#oneaday Day 282: A lost art - the GameFAQs Legal section

If you've been playing video games for as long as I have, doubtless you remember how important GameFAQs once was to folks trying to beat games, before commercial games websites worked out that the SEO juice for posting one (probably AI-generated) "guide" per individual thing you have to do in a game was more potent than a thousand reviews.

One of my favourite things about the FAQs that were posted on GameFAQs was when the author decided to use the "Legal" or similar section to have a good old rant about something which obviously meant something to them. Here, for example, is the copyright section of "Kertra"'s 2003 guide to Metal Slug on NeoGeo:

This FAQ is for personal use only. Do not distribute it or use it for profitable purposes. If you want to post this FAQ on a website, contact me before doing anything and send the URL of your site. Plagiarism is a crime, just ask. I have no objection on my FAQ being posted on someone else's site but you must give credit where it is due. 

Also, please keep in mind that under no circumstances, are you allowed to make any changes to this FAQ! It must remain as it is and moreover, you are not allowed to rip off part(s) of this FAQ to put in another FAQ. No banners or advertisements are to be attached to it and it must remain in its original form (NO HTML!). Moreover, the site must be a non-commercial and non-profitable one. 

This document is protected by US Copyright Law, and the Berne Copyright Convention of 1976. I'm well aware of my rights and will not hesitate to take legal action against you if you don't follow these guidelines. If you wish to take some info from this FAQ to include in a more elaborate one, write to me first and tell me what it is all about and I'll think about it.

This is excellent stuff. I love how it gradually builds and escalates as it goes on, culminating in threats of legal action under both United States copyright law and the Berne Copyright Convention. Amusingly, they'd researched enough to know that the Berne Copyright Convention existed, but got the date wrong on it: its most recent revision appears to have been 1971, not 1976. It goes deeper, though; 1976 is actually an important date to copyright law, because there was a revamp of the United States copyright legislation that year.

The exhortation to not attach banners or ads to the FAQ and the stern NO HTML! appears to have not been legally enforced by poor old Kertra, mind, as GameFAQs is now owned by Gamespot, and I suspect if I turned off my adblockers to look at it, there would be at least one banner ad somewhere, and the site now automatically HTML-ises all FAQs rather than hotlinking directly to the text files.

Let's see if we can find some more of these. Here's a good one, from DingoJellybean's Final Fantasy VII FAQ of 2001: (As a bonus, check out this archive link for DingoJellybean's old GeoCities site, featuring some delightful early 21st century HTML jank and an early example of a blog.)

NOTE: From now on 1/10 Final Fantasy 7 messages regarding how to beat the game will be answered. If you ask me a question already on the walkthrough, your email will be submarily deleted. Use Crtl+F to search what you are looking for. Even if you beg me to read the email I will most definitely delete the message. Too many stupid questions already in the walkthrough has been asked of me. I got over 700 emails regarding this game alone, I will delete those with the subject Final Fantasy 7 on it. If you do subject a title something else, but you ask a Final Fantasy question on the message, your email will be permanently blocked, no ifs, ands, or buts about it. I updated this FAQ massively, in hopes that questions will be answered in the FAQ. I've included everything to make sure dumb emails won't come to me again. If I'm in a good mood, I'll answer your email, but when I see another FF7 question that puts me out on a bad mood. If you want to talk that's fine, but I know what is in my FAQ and what is not. I will read your message occasionally and decide what to and what not to reply, and if you flame me or criticize me negatively I will send a flame right back at you and block your email address so that you can never contact me again unless you create a new email account and behave. This is also quite possibly the LAST time I will ever update the FAQ. If enough requests comes in(which I doubt) the FAQ will be updated if you are specific in which areas needs to be updated. Also take a look at Mr.Prolific's million dollar worth FF7 FAQ, its great and has massive information only Kao Megura can provide.

Now that's a quality rant. Okay, it's not a "copyright" or "legal" section, but this is another prolific subgenre of GameFAQs rants: people who wrote an FAQ getting absolutely apoplectically furious that anyone emailed them about their FAQ, when more often than not they put their email address in the FAQ.

I'm a particular fan of the threat to "submarily delete" [sic, obviously] your email and the tonal whiplash that is "if you flame me or criticize me negatively I will send a flame right back at you and block your email address so that you can never contact me again unless you create a new email account and behave". Magnificent stuff.

Let's see if we can't find another good one. Oh, this one is nice, not for being mad (which it isn't), but for actually being remarkably pleasant. I would place good odds on this one, from a Sonic the Hedgehog FAQ written in 2003, being by a girl, just because of the sheer lack of overtly aggressive posing:

If you are going to use this guide on your site, the least you can do is ask permission first by e-mailing me at <REDACTED BY PETE>. Make the note short and sweet. If you're e-mailing me about anything, whether it's related to this guide or another one or what, put what you're talking about in the subject line of your message. I need to be able to differentiate the spam from the important stuff. I really can't keep people from stealing guides, I mean, it's going to happen, what can I do? But you know. Whatever. Just ask before you do it. Most people can do it with little or no problems.

If you use my guide on your site, you may HTML-ize the text or change the way it's set up on the page, but don't change a single letter. All words must remain the same - don't alter anything whatsoever. I would like to see screenshots added to some of my guides though. I always thought that would look super-sweet.

"Snow_Dragon", as the author calls themselves, also gives a shoutout to their Dad in the credits section for "moving the big computer into my room". Sweet.

It's weird to say, but I miss this. All this represents a long-gone era of the Internet, replaced, as with so many things, by social media. There are still folks out there writing FAQs on GameFAQs — and God bless 'em, as I'd still always rather go to GameFAQs than a clickbait guide on a commercial website, even if GameFAQs is part of Gamespot now — but the earnestness, the passion, the inexplicable fury of those little personal asides in late '90s/early '00s GameFAQs submissions is just one of many things that I don't feel like we really see any more.

Oh well. At least all those lovely examples of the art form in its prime still exist. Here's hoping GameFAQs is around until the very end of the Web.

Want to read my thoughts on various video games, visual novels and other popular culture things? Stop by MoeGamer.net, my site for all things fun where I am generally a lot more cheerful. And if you fancy watching some vids on classic games, drop by my YouTube channel.

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1932: Life with No Guide

It's not that often I play games shortly after they've been released, but starting Omega Quintet on literally the day it came out in Europe (physically, anyway; the digital version is out tomorrow, apparently) has reminded me of one interesting thing that you can only do in the moments after a game has been released: play the damn thing without a guide.

GameFAQs is such an ingrained part of gaming culture now that it's very difficult to resist its allure, particularly when playing a complicated, sprawling game like an RPG. It's natural to want to track down every single little secret and see every possible hidden scene, and GameFAQs provides a valuable service to people who feel this way but don't necessarily want to have to put in the hard work to figure things out for themselves. (This isn't a criticism, by the way; sometimes game secrets are so incredibly obtuse it's difficult to fathom how anyone ever discovered them without assistance directly from the developers, and in these cases your average player has little choice but to rely on a guide.)

But playing Omega Quintet before seemingly any guides have hit the Internet is proving to be a pleasurable experience. It's intriguing and fascinating to discover the intricacies of the game system for myself rather than relying on someone else's interpretation. It's satisfying to discover things that work well, and also the things that don't work so well. And, the more I discover about the game — I'm sure I haven't even seen all its mechanics yet, even as I approach the 30-hour mark — the more I'm actually quite grateful for one of the game's most common criticisms: the fact that it doesn't explain a lot of things immediately. Because without the game explicitly setting some things out for you, you have to make use of what information it does give you in order to extrapolate the rest for yourself. And that's enjoyable.

Take today's discovery, for example: a means of acquiring over 200% more rewards at the end of a battle than normal. The game gives you a few brief tutorials in its early hours that mention "bonuses" at the end of battle, and hint that things like your combo hit count and something about "linking" will increase this bonus, but it doesn't sit you down and say "Now you try!" like so many other modern games do. As such, it's possible to forget all about this bonus system and enjoy the combat on a fairly superficial level. But start to delve into it and suddenly it becomes a much more interesting, complex experience, and consequently far more rewarding as a result.

I went from using the same skills in every battle to attempting to make as long a chain of "linked" skills as possible, because the longer this chain, the more significant the bonus you get after battle. This involves looking at the skill information when you select one and taking note of the "link" type marked; in the case of weapon skills, it's inevitably another weapon type. Kyouka's spear skills, for example, link to Otoha's hammer skills; Kanadeko's gauntlet skills link to Aria's fan skills. Where it gets interesting is in the few instances where a character like Nene has some skills that can potentially link in several different directions — one skill might link to Kanadeko's gauntlets, for example, while another might link to Kyouka's spear. In this way, it becomes an interesting challenge to try and optimise the sequence of skills you use in order to link as many as possible without breaking the chain. I haven't quite figured out if it's possible to link everyone's skills that I have so far together into one long sequence yet, but I'm coming perilously close to getting a piece of paper and drawing flow charts to try and work it out.

I'm actually reminded somewhat of the original Hyperdimension Neptunia; perhaps unsurprising, since that was also an Idea Factory/Compile Heart game. The original Neptunia didn't have a particularly popular or well-regarded combat system, but I actually rather enjoyed it for much the same reasons I'm enjoying Omega Quintet; Neptunia, too, had a distinctly puzzle-esque strategic element to how you set up your skills, with much of the challenge and interest coming from setting up your characters with combos that flowed well, maximised the amount of damage you put out and made efficient use of your available action points in a turn. Omega Quintet's combat is considerably more elegant than Neptunia's — IF and Compa have learned a lot since then! — but, to return to the original point of this post, I'm pleased to discover this depth for myself rather than reading about it in a guide.

I'd say I fully intend to try and play the next few games I tackle without looking at a guide at all, but we all know that isn't true. For now, though, I'm greatly enjoying "flying blind" in Omega Quintet, and I feel I have plenty left to discover.

1094: Today: The Walkthrough

January 16

This is quite an easy day to get through — all you have to do is make sure you get all the tasks done by the end of the day and you're good to go. As always, save your game as the day begins in case you make a mistake, and use any free time you have to go secret-hunting. See the SECRETS section for more details.

Morning

You have three main objectives in the morning: wake up, have breakfast and complete your work. All can be easily achieved quite quickly if you focus on the task at hand and save item-hunting for later.

You'll start the day with "tired" status, which makes it more difficult than usual to wake up. After the cutscene where Andie leaves for work, repeatedly tap the Triangle button to force yourself out of bed. Don't worry if you fail, though — it's actually pretty challenging to succeed in this. You can try again, but you'll take a hit to your HP each time you do so, so you might find it easier to just fall asleep again and wake up once the "tired" status has evaporated — there's no real benefit to the early start beyond having more time available.

Once you're up, walk to the bathroom and press X to start the morning routine. Skip the animation if you want — you've probably seen it plenty of times by now. Once you re-emerge, walk to the kitchen and press X in front of the bread bin to examine it. Pick up the BREAD and make sure you examine it in your inventory rather than just eating it — it's mouldy, so use it on the bin unless you want to find yourself with a rather inconvenient toilet-focused status effect lasting the rest of the day.

Pick up the BREADSTICK instead, then open the fridge and pick up the EGGS. Open the drawer next to the fridge and take the SMALL PAN. Use the pan on the cooker, then use the cooker again to turn it on. You can stand and wait — there's some amusing comments if you keep examining it — but it's a better use of your time to walk over to the other side of the room and use the coffee machine. Pick a CAPSULE according to how much EP you have — if you've been following this walkthrough exactly so far, a green one will probably suffice. Use the capsule on the machine, then open the cupboard across the room from the machine to take a CUP. Use the cup on the machine, then use the machine. Voila! One coffee. Drink it immediately — coffee provides a nice boost to EP, but isn't nearly as effective if you allow it to cool.

By now the pan should be starting to boil, so use the eggs on the pan, then use your phone in your inventory to automatically set the timer. You have four minutes in which to wander around the house and its environs before the eggs are ready. A good use of your time is to empty the bin — walk up to the bin and use it to take the BINBAG out, then use the bag to pick it up. You won't be able to open your menu or access your inventory while carrying the bag, though you can put it down if you need to.

Open the front door while carrying the bag, run down the stairs and out of the front door. Use the binbag on the green bin, NOT the blue one, then run back into the building, up the stairs and back into your flat. You should be back just in time for the timer to expire and your eggs to be ready — use the cooker to automatically take them out and prepare them; use the breadstick on the resulting plate to finish preparing your meal; use the finished meal to trigger a cutscene.

When you regain control, you'll be in the study in front of the computer. Three battles will ensue as you attempt to get your work done, but you can pause to regain lost HP/EP between each one.

Battle 1: Blitz (HP 50,000)

This is an easy one. Kick off with a Comparison, follow it up with Context, Quip and finally Verdict.

Battle 2: Cross (HP 60,000)

This one's a little tougher. Kick off with a Comparison again, but use your phone in the second round for additional damage. Follow with Praise, Quip, Question and finally Verdict.

Battle 3: Snapper (HP 70,000)

Despite the higher HP, this is the easiest one of all. Quip, Question and Verdict is all you need to do here.

Afternoon

The main objective in the afternoon is to pick up the missing package, but it'll help you out to pick up some supplies at the same time. Fortunately, we can do both things in one expedition.

Pick up the CARD from the desk in the study. Then go to the living room and open the drawer to pick up the DRIVING LICENSE. It's very important you get both of these items!

Pick up your COAT and equip it — it'll be on the back of the chair as usual. Pick up your SHOES and equip them — they'll be in the hallway. Then open the front door and use your keys on it to lock it. You don't have to do this — burglaries are triggered by random chance, so you won't always suffer one if you don't lock the door — but it's best to be safe.

Run down the stairs and out of the building's front door. There's no need to use your keys on the building's main door — this one doesn't affect the odds of burglary.

Now we have a fair old trek ahead of us. You can trigger a time challenge now if you want to — the rewards are pretty worthwhile, so we might as well do so. Run around the back of the building to the car park and look behind your car — you should see the icon there. Use it to start the clock.

Head out of the car park and on to the main road. Keep an eye out for cars and cross if it looks clear, but remember they don't stop for you! If you're worried about safety, you can use the crossing, but you'll find attaining the best rank on the time challenge difficult if you do so.

Follow the road west for quite some time. When you come to some more traffic lights, turn right and start heading north-west. You'll see there's a shop here, but we're not going to use that just yet — priorities!

Continue north-west up the road, and cross the road when you come to McDonald's — it's not a true crossing, but the small island in the middle of the road means you can keep safe if the traffic gets heavy. Continue north-west on this side of the road, taking care to avoid the hoodie-wearing enemies. They won't bother you if you don't bump into them, so keep a wide berth as much as possible.

Don't worry about finding the post office — you'll get a cutscene when you reach it. When you regain control at the counter, use the card then use your driving license to identify yourself. Pick up the package but don't open it yet.

If you were quick enough, an S-rank on the time challenge should be yours. Enjoy the reward in the gallery.

Now retrace your steps south-east back to the shop we saw earlier. Purchase some BREAD and some items of your choice to restore the HP and EP you've used up today. Then continue back east to return home. Run into the building, up the stairs and use your keys on your door to enter. Use any of the food items you bought in the kitchen if you need to.

Open the package when you're ready to trigger a cutscene. Oh my!

Evening

There's not much you need to do in the evening, so spend some time restoring your HP by playing with the rats in the living room. When Andie returns, you'll get a cutscene; after it finishes, talk to her again, then go to the kitchen, pick up the JUICE, open the fridge, pick up the WATER and use them both on a GLASS from the cupboard. Pick up the resultant DRINK and take it to Andie for a reward.

When you're ready to start the final events of the day, go to the study and use the computer. A battle will ensue as usual.

Battle: Inspiration (HP 109,400)

Whew, these battles are starting to get pretty tough now, huh? Charge up a bit by using Focus three times, then Ponder. This should give you the Inspired buff, which is when you should trigger your Tortured Metaphor ability. While this is active, simply repeatedly attack Inspiration and it'll all be over before you know it.