#oneaday, Day 4: The Application Letter I'd Actually Like to Write

Dear Employer,

Hello. My name's Pete, and I'm a fully-functional human being able to perform tasks for you in exchange for money. I'm not actually that fussy about the tasks you'd like me to perform, so long as they at least fall under the category of "things that I'm capable of doing".

Things that I'm capable of doing, if you were curious (which you should be) include the following:

  • Typing like the clappers (anywhere between 85 and 100wpm depending on how easy your test is)
  • Producing good-quality writing at short notice (as this blog which I update every day will hopefully attest)
  • Spotting mistakes in others' writing and being able to correct them, with a particular focus on people who do not understand the difference between "your" and "you're".
  • Inspiring a viral trend of people to get off their behinds (or, more accurately, get back on their behinds, only in a different context) and get creative—see the One A Day Project, up to 105 participants at the time of writing.
  • 5-Star "Poker Face" on Dance Central (but, eh, let's keep that one our little secret, shall we?)
  • Teaching people who have no idea how to use a computer how to use a computer in terms they can understand.
  • Being honest about the things I don't know or understand, and finding the information out for myself.
  • Being able to sit down in front of a new piece of software and get to grips with it very quickly.
  • Feature on, edit, produce and release a podcast (see: the Squadron of Shame, soon to return after our holiday break)
  • Using Aperture and Photoshop for photo-tweakage.
  • Having an opinion worth listening to (see: the number of people who are playing Recettear: An Item Shop's Tale at least partly because of my enthusing)
  • Write words on paper that people can actually understand without having to resort to words such as "timeously", "leverage" and "monetize".

You may think that the vast majority of experience on my CV isn't exactly relevant to the position you're advertising. And you'd probably be right. But man is far more than a list of past positions on a piece of paper. He is the sum of his skills, experiences, memories and adaptability. And I have all of the above in spades, meaning that I'd be more than happy to turn my hand to something new. And not only that, the fact that I can learn new things incredibly quickly and retain them easily means that even if I've never done the exact job you're advertising before, I'm pretty certain that I could do well at it if you simply explain what it is I have to do first.

I've also been out of regular work since last March, which means that by hiring me you'd be doing your bit to help the UK out of its "millions of people unemployed" situation. I haven't even been claiming any benefits, but might start having to pretty soon. By hiring me, you'd be allowing some of that taxpayers' money to be spent on something useful rather than keeping me provided with Lemsip, toilet paper and Eccles cakes.

But above all, by hiring me, you'd be helping both yourself and me. You'd be giving me a job, some financial security, a reason to get up in the morning and something upon which to focus my efforts. And I'd be giving you a committed, grateful, industrious worker who will do his utmost to show you he's the best damn person-who-can-fulfil-the-position-you're-advertising ever.

So think about it, huh? Do you want the person who writes the predictable but completely empty-of-soul letter that proclaims how supposedly "passionate" they are about whatever your industry is, and how much of a "generalist" they are? Or do you want the actual human being?

Thanks for your time. I'll be right here while I don't have anything better to do of a day. Call me. Email me. Hire me.

Pete

#oneaday, Day 3: My Life with Des

The concept of Des as displayed in my comic is, of course, nonsense and would be genuinely terrifying if it were actually true. But for anyone who has suffered with depression, anxiety or similar symptoms, your own personal black cloud of despair is very much a real thing, even if you can't see him or make him cups of tea in order to make him go away. (Some people may argue that last point, but I don't really drink tea.)

Thinking about it, though, "Des", or "The Black Cloud of Despair" to give him his full name, has been with me pretty much for as long as I remember, right from a young age. In this post, I'm going to explore my relationship with "him" and perhaps work some things out as a result. This probably isn't going to be easy to write (or read) but it's cathartic or something. So here we go.

Des sometimes came with me to primary school. I had disproportionately-large ears when I was a kid, or at least a haircut which made them appear that way, and I was relentlessly bullied throughout most of primary school for them, even by people who were (sometimes) my friends. I recall spending many lunchtimes at school either in tears, getting beaten up by the school bullies or getting absolutely furious at one of the dinner ladies. I can't even remember why I got so angry with her now, but I have vivid memories of kicking a bin over on more than one occasion. Looking back on it, all these things that were happening just attracted Des to me like flies to shit. The relentless teasing and bullying made me feel bad about myself, and I felt wronged, that life was somehow unfair, even at that early age. Des whispered in my ear that I was never going to be one of the "cool" kids, that I'd never be part of the "élite cliques", and I believed him. I stopped trying to be "cool" and settled for the (ultimately more useful) choice of "doing well".

So a questionable start there.

Des joined me at secondary school, too. On my first day at secondary school, the small group of us who had been together in the same class for all of primary school were now scattered around different tutor groups with a bunch of strangers. Strangers whom we were obviously expected to interact with.

Des whispered in my ear again. "You don't know what to do, do you?" he said, a mocking tone in his voice. "You really have no idea."

I didn't. I actually turned to my friend sitting behind me and said "I can't remember how to make friends!" and he just laughed me off. But I genuinely couldn't. And to this day, it's never a conscious process. It just sort of happens, with some people more than others. Those people that I instantly "click" with? Those are the people I know are going to be true friends, the ones who will never disappear from my life, even if distance or time separates us.

The bullying wasn't quite so bad throughout secondary school, and I at least had a group of friends that were less fond of turning their backs on me at regular intervals, so I was able to stand my ground a bit more. But Des was still there, and I totally lacked the confidence to do any normal teenage things like ask girls out because he'd always be there, muttering that there's no way they'd ever want me. I went out with two girls throughout my high school life: one of them cheated on me in front of me at the school prom (classy, but she's now married to the guy so fair play to them, I guess) and the other got together with me on a school trip to a local recording of Songs of Praise (I know, right), promptly disappeared for a week and then decided that it wasn't working. Well, great.

Sixth form was better. In fact, I'd go so far as to say that sixth form was my favourite time to be alive. Des left me alone throughout this time, and I got on with my life. I did the things I enjoyed to the best of my ability and have some of the fondest memories with my friends of all time during that period. It seemed like things were finally taking a change for the better, and as the time to go to university drew nearer, it seemed like my whole life was ahead of me and that I could finally look forward to what was to come instead of resenting the past.

And sure enough, university was pretty great. Barring one small incident at the very start of my time there where I met someone whom I was absolutely sure within a matter of minutes was the "right person" for me who then got together with someone else because I was too hesitant to speak up (that and she liked him more, I guess), Des mostly left me alone throughout university, and I again enjoyed good times with great people.

Since then, though, he's been back. Occasionally he goes away for a while, but he always comes back. During my work in teaching, he was ever-present, enveloping me, telling me over and over that I couldn't do it, that I was going to get found out, that I was useless, that the abuse and insults the kids threw around were personal, that the fact I couldn't control a class was symptomatic of my failure as a human being.

I jacked it in after suffering what amounted to a complete emotional breakdown in the middle of one day. I had to leave early that day, and I never returned, having been signed off sick.

I wanted to hide, and I did. I felt like I hadn't had any real friends at that job, and the few people who did show some concern I pushed away, partly on the advice of a professional body and partly because I couldn't face them. Through this time, my wife stood by me, even though she was also going through difficult times at work and trying to figure out what she wanted to do with her life, too. I appreciated that. If I'd been through that time by myself I'm not entirely sure I'd be here writing this right now. Codependence isn't helpful in the long run, but it is certainly a means of surviving a situation while it's happening. The other person can see when Des is moving in, and can swat him away. But you have to learn to swat him away yourself sometime.

I eventually moved back to Southampton when I got what appeared to be my dream job. It was a retail job, but not. I was getting to use my teaching and communication skills on a daily basis, play with gadgets and enthuse about them—and above all, I was damn good at it. When I was selling stuff, I frequently topped the "charts" for the day, and held the record for "most shit sold in a day" for the longest time—possibly still do. When I was teaching people how to use their computers, customers frequently requested me specifically because they thought I was good at what I did.

For a long time, it seemed as if Des was gone for good. But things changed, as they tend to. A shifting focus in our working environment left some of us feeling a little uncomfortable that we weren't performing quite the same roles we'd been hired to do. Although many of us were technically salesmen, the thing we'd loved about the job was that it wasn't a "high-pressure, hard sell" task. We just talked to people enthusiastically about the products, and this genuine enthusiasm helped people come to their conclusions far more than any amount of rabbiting on about warranties and membership programmes.

No longer, though. Des started to creep in, though in this case, he actually offered some good advice. "This isn't right," he said. "You shouldn't be doing this. This isn't what you're here for."

I voiced my concerns reasonably—something that had always been part of the culture of the workplace in question—and found myself on the receiving end of what can only be described as out-and-out bullying. This eventually left me with no option but to resign from the job I once loved so much. Not only that, but the circumstances of my departure clearly stymied my chances at later returning to the company in a different region. I had thought I had left bullying behind a long time ago, but it wasn't to be. I still have a copy of my lengthy resignation letter, which plenty of other people agreed with wholeheartedly.

I moved back into teaching—a move which I talked about a few days ago—and regretted it. Des stopped being helpful and started telling me that I was no good again, a feeling that was further backed up by OfSTED inspectors with clipboards telling me that I was no good.

So I left. Shortly afterwards, I found myself with no job, no money, no wife and no-one but Des for company on many days. On those days, there wasn't much I could do. Des would surround me, bombard me with thoughts and feelings of what might have been, what could have been, regrets and the like. He frequently laid me low, unable to function for the vast majority of a day. He made me shout and scream to no-one, to break things, to lash out at empty space and myself because there was no-one else to lash out to. He made me question whether it was even worth carrying on trying, because I felt like I'd been "trying" for so hard and never getting there.

And when I had to leave that place I'd called home, he came with me, taunting me, pointing at what had happened as somehow a failure on my part.

And perhaps I have failed at certain things in the past. But failing at something is a sign to do one of two things: do better, or do something else instead. And that's what I've been doing since then. It hasn't yet found me a full-time job, it hasn't yet got me any money, it hasn't yet got me back into my own place.

But it has helped to define me, to understand myself and my limits. Des has made me into the person I am today and put me in the situation I am currently in. When a concept or a feeling is with you for so long, it can't help being part of who you are. It's how you deal with it that makes the difference. Instead of listening to Des's taunts and just nodding along, believing every one, I should punch him in the face, tell him to stop being such an asshole and then prove him wrong.

In short, I should see him as my personal trainer, not the school bully. It's difficult to redefine the way you look at something. But I don't really have an option any more.

Here's to the hard work ahead, and it hopefully paying off.

#oneaday, Day 2: Flubag

I can always tell when it's the holiday season. Because the holiday season is the Time To Get Ill. Almost without fail every single year, at some point around Christmas/New Year, my body goes "Nope! Had enough. Here's some snot. Happy Christmas!" and buggers off for a few days.

This year is no exception. I thought I'd escaped, because for the whole time I was over in California visiting my brother for the holidays, I was fine, despite everyone around me gradually sinking into a mire of barking repeatedly like someone with Spatchcock's Ever-Coughing Syndrome. Including the dog. Who was actually barking, not coughing.

On the plane ride on the way home, though, I felt the illness hit. Several other Spatchcock's sufferers on the flight coupled with yummy delicious recycled air being pumped around the cabin meant a breeding ground for germs. And sure enough… "Had enough. Here's some snot. Happy Christmas!"

Well, you're late, illness glands. And, you know, you really didn't have to get me anything this year. I just got you a bunch of pills, and I know you don't really like them that much.

The most irritating thing about suffering with Spatchcock's Syndrome is how difficult it makes sleeping. When you lie down in bed with Spatchcock's, you are constantly in one of two states: mouth-breathing, or coughing.

The mouth-breathing comes because your nose is so full of juicy snot that if you didn't mouth-breathe you'd suffocate and die, and suffocating and dying because of snot would just be embarrassing. If you do happen to get to sleep whilst in the mouth-breathing phase, your snores will qualify as some of the most disgusting noises on the planet and will probably involve bubbling. If you are sleeping with anyone at the time, this is a sure-fire way to find out if they really love you or not.

The coughing usually comes when you manage to clear your nose a little bit, and inevitably brings up more snot to join the party. The noise and the irritation in your throat wakes you and anyone in the same building up, and once it passes you're back to mouth-breathing again.

So you probably end up not sleeping until your brain is so devoid of power that it goes into laptop-style hibernation mode and fails to wake you up until lunchtime the next day. And because you slept at a weird time, you end up feeling crappy the next day, which compounds the whole situation further.

Eventually you just decide to not sleep any more until this dratted pox departs your system, during which time you gradually slip into a hallucinogenic fantasy which you can't quite decide whether is good or bad or somewhere in between and then you die. Possibly.

I am grateful for one thing, though: at least it's not full-on achey joints flu, which I've only been struck down with once at a time that happened to coincide with a Christmas I was set to spend alone in my house due to holiday retail work commitments and the rest of my family doing other things. Elsewhere. Without me.

Remind me why I want to get a job again?

#oneaday, Day 1: Dawn of the First Day

I am aware of the factual inaccuracies in the title of this post. It is neither my first day writing #oneaday blogs, nor is it dawn. However, there are two reasons for naming it as I have: firstly, any excuse to get in a Zelda: Majora's Mask reference, and secondly, since the other members of the 2011 One A Day Project have all started today at number 1, I thought I would join them so as not to look too much like the grizzled old veteran that I am. Rest assured, there will be celebrations when I reach the end of my first year, though. Assuming I remember. (19th of January. Remind me.)

As it's a new year, a new beginning and a shiny new number "1" at the top of this post, I thought I would take the opportunity to introduce myself to those new readers that the One A Day Project has hopefully brought to my blog. Those of you I already know, bear with me for today and I'll get back to slagging things off tomorrow.

I'm Pete. I'm 29, and unemployed. 2010 was the worst year of my life, taking in the end of my employment, the end of my marriage, the end of my finances and the end of my independent status as Someone Who Does Not Live With Their Parents. All of the above are related to one another, at least in passing.

But as 2010 was a year of endings, January 1st 2011 seems like a good time to think about new beginnings. And what better way to consider new beginnings than with some new year's resolutions? Here goes, then.

  • I will blog every day from January 1st, 2011 until December 31st, 2011 (and possibly beyond) come rain, come shine, come sickness, come health, come on holiday, come in a sock (sorry), come not really having any time or being really drunk of an evening. I've kept up this daily blog since January 19th last year and I have no intention of stopping now.
  • I will go for a run three times a week, on Tuesday, Thursday and Sunday where possible. Those of you who have been following me for a while will know that towards the end of the year I successfully completed the Couch 2 5K programme, which turned me from a fat bastard into a fat bastard who can run for up to 30 minutes non-stop, albeit quite slowly.
  • I will embark on a wide array of erotic adventures with a bevy of voluptuous redheads, all of whom either are or at least vaguely resemble Christina Hendricks.*
  • I will fuck up the tax man good and proper. I will attempt to figure out why the taxman still thinks I am self-employed despite having gone from full-time employment to unemployment in the last few years. Then I will fuck him up good and proper.**
  • I will get a job.***
  • I will earn enough money to get somewhere to live that has a living room big enough for a Kinect and Dance Central.****
  • I will speak my mind and not bottle stuff up like a +5 Cauldron of Resentment.
  • I will complete Final Fantasy XII.
  • I will make a sizable dent in my gaming Pile of Shame.*****
  • I will not play World of Warcraft.
  • I will actually finish writing the story I've had stuck in my head for the last ten years and which has gone through more rewrites than an aborted metaphor involving something that gets rewritten a lot. (12,000 words so far. On the story, not the metaphor. That would be a metaphor of Dickensian proportions.)
  • I will have no shame in my diverse, occasionally cheesy, occasionally really really gay musical tastes.******
  • I will stop being so gay on Twitter.*******

I think that's quite enough to be getting on with, and all of them are totally achievable. Setting yourself realistic targets is the key.

So, now that you know a little bit about me (and will undoubtedly learn more either by reading back over my past entries, which I promise I will do a "Best Of" one day when I can be bothered) you're probably confused by that comic strip at the top of each post. Spoiler: I am also a little confused by the comic strip at the top of each post. I'm not quite sure how it happened, but I think it's Allie Brosh's fault. That minx. But suffice to say, yes, I have made the questionable decision to accompany every blog post with a silly little cartoon drawn in the Mac equivalent of MS Paint and laid out with frankly unnecessary care and attention using Comic Life Magiq.

You'll notice a few recurring faces in these strips. Here are the most common ones:

Pete

Pete is a 29-year old unemployed bum geek writer aiming to make his way in the world. He lives in a featureless apartment of indeterminate size with several other peculiar characters and seems to attract surreal situations to himself like moths to a Dali-esque flame.

Alex

Alex believes herself to be "the sensible one", despite having a boy's name. However, Pete isn't convinced that she is as sensible as she likes to make out due to two fact: firstly, she reads Grazia magazine, and secondly, she has slept with Phillipe on more than one occasion.

Phillipe

Phillipe gets terribly upset when people spell his name wrong, but it's often difficult to tell due to his odd facial expression, acquired when he discovered that the stories your parents tell you about "sticking like it" are all true. He is also a massive pervert, and gets his penis out at every opportunity.

Lucy

Lucy hates blonde stereotypes but unfortunately conforms to every single one of them. She is not terribly bright and occasionally descends into saying text-speak out loud. She is, however, a cheerful soul and is rarely seen without a smile on her face. She likes coffee and kittens. Not together.

Des

The personification of Pete's "black cloud of despair" which he felt on numerous occasions throughout the last year. Des eventually became his own independent entity and made friends with Alex over a cup of tea. Pete has defeated him once, but he occasionally pops in for a social visit.

The MoneyBot

The MoneyBot's sole purpose is to monetize everything. Unfortunately, a glitch in his programming means that he only ever attempts to monetize people—a process which he carries out by shooting people in their genitals with a green Monetizing Ray. The process is reversible, and he may be a dream.

There. Consider yourself primed for the year ahead. Good luck to my fellow One A Day Project bloggers. And readers? Don't forget to pay the official site a visit and donate either your time or money to Cancer Research UK or To Write Love On Her Arms to show your appreciation for everyone's awesome creativity.

Thank you!

* A guy can dream, huh.
** Note to overzealous policemen: I will not actually fuck up "the taxman" because I am aware the Inland Revenue employs many people from diverse cultures who could probably take me in a fight if they all teamed up and formed a Constructocon.
*** Subject to the "job market", or whatever people blame the lack of jobs on.
**** It's wrong that I'm a little too enamoured with Dance Central, I know. But honey, I got rhythm that I haven't used yet.
***** Subject to Anything Really Good coming out.
****** Already achieved. I am listening to Ke$ha while writing this post.
******* I make no promises as to being able to fulfil this one, particularly while @acronkyoung and @NintendoTheory are around. No homo.

#oneaday, Day 348: End of the Year Show

So, 2010. Here we are. Your last day with us. You have a lot to answer for.

Actually, let me start.

Fuck you. I remember at the start of 2010 thinking "2009 sucked. 2010 will kick ass." I can't even remember why 2009 sucked so much now, such was the order of magnitude that your suckiness dwarfed it by.

Let's keep score, shall we?

I started the year in a job that I wasn't sure I wanted to do—an ill-advised return to school teaching on the suggestion of several people who thought I'd be good at primary school teaching, and that it might be less stressful than the horrors of secondary education.

They were wrong.

Given that the school I worked at was in what can politely be termed a "difficult area", there were plenty of what can politely be termed "challenging pupils". Most notable among them were a child who decided to spend one early morning Guided Reading session lying face-down on the floor screaming "PLEASE STOP THE PAKISTANI INVASION! PLEASE STOP THE PAKISTANI INVASION!" in a school that was probably made up of a good 60-70% of ethnic minority children, and the kid who liked to tear down wall displays, run out of the classroom and climb trees. It's amusing now. It was less amusing at the time, and it should be pretty obvious that those kids have no place in mainstream education.

Also at the school, I went through an OfSTED inspection, where the school was judged to be "failing". This is because it was judged on the same criteria as schools in affluent areas and therefore, unsurprisingly, came up somewhat short. I was referred to as "inadequate" by a person who had spent approximately ten minutes watching me teach, and I knew that I had to get out.

Fortunately, an ideal excuse for getting out came along in the form of PAX East in Boston, MA. I had never been to Boston, and I had never been to a video game convention. This was also going to be an opportunity to meet a huge number of the Squadron of Shame members face-to-face for the first time. I wasn't about to pass that up, so I bought a ticket even before I'd quit my job.

I quit said job just in time to avoid having to go on a residential trip with the kids I'd come to resent so much and spent a blissful few days amongst my fellow nerds at PAX East and can honestly say that there are few occasions that I've ever felt happier than when I was there with my "people". I wished it could go on forever, but sadly it couldn't. And things were only going to get worse from hereon.

I worked for a few scattered days doing supply teaching, but wasn't enjoying it at all, least of all the whole "get up early just in case there's any work" arrangement, where every day led to the weighing up of emotional wellbeing and financial stability.

In late April, I turned 29. I was not in a good place mentally, so I didn't feel much like celebrating at the time. I still don't. Then in early May, everything changed. The one thing I thought I could count on—my home life, my marriage, the love I had—went away. There were many reasons for this and at this point it doesn't do anyone any good to assign "blame" either way because things on both sides led to this point. I wish they hadn't, but it seems that some things are supposed to happen, however painful they are.

And painful it was. The experience damn near destroyed me. I had whole days where I was completely unable to function. I had plenty of times when I wished everything would just go away, that I wouldn't have to face these things any more. I went through all the however-many-stages-of-grief-there-are several times and am still jumping back and forth between them now. I resented everyone who told me that it would "just make me stronger" and put on a brave face for the public (and this blog, which I kept plugging away at even through those dark times) but appreciated those people who showed themselves to be true friends more than they could ever realise.

And all through this I was no closer to finding a job. I interviewed for a job I didn't want and did well (though didn't get it) and for a job I really did want and didn't get that either. Eventually, the money ran out and I found myself having to move back home, an act which however you dress it to me and however necessary it was still feels like a punch in the face every time I wake up of a morning.

The holiday season came, and I spent it in the States with my brother and the rest of my family. This turned out to be a positive move, as I had the opportunity to meet up with a bunch of people and do what is commonly referred to as "professional networking". I scored some freelance work out of the whole arrangement—freelance work that pays money, even.

Then I came home to discover a huge bill from the taxman thanks to some uncompleted self-assessment forms which I had no idea I was supposed to do and a podcast to edit whose audio files were ruined beyond repair. A final slap in the face from a shitty year? Let's hope so.

During 2010, despite all this, I made some great friends through the #oneaday initiative, through Kombo.com, through The Big Pixels and through Twitter. I also successfully completed the Couch 2 5K running challenge, and have posted every day since the 19th of January on this blog. Those parts of the year I wouldn't change. The rest can go F itself in the B.

2011 has a lot for me to look forward to. More freelance work, which I really enjoy, even the rewrites. The all-new One A Day Project, which I'm doing my best to co-ordinate. Hopefully a full-time job. And I'm praying for a lift out of the black pit that I've been sporadically stuck in since May. Can you be sporadically stuck in something?

Tonight I'm going down to Southampton to spend New Year's Eve with one of those true friends I mentioned earlier. 2010, I shan't be sorry to see you leave. Don't let the door hit you in the ass on the way out.

Actually, do. I've installed a spike on it, at just about ass-level. I hope you enjoy it. You cunt.

#oneaday, Day 347: The Christmas Charts

You're looking for some new music, and you don't know what is acceptable to listen to and/or share on various social networking sites. Well, let me come to the rescue, with some one-sentence reviews of the Top 20 tracks in the UK from Spotify. As the name implies, I will be reviewing all tracks using no more than one sentence.

Here we go! Hold tight! This is exciting!

20. Who's That Chick? (Feat. Rihanna) by David Guetta

This track is not currently available in the United Kingdom.

19. Christmas Lights by Coldplay

This is a Christmas song which sounds like a Coldplay song, unsurprisingly, which means that it's depressing as fuck and quite boring.

18. I Wish It Could Be Christmas Everyday by Wizzard

If you don't know this song, you have probably not been into a shop any time from October onwards in the last 30 years.

17. White Christmas by Bing Crosby

See number 18, but insert the words "in the evening" after the words "into a shop".

16. Step Into Christmas by Elton John

A rock 'n' roll Christmas classic that thankfully eschews most of the Christmas clichés found in many other seasonal tracks—things like sleigh bells, bells, bell-ends… oh wait.

15. Just A Dream – Main by Nelly

I was enjoying this song until he started grunting and then singing.

14. Happy Xmas (War Is Over) by John Lennon

The song that usually plays towards the end of the Christmas school disco.

13. The Flood by Take That

This song sounds more like a Robbie Williams solo number than a traditional Take That track up until the first chorus—this is probably not a coincidence.

12. Many of Horror by Biffy Clyro

Groaning, whining misery—just the thing to tell 2010 to stick itself up its own arse and look forward to a bit more positivity.

11. All I Want For Christmas Is You by Mariah Carey

The only Mariah Carey song I like—fact—despite taking in every single Christmas song cliché along the way.

10. Fairytale Of New York by The Pogues Featuring Kirsty MacColl

I fucking hate this song with all its out-of-tune whingeing and supposed charm and wish it wouldn't be played every ten seconds on the radio over the Christmas break.

9. Just The Way You Are by Bruno Mars

To counter the cynicism from the previous items, I'll say that I quite liked this one, particularly the drumbeat and the building drama in the backing.

8. Last Christmas by Wham!

Back at the school disco again.

7. Merry Xmas Everybody by Slade

I always get this muddled up with the track by Wizzard, thereby proving that all Christmas songs are the same.

6. The Time (Dirty Bit) by Black Eyed Peas

What is this I don't even.

5. Firework by Katy Perry

Tuneful, predictable pop from the family-friendly slut.

4. Like A G6 by Far East Movement

The overpowering synth line thankfully mostly covers the awful one-note singing, babbling crap about drinking and "heeeealll yeeeeeah"s.

3. Only Girl (In The World) by Rihanna

It's a Rihanna song which appears to take place in an early 90s German discotheque.

2. Your Song by Ellie Goulding

It's Your Song by Elton John, now with added (or should that be removed?) dropped T-sounds, a questionable accent and a more melancholy, minimalist feel.

1. What's My Name? by Rihanna

Your name is Rihanna, and this sounds very much like every other song you have ever recorded—but bonus points for the autotuned rapper guy who helpfully explains to us that the "square root of 64 is 8" (yes, really).

I can sum up this Top 20 in just one word. I don't need a sentence.

Arse.

Thank you and good night.

#oneaday, Day 346: In-Flight Entertainment

I'm back home in the UK. I am not best pleased about this, particularly as the arsehole taxman is being… well, an arsehole. But fuck him. I want to talk about the three movies I watched on the plane today.

Toy Story 3

It's been ages since I saw either of the previous two Toy Story movies and I think it's high time I watched them again before Disney pull their beyond-stupid "vault" bullshit and prevent you from being able to get a copy until a few years down the road.

The third movie has a bittersweet premise. Andy is all grown up and soon to be off to college, and it's looking like the toys will be left behind. Through a series of mishaps, they find themselves donated to a local daycare centre where all is not as it seems. To share too much more would be to spoil the plot, but suffice to say the typical Pixar multi-layered humour is present and correct, with the sequences in the daycare centre being akin to any number of "prison escape" movies you might have seen in the past.

One thing that struck me throughout was how emotionally engaging the whole thing was. The characters are so great that you're with them every step of the way, and at the times where they're in danger, you really feel bad for them. But this being a Pixar movie, things resolve themselves suitably, and there's a touching ending. I really enjoyed it—it was by turns hilarious, exciting, heartbreaking and the sort of movie that makes you smile. The quintessential Pixar movie, if you will.

Tamara Drewe

I knew very little about this film save having seen a trailer a few months back and read the blurb in the in-flight magazine. It actually turned out to be a great film, and not your typical romantic comedy that you might expect.

The tale centres around a small English country community which frequently plays host to a "writer's retreat", and much of the action revolves around the various characters changing affections for one another. There's a lot of adultery and cheating going on, and people not being with who they "should" be with, not to mention the titular Tamara herself, who is back in the village of her youth after several years absence, sporting a nose job, a rockin' bod and a teeny-tiny pair of denim shorts. In one scene, anyway.

There's a whole bunch of parallel plots running alongside each other throughout this one, and the whole thing is tied up quite nicely by the end, complete with a few surprising twists. It's not what I expected, and certainly not a typical romcom. It was genuinely amusing, filled with strong characters played by an excellent cast (nice to see Tamsin Greig pulling off a serious role with aplomb) and I'm glad I bothered to watch it.

Going the Distance

This, on the other hand, is a more typical romcom, though they take care to include characters and situations to appeal to both guys and girls.

Garrett and Erin meet in New York and hit it off. But—oh no!—Erin is returning to California in six weeks' time. They decide to have a long-distance relationship, and discover all the usual pitfalls of such an arrangement. The twists and turns are pretty predictable, though the ending was a little different from what I expected.

Justin Long's portrayal of Garrett is likable enough, but Garrett as a character just isn't very interesting for a lot of the film. Perhaps he's supposed to be a "blank slate" for people to empathise with, because despite his relative boringness, I did find myself rooting for him and Erin to work out by the end of the movie. But then I am a big girl.

It was the weakest of the three movies I watched, but since I was gradually dropping off to sleep throughout the flight, the fact I didn't have to think about it too hard was probably a good thing. It wasn't a bad movie by any means. But it was very conventional and utterly predictable.

So there we are. Three different movies, all of which are worth your time for very different reasons. Toy Story 3 was great, but there was never really any doubt that Pixar would pull it off again. So I think the surprise that was Tamara Drewe was actually my pick of the three movies. Worth a watch, particularly if you like seemingly mild-mannered English countryside intrigue with a bit of an acidic twist.

#oneaday, Day 345: Leader of Men

I've never seen myself as the "leader" type. I follow orders well, but when I'm asked to take charge of something, I find myself thinking whether or not I'm "qualified" to make those decisions, particularly if they're on behalf of other people. Now, I'm a qualified teacher, so in the most literal sense of the term I am qualified to make decisions on behalf of other people. But if you're the sort of person who suffers a bit from self-doubt or a lack of self-confidence, then it's difficult to make yourself get into a position to "lead" others.

Which is why I've kind of surprised myself with stepping up to the plate for next year's One A Day Project. And also why I'm even more surprised that people—some of whom I don't even know directly (yet)—appear to be flocking to the cause. Apparently either my word carries some degree of influence, or people think it's actually a good idea.

I think it's a good idea. Yes, some may argue that the more relaxed rules of next year aren't strictly "one a day" in the most literal sense. And to that I say, "I agree". But it's a compromise. Those who do want to go the whole hog and commit to a post every day, I applaud you. (And yes, I am applauding myself right now.) Those who don't feel they can commit to a post every single day, that's absolutely fine too. Personally, while I am a fan of writing something every day and believe that both I and this blog have got something out of it, it's not for everyone, depending on work, family commitments and all manner of other things. So it makes sense to relax the rules a bit in order to allow as many people as possible to participate.

And that, I guess, is what heading up some sort of project is all about—listening to a variety of viewpoints, weighing up the pros and cons and coming to some sort of compromise that makes as many people as possible happy.

I'm really pleased with the amount of interest people have shown in the new project so far, and I promise I won't keep banging on about it over here too much. But I thought I'd just share the fact that we're up to 24 participants (with a few more sign-ups in my inbox that I'll be putting on the site once I've flown back from the US to the UK… boo) and we have had our first monetary donation to Cancer Research. We've also earned 153 minutes of crisis and suicide prevention services on behalf of To Write Love On Her Arms via ad clickthroughs.

It may not sound like a lot until you consider the fact that we haven't started yet. (Those of us who are starting on January 1st, that is.) Hopefully once everyone starts contributing, there'll be a wealth of content for people to enjoy, and said people will be happy to contribute their time or their money to the charities we're supporting to show their appreciation.

So yes; I know that "#oneaday" doesn't mean one a day next year. But that's fine; it's going to bring a bunch of people together to do something awesome. And it feels pretty good to be an important part of that.

#oneaday, Day 344: Bullshit Filters

One of the biggest challenges in creative writing is overcoming your own personal bullshit filters—those parts of your brain that point out what you're writing is complete worthless nonsense and garbage that no-one in their right mind would ever want to read.

My own tolerance for nonsense is pretty high, as my enjoyment of JRPGs and love of Bayonetta will attest. But even when I'm writing creative stuff myself, I end up picturing some variant on Comic Book Guy reading what I've written and saying "BUT THAT WOULD NEVER HAPPEN!" I guess I have bullshit filters by proxy, as if I were writing stuff purely for myself, it could make as little sense as I please.

One simple way to overcome your own bullshit filters (whether or not they're proxies like mine), though, is to watch some movies or read some books. When you see how much nonsense other people—published people who actually get paid for their bullshit—put out, you'll feel a lot better.

Let's take Tron: Legacy for a moment, which I went to see the other night. This is a movie built almost entirely on nonsensical premises. Why are the programs in the computer personified as humans? Why do they behave in a human way? Why do they need vehicles? And given that the main distinguishing feature of one group in the movie is that they act "more human", what, in fact, is the difference between them and those who are already acting pretty human? How does a virtual projection of an aircraft stall at altitude in a virtual environment which presumably has no air? THAT WOULD NEVER HA—

Stop. Tron: Legacy isn't a bad movie despite the fact that all of the above issues are clearly nonsensical plot holes which spectacularly fail to be resolved by the end of the movie. I enjoyed it very much and intend going to see it again. In fact, Tron: Legacy is a movie which actually benefits from you specifically not trying to read too much into it. The reason the programs act human? Because it's relatable. The reason they drive vehicles? So there can be awesome action sequences. The reason a virtual aircraft stalls at altitude? Because it's exciting. Nothing more than that.

So it is when you're writing. Not everything has to be laced with hidden meanings, metaphors and commentary on the human condition. In fact, some of the best "hidden meanings" come about completely unintentionally, as an unconscious communication on the part of the author, an unconscious expression of something deep-seated in their mind that comes out in the things that they are writing. A window onto their soul, if you will.

Of course, some people can transcend that kind of writing and deliberately do clever things. But then they probably get labelled as "pretentious" and don't get appreciated in their own lifetime. And everyone wants to be appreciated in their own lifetime, right?

So, the next time you're writing something, take care that it makes sense, sure. But if you want to write something which initially appears to be "stupid", think about the rest of what you're writing too. Does it make sense in context, however "unrealistic" it might be when compared to reality? If so, then there absolutely is no reason that the Blood Sausage of Agamemnon can't turn into a semi truck at the push of a button when combined with the Amulet of Lindor under a full moon.

And if you still feel what you're writing is ridiculous, go watch Tron: Legacy.

#oneaday, Day 343: Boxing Day

Christmas is over for another year, and so here we are on Boxing Day (or actually the day after if you're operating on UK time)—a day which apparently isn't particularly well-known in the US. In all honesty, it's not particularly well-known in the UK, either, aside from the name. It's just "the day after Christmas".

There's plenty of things that can be done on Boxing Day, and they tend to vary according to your age.

If you're a young kid, Boxing Day is a day to spend playing with all the presents you got and suffering from some pretty severe analysis paralysis while you work out what to do next. When you have the amount of choice most kids get these days after receiving a veritable truckload of presents, it's easy to see how they might get overwhelmed with things to choose from.

If you're a bit older, Boxing Day is probably a day for a hangover, whether it be caused by excess of alcohol, excess of food or, more likely, both. It also marks the beginning of The Great Leftovers Season, by the end of which you will never, ever want to see turkey ever again, whether it's on a plate with potatoes and gravy, stuffed into a sandwich, made into a curry or whatever vaguely inventive ways you've come up with to use turkey. Turkey is, of course, a meat which barely gets eaten throughout the rest of the year. Is this because it's just like an enormous dry chicken? Or is it because we eat so much of it throughout the holiday season that no-one can bear the thought of eating it again at any point in the rest of the year?

It's a pretty universal constant whatever your age, though, that the day after Christmas is for resting, sleeping, lolling on the couch (the original meaning of lolling, not the Internet meaning) and watching the DVDs that were inevitably in your Christmas stockings.

There's an exception, though: households which got a Wii or Kinect for Christmas. The Wii and Kinect get people up and about a little bit more than they would otherwise be, since they're popular gifts with kids and adults alike, and they require that you get off your turkey-filled ass and jump around. Quite literally in the case of Kinect.

Incidentally, if you are still a Kinect doubter, I defy you not to at least find the damn thing clever as hell. Yesterday we were trying it out and didn't have enough space to play with two people on Kinect Adventures, so we moved the couch back a bit. By the time we'd turned back to the screen, the game was asking if we'd like to play two-player mode. Without us telling it. Witchcraft and sorcery!

Hope you've all had a suitably festive festive season and have some appropriately awesome plans for the new year. 2011 better not suck as much as 2010, though I recall saying something very similar at the end of 2009 so I'm not going to hold my breath until something actually awesome happens!