#oneaday Day 601: Whatcha Been Playin'?

I have been playing precisely two games recently, one of which I only returned to today and the other of which you can likely deduce from recent blog posts.

Yes, Xenoblade Chronicles is still going strong and is still magnificent in its excellence. So solid is the gameplay that very quickly you cease to notice the little presentational defects such as the blurry faces, the Final Fantasy X-style nonexistent lip-syncing in certain scenes (but perfect in others) and, of course, the fact it's on the Wii.

Final Fantasy XII was often compared by its players to MMOs. Structure-wise, it was quite similar, with large, sprawling, expansive zones making up a large interlinked open world which could be freely explored assuming you didn't aggro some beast 30 levels higher than you. Combat was quasi-real time, with auto-attacks and triggered abilities. And the Gambit system worked in the same way as being a party leader in an MMO — you were explaining what you wanted your teammates to do and when. The only thing really missing from the MMO structure was a wealth of quests to undertake in place of grinding simply by killing enemies. Sure, there were the Hunts, and those were cool, but ultimately they were all quite similar, albeit with increasingly ridiculous challenge factors as the game progressed.

Xenoblade Chronicles doesn't deviate too far from this formula, though the changes it makes are quite welcome. The Gambit system has been ditched in favour of some excellent party AI who genuinely seem to know what the right thing to do in a given situation is, so long as you've made sure their equipment and skills are levelled appropriately. Unlike FFXII, you can't switch characters at will during battle to trigger specific abilities, though when protagonist Shulk gets a premonition of a particularly devastating attack, it is possible to warn your teammates, which then allows you to pick one of their abilities to use.

The Tension system is an interesting addition, too. Characters' morale is tracked during combat and reflected in their portraits by their health bars. Should a battle go badly, teammates will get demotivated and start missing or generally being crap. Cheering them on and praising them for cries or dodges helps get their morale back up, and the background music and battle cries all reflect how the fight is going. It's a nice touch.

Quests are present, too, by the hundreds. Unlike FFXII's relatively limited number of Hunts available at once, entering a new zone in Xenoblade generally means you're about to be bombarded with quests. Some are simple and formulaic for each area — kill x beasts, find x collectibles, kill x boss — but then there's a range of mini-stories to follow too, most of which allow you to build up your Affinity Chart, a worryingly comprehensive "family tree" of every named character in the game and their relationship to one another. I'm yet to see if this information becomes super useful, but even if not it's neat to see it all mapped out.

So; 34 hours in so far and I now have a nice selection of characters to play with. Between battles you can switch your lineup whenever you like, so you can spend the whole game controlling a character who fits your preferred playstyle if you like, whether that's tank, healer or damage dealer. Of course, changing things up not only adds variety but also allows you to build up Affinities between different combinations of party members, so you're indirectly encouraged to do so. And mercifully, inactive characters receive XP at the same rate as active ones so there's never any need to switch up characters just because someone's 10 levels behind, unlike FFXII.

But enough enthusing about that. It's certainly on track to be my Game of the Year so far. Which is nice.

The other game I went back to playing today was Minecraft, thanks to the "leaked" version 1.8 patch. This "Adventure" update gives Minecraft a good kick up the bottom and while it still doesn't structure the game as such, it gives much more incentive to wander off in hope of discovering cool things. The new landscape generation makes for some spectacularly diverse worlds with deserts, canyons, plains, forests, dungeons, caves and all sorts to discover. I have taken to a strategy I should have used a long time ago — when going off exploring, I build a path as I go, making it significantly easier to find my way back to my buildings and storage when I need to. This hasn't stopped me being murdered horribly by monsters down one of the horribly inviting deep holes dotted across the landscape which lead to the many random dungeons. But I don't mind — adventuring is risky business. Sure, you could stay above ground and chop down trees and whatnot, but don't you really want to see what's down there…?

While 1.8 clearly still needs work — it's occasionally buggy and experience points do literally nothing right now — it's very exciting to see the game getting closer and closer to the state it will be in when it's eventually declared "finished". We all know that won't be the case, though, as the team at Mojang is more than likely to keep adding stuff even after release. And even if they don't, the mod community is likely to step up and show their stuff, too. It's going to be a big deal.

Another working week beckons from tomorrow so it's time to bid you good night.

So… Good night.

#oneaday Day 589: Further Enthusing Regarding Xenoblade Chronicles

Xenoblade Chronicles is the reason you kept your Wii and didn't play with it for months. Xenoblade Chronicles is the game Final Fantasy XII fans wished Final Fantasy XIII was. And Xenoblade Chronicles is, I feel, shaping up to be a strong contender for Game of the Year.

Why is it so good, though? Perhaps it's the fact that you're straight into open world adventuring from the very beginning. Perhaps it's the fact that exploration is rewarded with fast travel landmarks, collectibles and unique named monsters to defeat. Perhaps it's the fact that the combat system is an excellent evolution of that seen in Final Fantasy XII, offering an excellent balance between having to quickly respond to incoming threats, manage aggro like in an MMO and trigger positional abilities for maximum effect. Perhaps it's the fact that the in-game Achievement system, which rewards specific accomplishments with XP and other quest-like rewards carries some sort of in-game worth to it rather than simply online bragging rights. Or perhaps it's all of the above.

I'm aware I'm gushing somewhat but, you know, it really is that good. So far (10 hours in) there's been a healthy mix of tooling around killing shit in the open world; hunting down collectibles; hunting specific named monsters; solving interpersonal dilemmas in town — often with several solutions; and, of course, appropriately JRPGish melodrama. What would a JRPG be without it?

Fortunately, though, the plot so far has been interesting and well paced, though it suffers from that perennial RPG problem of "characters say 'hey! Let's move on!', player hangs around for 5 hours collecting bugs and lettuces" though when there's as much to do as there is here, it's worth exploring every nook and cranny. All the sidequests are optional, of course, and if I'd ignored them I'd have probably progressed a lot further through the story by now. But part of the attraction of Xenoblade is its world and its characters, and by allowing you a brief snapshot into the lives of these people going about their business you develop the sense that this is a well-realised game world that is worth exploring and far more than just a pretty backdrop to kill rabbits in.

So if you have a Wii and the means to play Xenoblade, I'd encourage you to do so right now. Deus Ex may be the high profile hotness right now, but Xenoblade will offer you an altogether different — and far less orange — experience.

#oneaday, Day 560: Enchanté, Elise

I very much enjoyed EasyGameStation's Recettear: An Item Shop's Tale, mostly due to the wonderful localization job done by Carpe Fulgur. I booted it up for the first time half expecting to be done with it within less than an hour — most games involving supposed "shop management" and the like these days are in fact social games and therefore pretty much devoid of any meaningful thought whatsoever. Recettear, though, was different — by blending the loot-whoring dungeon crawler with a simple business sim and some lovable characters, EasyGameStation and Carpe Fulgur managed to create easily one of the most memorable games of last year for me.

So it was with some anticipation that I heard the team was hard at work on localizing another EasyGameStation title — Chantelise: A Tale of Two Sisters. From what I'd heard of it, it sounded like a more conventional action RPG than Recettear, but I was confident that Carpe Fulgur's translation would prove super-effective once more.

The game came out the other day so I grabbed a copy — it was cheap, and I'm happy to take a risk on something from a developer I trust, particularly for a low price. I've been playing it for a few hours now, and while it's quite a different experience from Recettear, the similarities are pleasing — you can still heal yourself by eating egg on toast, for example, and a lot of the "miscellaneous treasure" items are the same. The monsters are almost identical, too, and protagonist Elise looks somewhat like what Recette would probably look like if she were a little older. And there's a fairy involved again, too.

What's been a pleasant surprise about Chantelise, though, is how unconventional it is. Despite looking to all intents and purposes like a fairly generic action JRPG, there's some inventive ideas in there.

For starters, there's no grinding for experience points, levelling up and that sort of thing. Powering up Elise is done entirely through purchasing items and/or completing parts of the story. This negates the need for tedious grinding, as money seems reasonably easy to come by.

Then there's the magic system. Rather than simply learning an arsenal of spells and then using magic points to cast them, Elise's sister Chante (who has been turned into a fairy) handles magic. If Elise collects magic gems dropped by monsters, Chante can then use these to cast spells — each colour causes a different effect. Multiple gems can be used at once, too, with different combinations yielding different effects. The twist is that Chante will only cast a spell using the last gem you picked up, meaning that there's an element of almost puzzle game-like strategy to picking up loot from the floor as you need to ensure you have a helpful arsenal of spells on hand to use.

The game structure is peculiar but effective, too. Split into various areas which are then subdivided into stages, Chante and Elise must batter their way through all the monsters in a stage to unlock the path to the next. The final stage in an area features a boss fight. Getting KOed along the way sends the heroic duo back to town, and re-entering the area requires them to start again — only this time they can charge straight through stages that have already been completed to quickly get back to where they were. This makes getting KOed mildly inconvenient, but not inordinately frustrating.

Alongside the basic game structure, every stage also has a secret treasure chest to find, too. Requirements for revealing this range from killing special enemies to destroying parts of the scenery, and the game keeps track of which areas you've found the secrets in and which you haven't. Interestingly, you don't have to run the whole gauntlet of stages if you're just going for a treasure chest — you can play individual stages in a time attack mode if you're just treasure hunting, but you have to follow the linear "story mode" path if you want to progress through the, well, story. Obviously.

In practice, the game is more of an action game with an upgradeable character than an RPG. The first few stages are deceptively easy but by the time you're into the second dungeon you'll find yourself having to thoroughly understand what Chante and Elise are capable of if you hope to succeed. Hordes of enemies — some of whom can only be defeated in a specific manner — attack the pair and it becomes rather more important to think tactically rather than charge in mashing the Attack button.

Chantelise likely isn't going to appeal to everyone. Its animé visuals look like pretty much every budget JRPG ever. There's a lot of repetition involved, particularly if you keep dying. The tutorial is rudimentary at best, leaving you to discover the vast majority of how the game works for yourself. The music's a bit annoying. And the Zelda-style BLING! BLING! BLING! BLING! noise when you're low on health will drive you nuts (pro-tip: don't get low health). But I happen to love all these things (even the annoying music and BLING! BLING! BLING!) so I'm looking forward to what promises to be a reasonably lengthy adventure with plenty of hack and slash action and the same wonderful localization that set Recettear apart as one of my favourite games of last year.

Carpe Fulgur have great things ahead of them — they're already working on two new titles, one of which is secret. Discovery of games like Recettear and now Chantelise — both blissfully Achievement, Online Pass and DLC-free — is why I'm very glad I'm now doing most of my gaming on PC.

#oneaday Day 531: Steam-Powered Sales

One of the best things about a Steam sale is not the fact that you can get packs of high-profile triple-A titles for ludicrous prices (although that's welcome too) but the fact that you can afford to take risks on obscure indie titles that you may not have thought to investigate in the past.

This has paid off on a number of separate occasions for me in the past, with some real gems coming to my attention purely by virtue of the fact that they were either dirt cheap or bundled with some other titles which had piqued my interest. Some of these have become a little more well known since I first picked them up, others haven't.

Let's take a peek at a few of them.

Recettear: An Item Shop's Tale

This utterly charming JRPG-cum-light management game is oozing with charm and character, not least from the protagonist Recette and her money-loving fairy companion Tear. The writing (or rather, localisation) of the game is probably the best thing about this game, but it helps that it's a solid (if slightly repetitive) game. The repetition ceases to matter, though, when the incidental scenes featuring well-defined and well-written characters are so entertaining, and happen just often enough to break up the curious combination of loot-whoring dungeon crawling and shop management.

BIT.TRIP BEAT

I'd never played a BIT.TRIP game prior to this one but was dimly aware of their existence. BEAT is, in simple terms, one-player pong but combined with a rhythm game and the sort of things you'd see if an Atari 2600 took too much LSD. It's a strange, hypnotic game that turns into you fusing with your mouse in an intricate dance, bouncing back the huge pixels in time with the music and going slightly dizzy in the process.

Hacker Evolution

If you've played Uplink, you'd be forgiven for thinking Hacker Evolution was something similar — but it's actually a bit different. Where Uplink was most akin to something like Elite, only you were travelling around the world's computer networks rather than the galaxy, Hacker Evolution is more tightly-focused and level-based. It's also quite unforgiving, and from my experiences so far it appears that there's relatively few "correct" ways to complete a level — but that gives it something of a puzzle game feeling which isn't entirely unwelcome. The fact that you interact with the game by typing authentic-looking commands into a text-based console helps with the whole immersion thing, too.

Altitude

If you've often thought that Team Fortress 2 would be better if everyone was in aeroplanes and it was in 2D, then Altitude is the game for you. Featuring a wide selection of aircraft, each with special CoD-style perks — unlockable via CoD-style levelling up — and a decent mix of game types and levels, this is a fun multiplayer title, even if you're shite at it, which I am.

I'd write more but I appear to have developed an absolutely screaming headache. Night all!

#oneaday Day 526: The Adventures of Many Rogues

Amarysse the Cornac Fighter set out into the Trollmire, determined that she was going to find whatever hidden treasure the forest held. She didn't let such petty concerns as monsters worry her — she had her sword in her hand and was ready for anything the forest could throw at her.

Chop! Down fell a forest wolf.

Hack! A fox, cleft in twain.

Slice! A swarm of midges, scattered to the four winds.

Smack! A troll biffed her on the head and she keeled over, dead.

Laramee the Higher Arcane Blade set out into the Trollmire, determined that she was going to find whatever hidden treasure the forest held. She didn't let such petty concerns as monsters worry her — she had her sword in her hand and her innate magical abilities ready to burn any monsters to a crisp.

Chop! Down went a forest wolf.

Sizzle! A fox, burned beyond recognition.

Slicefizz! Her flaming blade tore through the flesh of an unwitting troll.

She found her way deep into the forest and was momentarily taken aback by a loud roar. Suddenly, a large troll, bigger than anything she'd ever seen before, bounded out of the shadows, punched her in the face, knocked her to the ground and then squeezed the life out of her.

Pierre the Cornac Archer set out into the Trollmire, determined that he was going to find whatever hidden treasure the forest held. He didn't let such petty concerns as monsters worry him — he had his trusty bow ready to turn any monsters into a pincushion.

SUDDENLY, TROLLS.

Pierre died having fired off just two shots. The monsters that surrounded his corpse tore him to pieces.

Lord Bath the Higher Alchemist set out into the Trollmire, determined that he was going to find whatever hidden treasure the forest held. He didn't let such petty concerns as monsters worry him — he had a massive golem with laser eyes as a companion.

Boom! He threw a bomb at a clump of wolves and laughed as they burned to a crisp.

Stomp! His golem squashed a snake underfoot like it was a tiny bug.

He heard a roar off in the distance, but instead of setting out to foolishly investigate what it was, he turned around and left the forest, planning on spending the afternoon in the local halfling village.

He wandered into the local shops, offloaded his ill-gotten gains to the local merchants (who looked a little intimidated by the giant golem) but was soon accosted by a shady-looking halfling.

"Come with me," he said.

"Okay," replied Lord Bath without a moment's hesitation.

"I like a warrior who doesn't shy away from a fight," said the halfling, chuckling to himself. "Try not to die too quickly."

"Wait, wha-?" said Lord Bath, suddenly finding himself in an arena with a gladiator bearing down on him.

"Golem! Strike him down!" he commanded, hiding behind a pillar and fumbling in his quiver for some alchemical bombs to hurl at his would-be assailant. The gladiator, fortunately, was more focused on the giant rock monster than Lord Bath.

Eventually, with a shattering crunch, the golem disintegrated and Lord Bath was left facing his assailant across the arena. Taking a few steps back, he continued hurling bombs at the gladiator, watching him gradually weaken with each successful hit.

The gladiator fell, then a halfling with a sling entered the arena.

"You have got to be joking," said Lord Bath to himself, glancing over at the ruins of his companion and fumbling in his pack for more gemstones to transmute into bombs.

Eventually, the halfling slinger fell, but not before Lord Bath had taken a few blows to the skull. He lightly touched the runes infused into his skin and felt his wounds begin to heal, just as another swordsman entered the arena.

A few swift bombs later and the swordsman, too, was down for the count. Lord Bath was declared the champion of the Arena — for now — and let out to go on his way.

And he's still alive to this day.

You can join the brutal permadeath fun with a free copy of Tales of Maj'Eyal, the only Roguelike I know of with online stat-tracking.

#oneaday Day 523: The Adventures of Lord Bath

I finished The Witcher 2 today after quite some time. It's a beautiful game with a few niggly, tickly little flaws, but overall a fantastic experience for those with the hardware to back it up. Even better, Xbox 360 owners will be able to enjoy it for themselves at some point in the near future, too. This post won't contain spoilers, for those of you still intending to play it.

The best thing about it is its uncompromisingly adult nature. It doesn't do this in the slightly tacky way that its predecessor did with its collectible "sex cards" — instead, it keeps the best bits of its predecessor, which is a feeling that your choices throughout have consequence — and that said choices don't have a "correct" option. You say your words, you deal with the consequences. This has such a big effect on the game that once you've finished Chapter I, the rest of the game is completely different based on a choice that you make — and then within each chapter, there are plenty of smaller choices to make that affect the way things transpire and indeed the way the whole thing draws to a conclusion. It is, in short, a Good Thing.

The combat is the biggest hang-up for a lot of people. Taking its cues from Demon's Souls, this is a game that's not afraid to stick its cock in your ear and thrust until it hurts — or, indeed, some equally unpleasant metaphor. You fuck up in combat and you will die against regular enemies. Several times. You will learn to block and you will learn how to use your spells effectively rather than just hacking away a la Zelda or Diablo.

For the most part, this is cool. Swordfights feel like swordfights. Boss encounters require strategy rather than endurance. But there were just a couple of points throughout where it just felt a little bit unfair — mostly when it came to situations where our titular Witcher Geralt was attacked by multiple assailaints from all angles. There were several occasions where I couldn't see how I was supposed to defend against the barrage of incoming blows — this alone would be enough to put some people off, I feel. I, fortunately, have a bit more patience than that, and settled for a few expletives. Only once did I feel the need to lower the difficulty level — and I put it straight back up again to complete the game, and the bosses towards the end weren't as difficult as this relatively incidental confrontation.

So in summary then, if you're looking for an RPG that treats you like a grown-up without feeling tacky, The Witcher 2 will scratch that itch. If you're not one for overly-technical action RPG combat, then bumping the difficulty down to Easy allows for a satisfying experience from the story without the frustration of dying repeatedly on a battle that really shouldn't be that difficult.

And if you're wondering why I titled this post "The Adventures of Lord Bath"? Well, when I explained the concept of the original The Witcher to my girlfriend Andie by pointing out that the protagonist was a "white haired dude who kills people and has sex with a lot of women", her immediate response was "Oh, like Lord Bath?" (Disclaimer: I have no evidence as to Lord Bath's extracurricular activities. But I find the alternative name for The Witcher amusing, so it stays.)

#oneaday Day 518: Championing the Free to Play Model

I mentioned a few days ago that I was going to give some of Steam's free to play games a try, and mentioned I might investigate APB Reloaded and World of Tanks. I have played a tiny bit of APB (it's quite fun, if nigh-on-incomprehensible to begin with) but haven't touched World of Tanks yet. I also continue to enjoy Spiral Knights, although with the game's lack of quest structure and progression system tied to your equipment rather than your character I'm not entirely sure what the "point" is — but it's fun, regardless.

Instead, though, I've been spending a fair amount of time playing Champions Online, aka City of Heroes 2. This is one of a growing number of MMORPGs that used to be full-price products with subscription fees, but which have adopted the free to play model as a means of drawing in more customers and potentially earn more money via microtransactions.

Champions Online takes an interesting approach in that you can still pay a subscription fee for a "Gold" membership if you prefer, and that keeps the game pretty much in its original form — you get free access to all new content, are able to play a hero with your own completely customised set of powers and have a bit more flexibility in terms of how much currency you can own and the like. Free "Silver" members, on the other hand, are limited to selecting preset archetypes for their heroes and have to pay for episodic "adventure packs" — story-heavy instanced missions that offer experiences a little different from the regular world-and-instance-based PvE that the main game offers. Regular promotions allow Silver members to get access to some things for free for a limited period, and players can always buy individual things via microtransaction if they don't want to pony up for a full-on subscription every month.

The way this is implemented is incredibly smart. The fact that Silver players are limited to preset archetypes which are nigh-on-impossible to fuck up while Gold members actually have to plan out their builds in advance means that people are less likely to get themselves into a situation where it's impossible to proceed due to some unfortunate decisions 20 levels ago. It also allows players to effectively try out the various combinations of powers with characters that actually work properly — and have a lot of fun in the process. I'm playing a "Soldier" character right now and she doesn't feel gimped at all — she feels like a preset character class in a traditional action RPG. There's just enough level of choice to allow me to customise her a little bit without daunting me with complete freedom.

Champions Online falls into the usual traps that MMOs do — the interface is a bit clunky, the animations in cutscenes are either laughable or non-existent and aforementioned cutscenes have been put together by someone who doesn't know what "directing" or "cinematography" is. But that doesn't stop it being fun — and definitely higher quality than some of the crap that has been released under the free to play banner in the past. Quality of these games is definitely increasing, and I foresee that Champions Online will hold my attention for quite a while yet. So if you're a player, do join me! Look for "Lap Cat@AngryJedi" or just add me on Steam to see when I'm playing. Feel free to give me a shout and we can team up.

#oneaday Day 515: Rational Discussion Forever

I've said it before, but one of the best things about the Squadron of Shame is their willingness to engage in reasoned (usually, anyway) debate on a wide variety of subjects. Given the venom and bile that's been the hallmark of most high-profile Duke Nukem Forever reviews over the last week or so, I figured it would probably be down to the Squad to have a reasoned debate on the matter.

How right I was. I present to you a selection of highlights from today's discussion of the matter. I'm sharing this here because I believe this was a very interesting discussion and I want more people to know about it. If you like what you read and would like to join us, use your WordPress account to contribute over at the Squawkbox — we're very welcoming of newcomers and, as you'll see below the fold, have absolutely no problem with "Walls of Text" so long as you know how to use paragraphs!

This is an extremely long post so I'm putting a Read More tag here. Do take the time to have a read if you're interested, though — I maintain this is the most reasoned, rational discussion of Duke Nukem Forever you'll find anywhere on the Internet.

Continue reading "#oneaday Day 515: Rational Discussion Forever"

#oneaday Day 512: Freebie-Jeebies

Free to play games are here to stay, it seems, with Steam launching a dedicated category for the little buggers today — complete with Achievement support and Steam-powered microtransactions.

With that in mind, I've decided I'm going to delve into some of them and try to determine if any of them are actually any good. A lot of people hear the words "free to play" and assume it's going to be some lame-ass Facebook game with no gameplay whatsoever (seriously, I played one earlier that literally gave you experience points for doing nothing at all) but in actual fact, there's a surprisingly rich range of titles on offer out there.

I've just spent about half an hour with Spiral Knights from SEGA. This one appealed because of a recommendation from a friend, the most excellent CampfireBurning, who described it as a cross between Zelda and Phantasy Star Online. This sounded like an excellent combination of awesomeness, so I set Steam to downloading while I did some work.

It's a small download — less than a gig (when did that become "small"?) — and works on both PC and Mac. It has endearingly simplistic graphics that will likely run smoothly on absolutely anything and, unlike many other F2P titles, understands widescreen resolutions. It also has a pleasantly chiptuney sort of soundtrack, a straightforward control system and a no-nonsense approach to getting you into a party for some dungeon-delving.

Gameplay is similarly straightforward. You have a sword, with which you can slash, and a gun, with which you can pew. The sword does more damage than the gun, but the gun can pew at things that can't reach you. There are also blocks and bushes that hide coins and hearts, as well as "treasure blocks", which are self-explanatory.

I've only played the tutorial so far so I can't speak for the variety of the dungeons, but the simple, cartoonish nature of the graphics means that little more than a palette-swap is all that's really needed to give a level a distinct look — hopefully it offers a little more than that, though, as time goes on.

Hopefully the ease with which these games are apparently going to integrate with Steam will convince a lot more people to check them out. And the fact Steam has introduced a full free to play section should mean we get a lot more of these games on Steam, too, bringing them to a potentially huge audience. The future's bright for people who don't like paying for things but also don't want to pirate them!

I'm going to spend a bit of time with Spiral Knights and then post some more detailed thoughts in the very near future. After that, I'm going to investigate APB Reloaded and World of Tanks. Any other suggestions for free to play excellence?

#oneaday Day 511: Your Opinion is Valid, Unless It's Wrong

The few days since Duke Nukem Forever has been released have been interesting ones, from the perspective of looking at reactions to it, if nothing else. As I mentioned the other day, I've been playing the PC version and enjoying it a great deal. It's a thoroughly silly game full of ridiculous diversions, some old-school shooting coupled with some new-school sensibilities.

The combination doesn't always quite work, but to call it a "broken mess" and a "terrible game" as some people are doing seems a bit harsh, particularly when you bear the game's troubled history into account.

But I'm not going to go off on one defending Duke Nukem. Instead, what I will ponder is how many people will avoid playing it altogether based on the negative buzz surrounding it? And more to the point, how many people will pass up the PC version, which is significantly more technically competent than the apparently-dodgy console ports, based solely on reviews — pretty much all of which I've seen have been based on the console versions?

I picked up Duke Nukem because it's a piece of gaming history — the world's most notorious piece of vapourware. I enjoyed Duke Nukem 3D but wasn't obsessed with it or anything — it was simply an enjoyable game. For its sequel to come so many years later after it looking like it was never going to arrive at all? That's kind of cool — like, as one person on Rock Paper Shotgun pointed out earlier, witnessing an unfinished novel, symphony, play, whatever that was completed posthumously. I'm by no means saying Duke Nukem Forever is a work of art — it really isn't — but I'm also saying that it's an interesting curiosity that I fear people will pass by completely purely because the opinion-formers of the world say they should.

Perhaps they won't, though. Perhaps the game will drop to a bargain price at some point in the near future and people will be inclined to pick it up out of sheer curiosity. I'll be pleased if that happens, for even if you end up hating the game, I believe that the sheer amount of history that this title has is worth the price of admission alone. As many have pointed out, you can practically see where George Broussard insisted the team take the game back to the drawing board time after time after time — it's manifested itself in a game that's trying to be the biggest, the best, the greatest at everything it does and not really achieving it — but what it does achieve is provide one of the most varied experiences you'll ever have in a first-person shooter. One minute you'll be driving a remote-control car through a burning casino. The next you might be scaling the outside of a tower that has alien tentacles wrapped around it. The next you may be deep underground, exploring a genuinely unpleasant and disturbing level where you witness first-hand exactly what the aliens are doing to the "babes". And the next, you might be wandering around a strip club, looking for popcorn, a vibrator and a condom.

So if you've been put off by the early reviews of Duke Nukem Forever but have always been intrigued by the idea, I'd encourage you to check it out. Maybe not while it's full price if you're not happy with that idea, but certainly once it drops in price. It's an interesting and genuinely fun game despite its flaws, and it also has a simplistic but excellently entertaining multiplayer mode which is being rather unfairly dismissed by much of the media.

Shake it, baby. Never thought Duke Nukem Forever would have serious potential to become Squadron of Shame material.