#oneaday, Day 336: Being For The Benefit Of Mr. @shoinan (And Any Other Prospective #oneaday-ers)

The few of us who are still flying the #oneaday flag are closing in on the grand finale. 365 posts of non-stop bollocks, some of which might have been entertaining, some of which may have been utter nonsense. If you haven't checked out the fellow survivors' blogs yet, I encourage you to pay Jen, Mat, Mike, Krystian, Ian and other Ian a visit and support the awesome work (and endurance) they've shown over the last year. Give 'em a big hand, or whatever the Internet equivalent of applause is.

Now: to the point. I have tagged @shoinan in this post because he was specifically asking about it on Twitter at some indeterminate point in time that I'm confused about due to intercontinental time zone drift and watching Scott Pilgrim until 1:30 in the morning, then getting up at 7am to record a podcast. But this post is directed at anyone who wants to be Awesome Like Us.

#oneaday is something I intend to keep going with once my year is up. The others may feel differently. For some it feels more like work, for others it's a good habit that they've got into. Some are persisting out of sheer bloody-mindedness, some are passionate about the whole thing and want to succeed in it as a creative endeavour. In fact, most of us have fallen into some or all of the above categories at different times. And those who dropped the project partway through the year all did so for completely valid reasons, too.

It's a challenge, make no mistake, but it's one you largely set the rules for yourself. The only rule that everyone needs to abide by is this:

Post something—anything—at least once a day for a whole year.

Exactly what "something" means to you can be anything at all. It can be a photo-based post (I've done a few of those in the past). You can set yourself a minimum of at least a paragraph. Personally, I try to write at least 500 words a day, and in the last *mumble* days I've also been doing my comic daily, too. (All right, I couldn't be bothered to check. But I know it's over a hundred days now.)

But there's no hard and fast rules about how much you need to write, how good it needs to be or even what it needs to be about. The whole point of the exercise is to get you (yes, YOU) writing. Writing anything. Posting anything. Getting into the habit of being creative regularly. Creativity is something you need to exercise, just like your muscles. Spend your time not being creative and you'll stagnate, but it doesn't take long to get back on track. And there's no better way to exercise the creative bits of your mind than coming up with something—anything—every single day.

The other side effect that you might find is that it's a good outlet. I've had a shit year, by all accounts, and I know that one thing that has really helped me deal with said shit is writing about it, getting my thoughts out of my head (where they'd fester and eventually explode) onto the page. Saying things and knowing people are reading them—even if the things I've written aren't specifically aimed at anyone (or are, in some cases)—helps. It's a form of therapy.

I'm not saying you need to have something going on in your head to enjoy success at #oneaday blogging. But it certainly gives you something to write about, and I believe it's a healthy thing to do, too.

So for those of you interested in participating next year, I'm fully intending on continuing to take part and helping to co-ordinate everyone's efforts, too. Keep an eye on these pages for further details, and in the meantime feel free to get started whenever you like. If you do, be sure to let me know that you're on the case and I'll be sure to throw up some links.

Not in a vomity way. That would be weird. You know what I meant.

Anyway. Now it is time for pancakes. I hope those of you reading this who have a creative itch that is proving difficult to scratch will certainly consider joining me on another year of #oneaday blogging next year. Good luck to those of you who are in for the ride.

Communication, mmm-mm-mmmm

Back in primary school, we used to have to sing songs in Assembly every morning. Then on Thursday mornings, we'd have "Hymn Practice" instead of Assembly, which in most cases was simply an Assembly by a different name. And then there was the one afternoon a week where the music teacher (who was also my piano teacher at the time) would come into the school and make us sing even more, using material from the BBC's Singing Together radio programme and companion songbooks.

One of the awful songs that has inexplicably stuck in my head ever since those dark, song-filled times ran thus:

Communication, mmm-mm-mmm,
Communication, mmm-mm-mmm,
Way back long ago men sent messages
Beating out rhythms on drums and bones

I remember the rest of the tune, but not the words. It was one of those songs that parents like to describe as "funky" when in fact, due to the fact it's performed by tone-deaf primary school students accompanied by a miserable pianist on an out-of-tune piano, is anything but.

This is a roundabout way of introducing the topic I feel like talking about today which is, oddly enough, communication (mmm-mm-mmm). I apologise, but if you're reading this post, you've probably indulged my flights into the bizarre in the past.

There's been a lot of attention on sites such as Twitter recently, and particularly, it seems, in the last month or so. Ever since Stephen Fry happened to mention it on the Jonathan Ross show here in the UK, people in my group of "real-life" friends have been signing up to it like crazy. This is a big thing, because many Internet "fads" often pass by the UK, the general (i.e. non-geek) population here being afflicted by a sort of general malaise and apathy that causes them to denounce anything where you have to do something that could be remotely considered as "work" (i.e. something where you have to use your brain or, God forbid, write something) to be a Bad Thing.

To give you an idea of how this has gone, let me paint you a little picture. I have been using Twitter for some time now as a means of communicating with my friends in the Squadron of Shame, who are mostly based in the US and Canada. It's been great for that, but it's also been great as a means of "stress relief" – a place to post those thoughts you don't really want to say out loud but you kind of want people to "hear", if you catch my meaning. I often refer to it as a means of externalising your own inner monologue, and for many people it is. Of course, blogs also carry that function for many people, but the immediacy of Twitter, coupled with the fact you are limited in how much you can say, makes it an attractive option for "microblogging", its originally intended purpose.

Now, as I say, I've been using it for some time both as a means of communicating with other people and venting my own frustrations, of which there are many, as you've probably seen. My friends here in the UK often wondered why on earth I was bothering with such a simple website when places like Facebook offered far more in the way of options, applications and other fluff – particularly when Facebook offers its own system for microblogging through its status update system. But the fact is, the simplicity of Twitter is the attractive thing about it. Facebook is full of fluff, and has been growing more fluff as time goes on, as have other sites like it. Now, much more than simply being able to post messages to that hot girl you fancy at college, or trying to avoid exes, Facebook markets itself as a "platform" for the interminable flow of applications that clutter up everyone's profiles and get in the way of the original purpose – communicating.

Twitter does no such thing. Twitter gives you a box to type in what you're doing, and a list of other people's answers to the same query. Nothing more. And as a result, the communication involved is much better. If you want to ask someone something, you ask them. There's no wading through their Tetris high scores, no comparing people and choosing who is "the most punctual" (thanks for voting for me on that one, you obviously don't know me THAT well) and no looking at daily LOLcats. Simple and clear.

There's a time and a place for these different types of communication, of course, but it was just interesting to me that it took a celebrity endorsement for people in this country to pay attention to something as simple as Twitter, while the glitz and flash of Facebook, MySpace and Bebo sweep through the lands like a plague.

With this in mind, over the last few months I've been exploring different alternatives for communicating on the web. With the ubiquity of the Internet these days, you're never very far from some means of talking to another person – be that in real-time via instant messaging services or in a more "when you feel like it" manner via services like Twitter, Facebook and message boards. There's an interesting variety of different approaches.

First, of course, is the humble blog. You're reading this, and presumably you've got this far otherwise you wouldn't know I'd said "presumably you've got this far". Why are you reading this? It could be one of several reasons. It could be because you want to get to know me better, it could be because you're nosey, it could be because you're interested in the things I talk about (though I defy anyone to pin a single "topic" on this blog) or it could simply because you like the way I write. How did you find me? Chances are, in my experience, that you found this place either because I told you, or because you clicked on a link in one of my other friends' sites. How you got here doesn't matter. If you're reading this, you're effectively allowing me to talk at you for several minutes before I pause, look around the room at the people who have been listening intently (and ignoring the people who wandered off to look at porn several paragraphs ago) and invite questions and comments in the… um… comments. Blogs can be good starting points for discussions, but they're inherently one-sided – the blog's writer has most of the power, and commenters have a more "subservient" role, if anything. That's not a bad reflection on any of you thinking about commenting, before you say anything – it's simply the way the medium works.

I find a blog to be a great way of getting complicated thoughts or opinions out of my head in a way I (and hopefully other people) can understand – when expressing myself verbally rather than through text, I often find that social anxiety takes over and I get tongue-tied. Here, though, I can consider what I say before I say it, and then invite questions or opinions after the fact.

Next up, I've been exploring Tumblr. Tumblr is a strange one, somewhere halfway between Twitter and a blog in its execution. Different people use Tumblr for different things. For the self-confessed lazy blogger, it makes a solid, easy-to-use foundation for blogging in the manner I discussed above. For others, such as myself, it becomes a sort of digital scrapbook, a receptacle for all the random noise floating around your head or pictures of cats that you see on the Internet that you don't want to clog up your Twitter stream with constantly.

For others still, it becomes a means of communication, though in a completely different manner to something like Twitter. Tumblr's communication centres around the idea of "reblogging" – taking something that someone else posted, posting it on your own page and adding your own take on it. This is something that tends not to happen with blogs like this one – either because they're too content-rich, too long or simply out of respect for the person who wrote it in the first place. After all, if you want to comment, there's a comments box right at the bottom. Not so on Tumblr, however – because posts tend to be short and snappy – a quote, an excerpt from conversation, a photo – it's easier to reblog them, comment on them and thereby expose them to more and more people. In that sense, Tumblr is very much a viral marketer's dream. Post something cool once and if someone reblogs it, then someone else reblogs it, then someone else… each time it gets more and more views and is accessible to a wider and wider audience.

Smokey Darth

Take this awesome picture of Darth Vader, originally from the Wired blog, apparently. By the time I came across it, fairly randomly, I might add, it had already been through about ten people. Currently, there are 134 "notes" on the image, which means it's either been tagged as "liked" or "reblogged" by 134 people. Similarly, take the Microsoft Songsmith stuff. There's absolutely no denying that Songsmith is a work of great evil, but I bet you know what I'm talking about without me having to post a link. Viral marketing at work. Sort of.

Then there's more "active" means of communication. I have had a long-time fascination with virtual world Second Life, it still representing a fairly unique branching-off from the typical massively-multiplayer scenario in that there are no goals, no scores, no experience points, no set content – pretty much everything – buildings, objects, scripting that makes objects work, bits of interface, even avatar clothing, hair and body parts – is created by the "players". This is a spectacular achievement, when you think about it, and whatever you may feel about Second Life and the people who enjoy it, there's absolutely no denying that it's an impressive means of communication and expression. It is very much its own world with its own rules and conventions, and it's an interesting place to spend some time, even if you don't plan on staying. Just to confuse matters, I started a Tumblelog about my Second Life experiences here, and microblog about it on yet another site called Plurk, which feeds to a Twitter feed, which… you get the idea.

There are a million and one other sites I could talk about on this note but I feel I have carried on for far too long already. The point of this post is simply to celebrate the possibilities for communication that the Internet offers. It's easy to forget – or at least take for granted – the fact that simply by sitting down in front of our computer, we can easily talk to and interact with people from all over the world. Let's never forget how awesome that is.

Obligatory First Post Explanation

Hello. Welcome to yet another attempt at a blog. This time I'm not relying on crappy, shit-arsed web hosts who don't reply to my emails when I politely (and subsequently, less politely) enquire exactly why they have absconded with £30 of my hard-earned for another year's hosting and domain name ownership. But enough about 4sites.com (who, incidentally, used to be fantastic, and just appeared to vanish off the face of the planet recently) – let's not start this as a rant, as there will undoubtedly be plenty of time for that later.

If you've stumbled across this blog by accident, here's the obligatory "hello, this is me, as if you care" post. That way you can decide whether or not you feel like sticking around. So let's lurch right in.

My name's Pete Davison. I am not the 1981-1984 incarnation of The Doctor, hence the title of this blog. In fact, I was born in 1981, giving my parents great joy in telling the story of my brother (games industry veteran John Davison, as press releases are wont to call him) apparently insisting that my parents gave me the middle names "Doctor Who".

It didn't happen.

I did, however, end up with two middle names, which has meant for the longest time I have been unable to enter all of my initials into arcade machines upon achieving a high score. I suppose as names go, things could be worse. I could be called Theophilus McShitface or something like that. Now that really would be unfortunate, although at least "TMS" fits on the Pac-Man high scores list.

Anyway, who am I? I'm a self-confessed geek. I love my gadgets, I love my video games and I love my board games. I also like hot girls in lingerie, but I think that's something less of a niche market. I live in the UK and represent one of the last bastions of traditional Britishness, doing one hell of a Brian Blessed impression (with a beard to match if I haven't shaved for a while) and constantly shaking my head at the rancid, disgusting, despicable state that this country is in.

I'm also in the process of attempting to emigrate, for reasons which are probably abundantly clear from that previous paragraph.

But back to the geekery. One of the main things I do is take part in legendary (well, in our minds, at least) gaming "book club" The Squadron of Shame over at 1up.com. We have a podcast and everything – see the sidebar for links to subscribe. The Squadron of Shame are a group dedicated to rescuing underappreciated classic video games from the bargain bins and playing the shit out of them before deciding whether or not they actually do belong in said bargain bin or in pride of place on discerning gamers' shelves.

I also occasionally write for industry veteran John Davison's new site, What They Play, a comprehensive resource for parents wanting to find out more about their kids' favourite hobby. If you're a parent, know nothing about video games and want to know if the latest Final Metal Gears of Halo game actually does have all the graphic depictions of interracial anal sex that the Daily Mail "reported" (and I use the term loosely) featured in it, What They Play is a great place to start.

So sit back, relax, maybe drop a comment or two (but be sure to comment responsibly otherwise the government gonna getcha) and enjoy.

If this is the only post on the page when you read this, you have reached the end of the potential enjoyment of this page. Please feel free to come back and visit later.

Auf wiedersehen.