#oneaday Day 764: Sports Day

Sports and me have never really got on. There are a variety of reasons for this but the long and the short of it is that said antipathy towards each other meant that 1) I was usually picked last for the teams in PE (when I wasn't, it was usually Steven Finnegan instead) and 2) my body isn't exactly a rippling temple of man-beef.

That doesn't mean I haven't tried to get involved with sports over the years. I was in my Cub Scout football team, for example, a team so terrible we were sponsored by a junkyard. Our best result ever was 1-0 to us. Our worst result was 20-0 to them. No, that's not a typo. Twenty-nil.

Despite my ambivalence towards sport, I do also have some fond memories of various school sports days, particularly if it happened to be a nice day out at the time. I can't remember a lot about primary school sports days, but secondary school sports days tended to be a pretty big deal, bringing most of the school to a standstill for a wide variety of track and field events.

My tutor group (the erstwhile 7FMQ, later 8QU, 9QU, 10QU and 11QU) were the very souls of apathy for the most part. There were certain events that people just plain didn't want to enter, which would have put us at a significant disadvantage on the leaderboards (yes, this was in the day when it was still acceptable for school sports days to have "winners" and "losers") had I not stepped in.

I'm not sure why I stepped in, given that I knew full well I was crap at sports, was not very good at running and wasn't particularly agile. Therefore, you may be thinking, it would be somewhat foolhardy for me to enter both the 800m race and the high jump, but enter them I did, and I learned a number of things. Firstly, that I was surprisingly quite good at high jump, and secondly, that I was very poor at pacing myself when running — something which I still struggle somewhat with today.

The problem stemmed from the fact that I had never even considered running a long(ish)-distance race before, so I didn't really know how they worked. As such, I was off the starting blocks like a fucking rocket and exhausted by the end of the first lap. This gave the rest of the pack, who had been pacing themselves somewhat more modestly, ample opportunity to catch up. I don't think I finished last, to my credit, but it certainly wasn't very far off. After the race ended, I went back to my tutor group's area of the field, lay on the floor and didn't move for a very long time.

The thing that sticks in my memory about that race, though, is not the fact that I ballsed it up so spectacularly. It's the fact that for once, the rest of my tutor group was rooting for me. I spent a lot of my school days feeling like something of an outsider thanks to my awkward social skills, my weird accent, my crap hair and my forehead and nose's tendencies to flare up with greasy zits. I was a geek and someone who did well, too, which made me pretty much the polar opposite of "cool". Thankfully, barring a few exceptions, I was mostly left to my own devices to hang out with my equally geeky friends (most of whom had better hair than me) but this meant I didn't feel a particularly strong sense of camaraderie with the rest of my tutor group.

Until that day. I heard them cheering for me as I ran past them on the first lap, and staggered past them on the second. And when I finished, far from being admonished for my poor pacing, I was congratulated and praised for getting out there and giving it a shot. It was a surprisingly special moment that's stuck with me over the years. And while in short order things went back to being the way they had always been, for those few short minutes when I was on that track, I meant something. I was cool.

#oneaday Day 736: To Sir and Miss, with If Not Love then At Least Fondness or Enduring Memories

Following a conversation with Andie, I thought I would challenge myself to name as many teachers from my own schooldays as I possibly could, along with the contribution they made to making me the person I am today, for better or worse. Mostly the better, I think, which doubtless they'll be delighted to know if they do happen to be reading this, as unlikely as that might be.

If you are one of my old teachers and you are reading this and I forget to mention you, I apologise in advance.

Anyway. Let's consider these in roughly chronological order.

At primary school, our early years were accompanied by Mrs Place. I have to admit I don't remember a great deal about her, but I think given my tender age at the time, that can probably be excused.

Class 2 in primary school was taken by Mrs Robson, whom I also can't remember a great deal about. I do remember her not being there one day though, and me being tricked into saying "shit" to Mrs Powell the cover teacher by Natalie Forster, the bitch.

Class 3 was taken by Mr Edwards, who had a bit of a mullet and a moustache. He liked to play the guitar at every opportunity, meaning that "Circle Time" (the point of which I'm still not sure of even having been a primary school teacher myself) more resembled a campfire singalong than anything more meaningful. It was fun though.

Class 4 was taken by Mrs Barrett, a formidable lady by all accounts who had some very old-school values. The rest of the school was terrified of her, because she had a withering look that could cause geese to fall dead out of the sky if she so desired it. Once you got into class 4, however, it became apparent that she wasn't so scary after all, and even had something of a sense of humour. Her insistence on strict discipline meant that she ran a tight ship, and her class achieved well. Crossing her made you feel like, as cliche as it sounds, you had let yourself down.

On to secondary school, and my form tutor was Miss Quirk. She was Scottish, had short black hair and said "poem" as "poyem". She taught Maths, but I don't think I ever had a lesson with her.

Elsewhere in the Maths department was Mr Wilbraham, who may or may not have had a drinking problem. He was certainly rumoured to have a drinking problem, but I can't say we ever saw any direct evidence of that. He was another of the Mrs Barrett breed — regarded with fear and misunderstanding from afar, but actually turned out to be very pleasant to work with once you were in his class. He didn't help me enjoy Maths, however.

The English department was my second favourite department. At various points, I was taught by Ms (not Miss) Derbyshire, who was a bit like Victoria Wood when she was being funny; Mr Bowie, who was the obligatory male teacher whom all the girls fancied, was very cool and convinced me to explore the music of Jeff Buckley; Miss Idziacszyk (I think I've even spelled that correctly), who was a good, knowledgeable teacher, particularly at A-level. On one memorable occasion, Mr Bowie came with us to a local recording of Songs of Praise which our steadfastly secular school had, for some reason, been invited to. On that occasion I had my shortest ever relationship with a girl — we went out for a week, during which time I saw her once, kissed her once before she decided she wanted to go back to the way things were before.

The Music department was my favourite department. Initially staffed by Mr Murrall and Mrs Choy-Winters, later by Mr Murrall and Miss Garrick (whom my erstwhile best friend Craig fancied the pants off) and even later by Mr Murrall, Miss Garrick and Mr Wrigley. All of the teachers in the department were laid-back, fun and a pleasure to be with both in lessons and outside. By far the highlights of my time at secondary school were the school concerts, during which staff and student were able to interact in a way that just wasn't possible in the normal classroom.

Up in the Upper School were the Geography and History departments. Here, two particular teachers stood out — Mr Mason (pictured above) on the Geography side, and Mr Watts on the History. Mr Mason had long hair and a porn star moustache, and always spoke in a calm, quiet voice. Instead of shouting when he got angry, he went quieter. It was terrifying.

Mr Watts, meanwhilem was the exact opposite. He could shout your face off, and frequently did. Despite his deservedly formidable reputation, he was an excellent teacher. Okay, I can't remember a lot of what we covered in History, but I certainly remember the lessons I had with him — and the occasions he looked out of the window, saw a year 7 kid and just tutted and shook his head.

Mrs Lloyd taught Integrated Humanities and Sociology. She knew a lot about her subject and was also one of those teachers whom it was very easy to talk to. Perhaps it was the nature of the subject itself, which often dealt with issues that affected us directly, or perhaps it was just her nature. Either way, I remember her very fondly.

Then there's the senior staff. I have fond memories of Mr Cragg the erstwhile head teacher for understanding fully why I turned around and lamped Murray Crofts in the face after the little cunt had been harassing me all day. And Mrs Knight, who was a motherly figure to much of the school in many ways — right down to inflicting embarrassing discipline on those who stepped out of line. (One of the worst punishments, particularly for younger kids, was to be forced to have lunch with her, or to to be on "Five minute report" to her.)

There are doubtless plenty of others I've missed — Miss Cuthbert, who was one of heads of Sixth Form, and regularly tried unsuccessfully to get us all being a bit more religious; Miss Stafford the art teacher, whom I didn't spend a lot of time with (as is probably apparent from the pictures which accompany these posts); Mrs Graham the formidable and terrifying Home Ec teacher.

I know one thing, though — as difficult as schooldays were at times, I'll remember the adults who got me through it for the rest of my life, even more so than those whom I considered close friends at the time, but have since drifted far away to pastures unknown.

I now know first-hand how hard your jobs were, Sirs and Misses. I respect you even more than I did back then. Those of you who have the courage to remain in education with the kids of today, I salute you.

#oneaday Day 611: That Happened: "...Oil and Poo"

When struggling for things to talk about, or indeed write about, any creative shortcoming can usually be quickly rectified by a nostalgic trip into something which happened in the near (or distant) past. Some people base their entire blogs on this, and, of course, the lucrative autobiography industry uses this approach as a fundamental basis for a bajillion books all called "Celebrity Name: My Story".

So I thought I'd start an occasional series based on bizarre incidents which have occurred throughout the course of my life that probably aren't that bizarre in reality, but certainly amuse me if no-one else. These will not be presented in anything even remotely approaching chronological order — they will simply turn up as I think of them and when I feel like it. Much like the inspiration for the vast majority of other entries in this increasingly-lengthy blog, in fact (for which I salute you if you've been reading since the beginning).

Preamble over, I shall begin. Are you sitting comfortably? Here we go.

At university (the University of Southampton, UK, to be precise, if you're picky about that sort of detail) I was a member of the university theatre group, which underwent a number of name changes during my time with them. Initially it was the "Blow Up Theatre Group" (I, to this day, don't know why), then simply "Theatre Group" and later "Rattlesnake! Theatre Group" (the reasoning for which I now, sadly, can't remember).

The point of this story is not the name of the theatre group, however, but rather the shenanigans which I and the other participants got up to.

At one point late in my university career, I got together with a friend with whom I was a member of the group and we decided that we were going to put on a production of Shakespeare's Twelfth Night. As was fashionable at the time, we decided to set it in the 1920s era. (I say "fashionable" — my sole basis for this assumption is that my secondary school also set its production of Twelfth Night, in which I played the role of Malvolio, in the 1920s) We were all set to begin rehearsals when my friend and co-director decided that now would be a really good time to go on a lengthy skiing trip. (She came from a family with money and was somewhat prone to flights of fancy.)

I wasn't sure what was going on until I got a gushing, apologetic email from her announcing that she didn't feel she could be responsible for the show and decided to leave me in the sole role as director. I, of course, had never directed a show before and had not a fucking clue how to lead a ragtag group of wannabe actors into producing a show. Fortunately, the remainder of the crew rallied behind me and helped out, and I was enormously grateful for their assistance — even if the stress of carrying out the project gave me both a spectacularly tramp-like beard and more than a few nosebleeds, somehow and inexplicably earning me the nickname "Beast Man" in the process.

The show went well. It ended up being somewhat farcical in its execution, but this, in fact, worked in its favour and helped make the typically obtuse Shakespearean humour somewhat more digestible to a modern audience. We were all pretty pleased with how the whole thing turned out, but by far the most memorable thing about the whole fiasco was the aftershow party.

I can't even remember whose house the aftershow party was at, just that it was quite an event. Several key events from that evening stick in my mind, however, starting with a member of the cast sitting in a wicker chair that he thought looked rather comfortable and then discovering that it was not, in fact, as pleasing to sit on as it looked. Said chair was consequently dubbed "The Chair of Eternal Disappointment" and became a focal point for the evening, helped in part by the amount of drink and weed which was in circulation throughout the course of the celebrations.

At some point after midnight, a small splinter group of partygoers decided that it was time to leave our generous hosts' house behind and go and seek adventure elsewhere. Thus followed one of those journeys across town which meandered so much you ended up completely lost, but somewhere cool.

In our case, we found ourselves on the banks of the river Itchen (I think) on a makeshift beach covered in gravel and some unpleasantly dirty-looking seaweed. There, we indulged in what all good luvvies should do at approximately 4am in the morning — improvisatory theatre. We laughed and giggled until the sun started to peek its head over the horizon, at which point things took something of a turn for the bizarre.

One of our number, who already had a particularly loud, bellowing voice, was somewhat intoxicated through a cocktail of various chemical substances coursing through the pleasure centres of his brain, and thus became even louder than usual. As such, we were unsurprised when he proudly announced that he was going to go for a wee in the river. He took off his shoes and socks and paddled into the water, then happily stood in profile to us, got his (clearly visible) cock out and started to piss into the Itchen. (It's nothing worse than the filthy river was usually full of.)

Following this display, which he was not at all abashed about, he decided that now would be a really good time to see what the dirty seaweed on the beach tasted like. Stomachs in throat, we watched him pick up a piece of the filthy, slimy crap from the floor and gleefully stuff it into his mouth.

What followed was the kind of facial expression you get from anyone who puts something they find distasteful into their mouth but doesn't quite want to spit it out. He chewed on it for an alarmingly long period of time before letting the mangled remains of the goopy crap spill forth from his mouth.

"Ugh," he cried. "It tastes like oil and poo!"

Despite the hilarity that statement caused, the fact that one of our number was reduced to eating seaweed tipped the rest of us off to the fact that it was probably time to head homewards. Of course, we had no fucking idea where we were, so again followed a meandering course through the back streets of the city until we eventually found ourselves on familiar territory and, bizarrely, craving Jaffa Cakes.

Unfortunately, the era of 24 hour shopping had not made a big impact on Southampton by this point, and so we found ourselves stranded outside a closed and shuttered newsagents' store begging to whatever gods we did (or didn't) believe in for them to let us in for Jaffa Cakes.

Unsurprisingly, the gods in question did not yield and the shutters remained firmly closed. This, it seemed, was the final straw — it was time, once and for all, to go home. We all went our separate ways — walking, naturally, using that bizarre amount of stamina that total intoxication gives you — and found ourselves back in our own houses, safe and sound, ready for bed just as the rest of the world was waking up.

The following day was, naturally, a complete writeoff. But I'm almost certain that if I spoke to anyone else who was there that night, they'd remember the events as clearly as I do. It was, to paraphrase one Mr Stinson, legendary.

#oneaday Day 516: Away Game

Spending a weekend in markedly different surroundings to the place where you spend most of the rest of your week is an eminently worthwhile experience, particularly if you spend most of your week chained to a desk — whether that's in a working-from-home sort of situation or the daily grind at an office. Over the last few weeks (and probably months) I've been fortunate enough to be able to spend some time away from the environment I spend the working week in, and it's a healthy, positive experience.

The only frustrating thing about the whole shebang is the fact that most places I go away to are inevitably attached somehow to either my awesome girlfriend Andie, who currently lives 150 miles away from me; or to friends I left behind back in the Southampton area (about 120 miles away) when I was forced to depart last September.

In some senses, this is good, though, as it means I get completely out of the daily "grind", as it were, by going somewhere markedly different from the places I see every day. Even if I do go out while I'm back at home, it's inevitably to the same old places time after time — local shop, local supermarket, post office, local coffee house. And while I know Southampton and Winchester pretty well having spent the best part of 10 years living and working in the area, the fact I don't live there now is enough to keep them feeling fresh, pleasant and not "new" as such, but places I feel I can rediscover each time I visit.

Now, granted, Southampton's a bit of a shithole and if you want to do something on a Saturday night that isn't getting pissed (and, by extension, into a fight) or going to the cinema, there's actually really not a great deal to do — not in the town centre at least. But as I've said on several occasions in the past, it's a place in which I lay down some "roots" and even if I end up never moving back there to live — which is looking increasingly likely — it will always be if not a "home" then certainly a home away from home.

Winchester, on the other hand, is a place I'd return to in a flash given the opportunity. My favourite place I've ever lived was in Winchester. It was a gorgeous big fully-furnished flat with a dishwasher, heated towel rails and a dressing room off the main bedroom. The furniture provided was good quality, not the usual hand-me-down shite, and while I was there, even though I was working a soul-crushingly awful job in the secondary music classrooms of Hampshire, it was a haven I could return to of an evening and feel like I had come "home". Of course, as Sod's Law tends to go, this dream-come-true of accommodation was snatched up by the landlord, who rather inconsiderately wanted to give it to their daughter, so we ended up living in a nice-ish cottage that was unfortunately afflicted with a great deal of damp and mould, and smelled disconcertingly of gas in the living room.

I often wonder where I'm going to end up next. I hope it's somewhere good that I can lay down some roots once again and start afresh. For now, there are weekend escapes like the one I'm on now with Andie, and right this second, that's the best life has to offer, so I'm damn well going to enjoy it.

#oneaday Day 106: A Wealth of Useless Knowledge

The above comic isn't actually that far from the truth. (I remembered the code from Another World but had to look up the Ultima Underworld II spell. I at least remembered that "ylem" was one of the runes, however.) All this leads me to the conclusion that our brains are clearly wired up all wrong, and we need some sort of GMail Labs-style multiple inbox feature in order to appropriately prioritise the things that enter our brain and the things that we can safely delete when there's something very important to remember, such as girlfriends' birthdays. (November 19. I sacrificed the cheat code for Sonic 2 to make way for this information.)

I'm not sure if everyone else's brain works in this way or if it's just a side-effect of being a massive nerd. But most people have something that they're extremely interested in, and will remember all sorts of useless facts about to bore their friends with down the pub. If you're lucky, you'll be friends with people who also know useless facts. If you're unlucky, you'll have all this knowledge squirrelled away with no-one to share it with—which is why the Internet exists, of course. And if you're particularly unlucky, you'll be friends with someone who's an even bigger nerd than you and is fond of correcting you every time you slightly misquote Ghostbusters. (Seriously. Fuck that guy.)

But I don't think it's necessarily a bad thing. Imagine how dull life would be if the only things wedged into your long term memory were your unique taxpayer reference number, your national insurance number, every password you've ever used and the sites they work for, and those arbitrary user IDs online banks insist on you using rather than allowing you to pick your own ID that you might be able to remember. And, of course, your car's MOT expiration date. (Sometime in August. I think.)

No. I'd much rather have cool stuff lodged in my brain that I can surprise and delight people with. (I have nerdy friends who find the fact I can remember Lester Chaykin's keycode from Another World immensely amusing… possibly at my expense, but I don't care at this point. Embrace who you are, I say.) Cool stuff in your brain allows you to become An Authority on a subject. And being An Authority is fun, because it means people come and ask you stuff about things you're interested in. It's like having people respect you and your opinions.

And sure, not everyone necessarily understands why you're so obsessive about Buffy the Vampire Slayer/Final Fantasy/Dungeons and Dragons/the collected interactive works of Jane Jensen/Minecraft/Twilight/Formula 1/porn stars of the 1980s/the board game Agricola. But it's important to you, and it gives you something to explore when you haven't got anything better to do—and something with which to bond with like-minded people via the Internet (or even real life if you're very, very lucky.)

It must be kind of sad to not have anything to obsess over. Do those people have any fun?

#oneaday, Day 31: Looking Back Through a Lens

I love photos. In one of my many houses at university, I had a whole corridor whose walls were papered with photographs I'd taken throughout the course of the previous year. It may well have looked a bit serial killer-ish, but I liked it (until I took them all down shortly before moving out and discovered the wall behind was actually damp and mouldy—thanks a lot, scumbag landlord) and it provided a nice visual record of what had gone on.

This was in the days before digital cameras were particularly widespread, of course, so these were actual photos on actual paper. I took a lot of photos, but there was still no way it'd be possible to take as many as you can with today's cameras. That meant that each captured memory had to be just so, and there was no going back to try again; you caught it, or you missed it. Simple as that.

Of course, nowadays, it's much easier to capture and keep a memory, assuming you don't do something ridiculous to your computer like take it into the bath with you. But that doesn't mean photos lose any of their impact, or the memories contained therein. I'll bet I can take a random selection of photos from my iPhoto library and be able to explain each and every one of them.

In fact, let's do just that. I'll give you ten, just so we're not here all night. Hold on, I'll be right back.

So without further ado, here we go.

Would you look at that? We went and got a nice one to begin with. This is the wedding day (obviously) of my friends Rob and Rachel. Instead of confetti, they had bubbles. It was awesome, and we all ate a lot of food and got quite drunk. Fact: Rob and Rachel were one of the first couples I knew who got together at university and are still going strong today. I salute you, you lovely pair.

Aha. There are actually two separate stories behind this one. The guy in white makeup is, I believe, a chap called James Gaynor, who was starring alongside me in a production of Marivaux's L'Epreuve, also known as A Test of Character. He was playing a character called Frontin, I was playing a character called Lucidor. Lucidor was in love with a girl called Angelique, who was played by a most lovely lady named Sarah, but there was a long and complicated plot involving Frontin pretending to court her on Lucidor's behalf and it all got a bit French.

As for the mobile phone and the text on it: the mobile phone was mine at the time (Nokia REPRESENT), "sonicfunkstars" was the name of the fake band I made music under (using Sony's ACID Music software and approximately 24 CDs of samples, most of which I probably never used) and "txtr's thumb" was the name of my second album. Interestingly (not really), "sonicfunkstars" is still my Xbox LIVE ID, and it's one of the only places on the Internet where I'm not "angryjedi" or some variant thereof. The other is YouTube.

(Exclusive: I found the title track from said album. It used to irritate the fuck out of anyone with a Nokia phone. You'll see why.)

Ah yes. I can tell you exactly what is going on here. This is during my second year at university. The location is my friend Chris' bedroom. Under the desk is Sam, who is drunk, and spent most of the night seeing what tiny spaces he could contort himself into.

Lying on the floor is Steph, who is reading a book—possibly Bridget Jones' Diary. In the background is her erstwhile boyfriend Brett, my most enduring memory of whom is when he burst in the front door of Steph's house, furious that "someone's drawn knobs all over my car". Someone had indeed drawn knobs in the snow that was all over his car, and Sam and I naturally knew absolutely nothing about it.

But that was not the occasion in this photo. No. This was simply a social gathering at Chris' house—Sam, Steph and I were all flatmates in the first year, so we often took the opportunity to hang out together. We'd "lost" a couple of flatmates along the way to other social groups, but we'd stuck together for a lot of the time.

One of whom was the rather magnificent Beki, seen pictured here with Sam, again. This photo was taken on our hall of residence bar's "70s Night", a night where only the six of us from Flat A33, Hartley Grove Halls, Southampton, made the effort to dress up. Sam is wearing a woman's shirt.

Whizz forward to last year, and we have a picture of a game of Scotland Yard in progress, one of the very few games I'm aware of that provide you with a hat as part of its components. Pictured is Tom. Not pictured is Sam. And me. Obviously.

This Post-It space invader adorned the front wall of Ruffian Games' studios in Dundee. Obviously a little light relief after getting Crackdown 2 out the door.

Back in time to the first year at university again, we see here the midst of Operation Shopping Trolley, our attempts to stealthily remove the shopping trolley that had inexplicably appeared in our flat overnight. "Inexplicably" as in for once it wasn't one of us who had brought it up. Notice the cunning ninja disguises Sam and I have adopted.

This is Dungeonquest, one of either the best or worst games ever created depending on your outlook. It's a game where you have an approximately 23% chance of survival (they tell you this in the instruction booklet), and is almost completely determined by blind luck. Combat is resolved almost literally by rock-paper-scissors… except here it's slash-mighty blow-leap aside. I was astonished to discover that they have actually remade this monstrosity. I was also quite tempted to pick up a copy, but that would be a very silly idea.

To this date, this is still the most literary piece of graffiti I've ever seen, found on the back of the cubicle door in the gents' toilets in The Hobbit pub, Southampton. The whole door was something to behold; there were full-on conversations and slagging matches going on between various wall-writers, an excerpt of which you can see here. Theatre Studies was repeatedly accused of gayness. A bit rich coming from people hanging out in gents' toilets.

And why don't we end with this one, then? This offensive masterpiece was produced by the cast of Southampton "Rattlesnake!" Theatre Group's production of Alan Ayckbourn's Round and Round The Garden whilst finishing off rehearsals prior to taking the show to the Edinburgh Fringe. We'd all gone a little bit stir crazy by then, and so we took to lite-vandalising the whiteboards in the lecture theatre where we'd been rehearsing. ("Lite" because you could just rub it off. But we did leave it there for the lecturer to discover in the morning.)

Look closely and you'll see a selection of details; Pac-Man re-imagined to become Sonic the Hedgehog eating shit, some stickpeople having a threesome, some anagrams, a victim's eye view of the Ku Klux Klan looking down on someone they've just thrown down a well, an out-of-context stage direction from the play made to sound dirty just by the simple addition of "just the way I like it" and my excellent drawing of the entire cast of the show, except me, because while I was quite happy to draw all the others I didn't feel confident drawing myself. Also, BUTTOCKS.

There you go. Proof that I have an incredible memory for silly crap. And proof that even if you've forgotten me, I probably haven't forgotten you.

#oneaday, Day 15: Regression

I'm of the firm belief that you should never apologise for something you've written, particularly during something like a #oneaday challenge, because it comes from the heart. It comes from within you, reflects what you're actually feeling or thinking about and is, basically, something that shows who you are and what you're thinking. That sort of makes sense.

To clarify: I have been drinking quite a bit and as such this post may not be the most coherent thing in the world. But I make not apologies for this as drinking is fun, in moderation.

To whit, I went out with an old friend tonight; my friend Woody, who is someone I went to school with. I didn't get to know him, really, until I got into Sixth Form, when we spent a lot of time each lunchtime playing Uno, eating cheese and bacon baguettes and playing a bit more Uno. But since that time, we've stayed in touch and occasionally gone out to get a bit drunk.

Tonight was one such occasion. I haven't had the opportunity to go out and get pissed for quite some time. Actually, that's not quite accurate. The last time I went out to get pissed was New Year's Eve, during which time I managed to drink a lot and somehow spectacularly failed to get drunk whatsoever. This may have been something to do with the amount of Kinect gaming that took place during that time. Dance Central, it seems, is a suitable antidote to drinking.

Tonight, though, was another matter. Plied with Sambuca and beer prior to going out to the delightful pubs of Cambourne (imaginatively named due to its geographical proximity to both Cambridge and Bourne), we drank quite a bit and reminisced about the good old days.

As you get older, the opportunities to do something along these lines get more and more infrequent, so it's worth taking them when you can. Because sometimes, there's nothing better than sitting down with a good friend, chatting about days gone by, remembering times you'd got intoxicated on substances of your choice and the silly things that had occurred as a result of said intoxication.

Woody, incidentally, is someone who has managed to remain all but invisible to the Internet, which is something of an achievement in this day and age. But you might say that makes the memories I have with him all the more precious, as the only record of his existence I have these days are the few photos I have of him now. Most of which involve being drunk.

The UK has a drinking problem, it's clear from just walking down any big city high street on a Friday night. But sometimes, just sometimes, it's nice to spend some time with a friend getting off your tits and having a good laugh about days gone by.

That's what happened tonight. And I hope it happens more often.

#oneaday, Day 290: Ever Onward

Something that someone told me recently (yay for specifics) has stuck with me. That something was the phrase "you don't stop knowing someone when you're not with them any more". Those perhaps weren't the exact words, but the sentiment stands. And it's true, whatever the context of you not being with that person any more is. It doesn't have to be a romantic thing. It could simply be a friendship thing.

I have two examples in mind here. Just recently, I had the good fortune to be reunited with a buddy from school with whom I'd kept in idle contact with—the occasional Facebook comment or tweet—but hadn't seen face-to-face since the time he visited me during my first year of university, got roaringly drunk with me and then proceeded to assist me in the consumption of a pound of Tesco Value mild cheddar cheese at about 3 in the morning. Actually, there was an incident subsequent to that which involved several people vomiting out of the window of a house onto the corrugated plastic roof of what passed for a "conservatory" in student accommodation. But the cheese incident is the one that remains fresh in my memory.

Said incident was at least ten years ago now, but when we met up in the village pub for a pint and a chat it was like that time had ceased to exist—or at least didn't matter. We hadn't seen each other for ages, and yet suddenly we were back to talking about the word "COCK!", driving in search of "old man pubs" and ending up in the local Tesco garage's forecourt at 2 in the morning eating pre-packed sandwiches because the nearest club (15 miles away) was shit and/or full, and the old man pubs in question were either shut or had vanished into some sort of rural space-time anomaly. It was, to say the least, awesome. Not all reunions go this way, and I'm sure there are plenty of people I was at school with who are completely different people now. But then I have no idea where they are now, so a reunion is unlikely anyway.

The other example I have in mind is something I wrote about way back on Day 106; the idea of crystallised memories. I probably didn't coin this term but it's one I'm particularly fond of: the idea that inanimate objects can possess memories and trigger powerful emotional responses simply by their presence. A crystallised memory can be a tiny thing, like a dirty penny you find in the depths of your coat pocket. Perhaps you remember how it got so dirty. Or where you found it. Or what you were doing when you dropped it into your pocket.

Alternatively, as the case may be, a crystallised memory could be a whole city. Cities are places that are full of life, constantly on the move, changing, morphing, filling with people during the day and evaporating them in the dead of night. But some things don't change amidst all the chaos—pretty amazing in itself, when you think about it—and those are the things which hold powerful emotional responses, powerful memories, senses of nostalgia, whatever it is you want to call it.

Sometimes, these things which have remained constant amidst the chaos of the daily tsunami of people that pass by them are enough to remind you of something or someone important, something that is, at times, long-forgotten. Tiny little memories which, at the time, seemed inconsequential, unimportant. And yet they are the ones which remained most vivid. A river that you once saw a hundred rubber ducks racing along. A swinging teashop sign and the delicious delights found within. The low beam that you bang your head on as you clamber into an "authentic" old pub.

Sometimes you see all those things again and they cause you pain. They remind you of what once was and what is now no longer.

And sometimes you see all those things again and they bring comfort. They still remind you of what once was and what is now no longer. But something, somewhere, causes the negativity and the pain to slip away and you're left with those things that you should cling onto, the crystals that shine the brightest, the ones which glitter eternally.

Time heals all wounds, they say. But the good stuff that all the blood and pus and "discharge" from the wounds hides? (That was gross. Sorry.) That sticks around a whole lot longer.

#oneaday, Day 270: Go Go Gadget, uhh, Gadget

I love gadgets. Anyone who knows me in "real life" will not be surprised by this revelation. But I'm always impressed by quite how much we can do with various little portable implements these days. And even not quite so recently, too.

The most recent mind-blowing moment I had was during this last week when I had my little expedition to the woods. I was standing in the middle of a forest with absolutely no trace of civilisation except a little crude wooden bench by the side of the muddy path. And somehow I had better mobile signal than I do in the house I'm sitting right now. So, without thinking, I popped out my iPhone and fired up eBuddy to say hello to my buddy Chris in California. He responded back and we had a nice discussion about music.

Let's just think about that a minute. I was in the middle of a wood in Cambridgeshire, England. Chris was somewhere in sunny California. And yet there we were, chatting away like this was a perfectly normal thing to do. That's awesome.

One of my favourite gadget moments, though, was a good few years back now. I was up in Edinburgh at the Fringe with the Southampton University Theatre Group, or "Rattlesnake!" as we'd inexplicably decided to call ourselves. At the time, I had somehow managed to end up with the responsibility of keeping the Theatre Group website up to date. I'd prepared a special Edinburgh page and everything, and I decided that it would be pretty awesome to keep an online diary. The concept of "blogging" was but a pipe dream for all but the biggest nerds (even bigger than me) at this point. And doing so via a mobile device was absolutely out of the question.

I did, however, have my Palm Tungsten with me, to date my second-favourite gadget after my iPhone. You could play Shining Force on it, for heaven's sake. That's awesome, if beside the point. No, the reason my Palm came in handy was that I could type up my diary entries into the Notes application on it and then use the handily-provided SD card (32MB!) to transfer said material to a computer in the conveniently-located Internet café we found one day.

One may ask why I didn't just type said diary entries straight into the computers. Well, the advantage of doing it on the Palm was that I could write things as they happened. I could write a rehearsal report. I could write what we were up to in the park. I could write about flyering the Royal Mile. The Frankenstein pub. (AMAZING) Being on top of Arthur's Seat drinking sake as the sun rose. (DOUBLEPLUSAMAZING)

Sure, I could have written about these things after the fact. But the immediacy of being able to write about it there and then was pretty damn cool. Each new generation of gadgets makes this sort of thing easier and easier to do. And while it has its downsides—the sea of people filming concerts on their mobile phones instead of actually watching the damn things being one—on the whole I think it's really great to be able to share life's exciting little moments (or, in the case of some of you out there, the details of your latest bowel movements) with people that you care about it. Of course some of this is vanity. But the other side of it is being able to share things with people that you don't get to hang out with as often as you like.

So gadgets are awesome. For everyone. Not just nerds.

#oneaday, Day 263: Original Sound Track

Music provides an emotional connection to memories. It can trigger memories, feelings and responses. Many people associate certain pieces of music with particular times in their lives. And, depending on your interests, these pieces of music can be from a variety of sources. They could be movie soundtracks. Pieces of music you've played yourself. The music that was playing when something awesome or terrible happened.

Or they might be video game soundtracks. Game soundtracks are quite unique in a way in that their technology has evolved very quickly. So rather than evolving over the course of hundreds of years like classical music, they evolved very distinct identities with each new generation of hardware, roughly a decade at a time. Today, we're in a peculiar situation where we have game soundtracks that are, at times, indistinguishable from movie soundtracks. But at the same time, we also are getting game soundtracks that deliberately hearken back to the distinctive sounds of the past. Which is confusing. But awesome.

So I thought I'd share a few pieces of music that I've enjoyed over the years. And, where applicable, if I can remember (and if they're not too embarrassing) the memory that's attached to them.

The Atari ST had a deeply, deeply terrible soundchip, especially when compared to its technically superior rival, the Commodore Amiga. That didn't stop a variety of composers such as Alistair Brimble trying their best to compose catchy tunes. I don't have a particular memory associated with this piece of music (besides playing Fantasy World Dizzy, that is) but this piece of music was oddly memorable. I'm not sure why, because it's not a spectacularly good piece of music. But it had that "hook".

Starfox/Starwing had a very distinctive soundtrack. The synth sounds used throughout coupled with the reasonably-convincing electric guitar sounds were actually far better than most of the stuff that the N64's execrable sound chip belched out. This piece of music in particular stuck with me. I remember playing Starfox/wing with headphones on in the lounge and getting told to be quiet because I was finding it all a bit exciting and going "Whooa!" a lot. C'mon. The first time you do that corkscrew descent to the surface of Venom? That was awesome.

I'm not afraid to admit I cried like a girl when (OMG SPOILER) Aeris/th died. I bought Final Fantasy VII specifically because my brother had said it was the first time a lot of people had felt genuine emotion from a video game. I wasn't disappointed. Aeris/th's death may be something of a cliché now. But at the time, what happened to her was shocking.

Silent Hill 2 is a game that's stuck with me for many years. Its powerful imagery, heartbreaking story and excellent theme song are partly to blame for this. The fact that I was so captivated by the story that I played through about 95% of it in one night is probably more to blame for this. I associate this piece of music with staying up that night, and also feel an emotional connection to it which I'm buggered if I can actually describe.

Not a game soundtrack, but Speed's score became my job interview soundtrack for a while. It was good driving music, so I'd listen to it on the way there and, assuming it hadn't all gone horribly wrong, on the way back too. Added a bit of drama to the commute if nothing else.

You might have forgotten about the 2204355 Dancing Chicken Man by now, but I certainly haven't. Why? Because the music on that video is now inextricably tied to my last weeks in Southampton. I was sitting up late one night contemplating the futility of existence (as you do) when SnakeLinkSonic posted a tweet which simply read "I CAN'T STOP WATCHING" and included a link to the original Flash animation that started all this nonsense off. The animation and the music made me laugh so much at I time when I was feeling so utterly terrible that I can't help but have it stuck in my mind. It reminds me of the days counting down until I'd have to leave and make a fresh start… a fresh start which I'm not sure has quite happened yet.

Basically, if there's ever a game featuring me, and I have to face a boss at the end of Disc 1, I want this music to be playing.

Again, not a specific memory attached to this one, but the Split/Second score is awesome and oddly inspirational. As such, I've adopted it as my official Going For A Run soundtrack. And it really works.

Last of all, this piece also doesn't have a specific memory attached to it (because I'm creating said memory right now), but it was introduced to me while I was writing this. (Thanks, Donna!) It's a pair of Dulcimers, an instrument I knew of but don't think I'd ever seen before. This piece is gorgeous; the sound of the instruments is full, resonant and has a sense of "purity" about it. I like it very much.

So there's some music for you. Hmm. That post took rather longer to put together than I thought it would. Oh well! Good night. Tune in tomorrow for the next episode in the thrilling series of events that has been taking place at the top of each post. Have I really just killed myself off?