organisation and commitment from people in order to make any meaningful progress. The intention was to give these "casual" players something that would take about as long to complete as it would for a raider to be able to master top-level content and score the sweetest possible loot from them, but somewhere along the line the Relic questline became all but obligatory for everyone to complete, if only as a matter of pride.

As previously noted, it's a long and gruelling — though not especially difficult — process.

First you have the quest to acquire the weapon in the first place. This is an involved, multi-part affair that involves tracking its timeworn and weathered form down — usually from the depths of a monster-infested area — and then setting about finding the materials that master weaponsmith Gerolt needs to restore it to its former glory. Rather inconveniently, these materials can only be found in the somewhat uninviting lairs of Eorzea's Primals Ifrit, Garuda and Titan, so having already floored these massive enemies once during the course of the main story, you're now tasked with killing them again. This used to be a genuinely challenging task, back when the base Relic was pretty much the best weapon you could get in the game, but it's become almost trivial now thanks to how well-geared the vast majority of the level 50 population is now. There's also a dungeon to run (Amdapor Keep, which was the hardest four-player dungeon in the game when it launched, but which again has now become somewhat trivial) and two more boss fights against a Chimera and a Hydra that are new to the Relic questline.

After all this — and a bit of testing out the unfinished form of the weapon on unsuspecting members of Eorzea's beast tribes — you're finally blessed with an item level 80 weapon, which can be upgraded to item level 90 and made to glow in a rather fetching "this is special!" manner through the judicious application of Thavnairian Mist, a rare concoction that can only be acquired by exchanging Allagan Tomestones with collectors of rarities. Tomestones are a special currency rewarded for completing content at level 50 — since you no longer get experience points at this level, having reached the level cap, they form the basis for progression beyond this point. Pretty much anything that involves other people will reward you with Tomestones, be it four-player dungeons, eight-player Trials, twenty-four player raids or the extremely tough challenges of the Binding Coils of Bahamut.

This form of the weapon, known as Zenith, used to be pretty much the best weapon you could get outside of downing Turn 5 of the Binding Coil of Bahamut — a tall order even for well-geared players even today — and acquiring one of the Allagan weapons. But as time went on and the game gradually expanded with each new patch, so too did the Relic quest.

It began with Atmas, a step which, for many, proves an insurmountable obstacle, but which sets the pace for the amount of commitment required to finish this lengthy process. Atmas are small crystals containing the souls of fallen warriors, and can be acquired randomly by participating in FATEs — public events that occur every so often in each of the game's zones — and completing them successfully. There are twelve Atma in total to collect, meaning you'll have to visit twelve different zones to participate in FATEs. In game terms, this step was designed to get level 50 players helping out with low-level FATEs, since a tweak to how experience points were awarded in the game's early days saw people turning to instanced dungeons for quick experience points rather than wandering around out in the open world helping one another.

The cruel twist in the Atma step was that once you'd acquired all twelve Atma, all that happened when you "upgraded" your weapon was that it lost its cool glow from the Zenith step. Its stats didn't change at all. But it was still an important step, because it made your weapon ready for the gradual upgrade process that came next.

By exchanging further Allagan Tomestones with a collector in Mor Dhona, you could acquire books telling tales of the "Zodiac Braves", and you're told that by recreating these tales of derring-do using your Atma Relic, you can improve it considerably. What this boils down to is a set of objectives — 100 specific monsters to kill, three specific dungeons to complete (or, more accurately, three specific bosses to beat), three specific FATEs to participate in and three specific levequests (short, repeatable quests) to complete. You had to do this nine times in total; each completed book rewarded you with a small increase to the stats on your Atma weapon, so it gradually improved over time. When all the books were completed, your Atma weapon regained its glow — a more substantial one this time — and became its Animus form.

Next up, you're told that you can improve the weapon further — and, crucially for this step, customise it — by infusing materia into a "sphere scroll". In order to do this, you need the sphere scroll itself (which costs yet more Tomestones), seventy-five pieces of Alexandrite as a catalyst to infuse the materia into the scroll, and at least seventy-five pieces of materia of the appropriate types to give your weapon the stats you want. Alexandrite can be acquired by participating in FATEs, bought with Allied Seals acquired by beating the giant monsters of The Hunt, or by digging it up using Mysterious Maps acquired from a strange old lady in Mor Dhona who appears to have been using them to clean her kitchen. The more materia you attach to the scroll, the higher the chance that the infusion will fail; fortunately, you only lose the materia if this happens, while the Alexandrite remains in your possession. Your reward for successfully infusing seventy-five points' worth of stats into the sphere scroll? Your Relic's Novus form, which has a somewhat more imposing glow.

For a while, again, Novus was the pinnacle of what you could have in terms of weaponry, and it was particularly powerful due to the fact that you could customise it. The materia to do this — particularly for popular stats like Determination (which increases damage) and Critical Hit Rate (which increases the likelihood an attack will deal considerably more damage than usual) — didn't come cheap, and the only other alternative was to "Spiritbond" equipment by using it to defeat monsters either in the world or in dungeons, then turn this equipment into materia, with random chance determining whether you'd get the kind of materia you wanted or a useless alternative. Thus, Novus was a long, difficult and expensive process for many, but taking the time to complete it would give you a strong weapon that would see you through pretty much anything the game could throw at you.

Then came another step. By "soulglazing" your relic and using it to collect soul energy — known colloquially as "light" owing to the fact your weapon glows with varying levels of intensity when it acquires this energy — you could make it more powerful still, improving the stats you'd infused into the Novus by a set amount according to the combinations and amounts you put in. In order to acquire light, you simply had to do pretty much anything that involved other people — dungeons, trials, even FATEs. Light was acquired at a very slow rate, however, and many resorted to running the same things over and over again for hours at a time in order to gain light most effectively. In practice, however, you could gain light at a good rate simply by playing the game as you normally would, attempting to acquire Tomestones to gear up your armour to match your increasingly powerful weapon. Upon filling your Novus with light, you'd be able to turn it into its Nexus form, the ultimate incarnation of the Relic you found all that time ago, and a weapon that you've truly helped to make your own.

But your efforts don't end there. Through this whole process, you've been developing a relationship with both a scholar of these ancient weapons and a local master blacksmith, and it eventually becomes clear that it's possible to recreate the legendary weapons of the Zodiac Braves themselves — but in order to do so there is, unsurprisingly, a somewhat convoluted process involved that requires you to do the dirty work of four separate individuals who have what you need to complete the weapon, but who aren't about to give their prizes up quickly.

By far the most gruelling part of this phase is acquiring specific items from specific dungeons. These are drops similar to the Atma in that there's only a random chance of you acquiring them when you complete a dungeon, and no guarantees. Consequently, you may find yourself running one dungeon lots and lots of times in order to acquire one specific item; at the other end of the spectrum, however, sometimes you get lucky and acquire it straight away. It's unpredictable and, at times, infuriating, but oh so satisfying when you get what you need.

After completing this epic slog, you're rewarded with a brand new weapon, recreating the form of one of the Zodiac Braves' weapons and infused with the soul energy you collected using your Relic. (These Zodiac weapons take the form of iconic weapons from past Final Fantasy games such as Excalibur for a Paladin, Kaiser Knuckles for a Monk, Yoichi Bow for a Bard and so on.) This is the stage I got to tonight: I now have Excalibur and its companion Aegis Shield.

But there's one final step to go: embracing the weapon's apparent sentience and sense of will, and forging an unbreakable bond between the two of you. In order to do this, it's another light grind similar to that for the Nexus, but this time instead of having to collect it all in one weapon, you gradually fill up twelve "mahatma" with soul energy, and the process is considerably quicker than before. This is the final step of a quest that's been in the game since launch, and your reward is a weapon that is likely to be the absolute best piece of equipment you can get until the expansion Heavensward arrives later this year and makes all this work irrelevant. (Actually, that's not quite true; producer Naoki Yoshida has said that those who put in the work to complete this questline will have a leg-up on whatever comes next come Heavensward time. Thankfully.)

It's a slog, to be sure, and it's even something that a lot of players will find offputting and want nothing to do with — thankfully, there are numerous alternative means of acquiring weapons, so even if you're playing multiple classes you don't have to go through this epic grind for all of them — but by God it's satisfying to reach a milestone in. I've likened it before to the idea of "building your own lightsaber" in a Star Wars game — something which has never been given the gravity it deserves, even in the Star Wars MMO The Old Republic — and it's true. By the end of this process, your weapon, even though it's just a collection of numbers, is part of you and your play style, and an important part of your character as a whole; the unbreakable bond between character and weapon isn't just for lore reasons — you'll feel it yourself as a player, too.

So wish me luck as I proceed on the final chapter of the Relic quest; I'm hoping to have Excalibur's "Zeta" form before I head off to PAX later this week. We'll see if I'm successful!