#oneaday, Day 53: Freewriting #3, or What The Hell Is Going On In My Head?

[In the absence of any particular inspiration today, I'm going to start that clock for ten minutes once again and just write without editing, except that which happens on "autopilot" as I type. Let's see what happens this time, shall we? Three. Two. One. Go!]

Fire light.

A camp fire.

Figures all around. Standing. Waiting. What are they waiting for?

Who knows. No-one knows, not even the woman standing apart from the group, facing the other way, into the forest. She weeps, for something lost and almost forgotten.

The men chant. No-one knows what they are saying, not even then. It is a dead language, dredged up for this ceremony which no-one is sure of its purpose.

The woman turns. The men continue, seemingly oblivious to her presence. Her face is streaked with tears.

She pulls off the shoulder of her fur top, first one, then the other. The garment falls to the floor. She is naked in the darkness, the red glow of the fire illuminating her skin.

She walks towards the fire. The men still chant. Over and over. She walks. Closer. The heat is on her skin now, making her sweat.

What is this? she thinks. Why am I here? I don't know what this ceremony is about, or what it is that is going to happen next.

A man's attention is distracted. He stumbles over one of the words of the dead language. No-one notices except the woman. She turns, her flaxen hair falling over her bare shoulders. She locks eyes with the man.

One word goes through her mind. Heretic.

Why heretic? Why is he a heretic when I don't understand why any of us are here? she thinks.

The man is panicking, trying his best to find his rhythm and get back with the rest of the group. Still no-one has noticed except the woman, now staring at him, the light of the fire reflected in her widening eyes, still glistening with tears.

The man looks away from her, down at the floor, as he continues to mumble the words, missing things here and there.

Eventually, he can take it no longer, and sinks to his knees, his bare legs striking the dirt on the ground and grazing them. It hurts more than he expected, but in a short while it won't matter.

The woman is filled with sorrow for this man's fate. She doesn't know what it is, but a flash of something – a forgotten memory? A vision? Something blasts through her mind, and it is not a pretty sight. She catches a glimpse of the man's face in her mind's eye, his face contorted with intense torment and pain.

Then she knows. She has to save him. She has to get out of here. She takes a step forward. Towards him. Moving slowly, her bare feet gliding across the dirty floor.

The kneeling man looks up at her with pleading eyes. Her eyes still glisten. Her heart is filled with compassion for this man, this poor man dragged into this situation beyond his control, just like she was. And she knows that it is time. It is time for this to continue no longer.

She takes his hand. The other men chant, over and over in a forgotten, dead language. They are oblivious to what she is doing, and oblivious to the young man's mistakes. In a few short minutes, all that will change, and she knows this. She pulls him up to his feet and nods her head towards the darkness of the forest, away from the angry red glow of the firelight.

Where should we go? she asks herself. I don't know where we are.

Run, he says with his eyes, looking at her, on the verge of tears.

The unspoken communication between the two of them passes quickly, and, hands clasped tightly together, they run into the forest. Plants and branches sting and lacerate their bare legs as they run, but in a few short minutes none of that will matter. In a few short minutes, the ceremony will be over, for better or worse, and all this will cease to matter.

Given our desertion, she thinks, my money is on "worse".

But she doesn't want to stick around to find out. And she's sure he doesn't either.

Where to go? The forest paths seem to lead in every direction.

The only thing they can think of is the direction they cannot go in – back towards the flames. That way lies only suffering and death.

But where to go from here?

[Yeah, I know. Don't ask.]

One A Day, Day 48: Freewriting #2

[Here's another in my occasional series of "Freewriting" articles, where I start the clock for ten minutes and write without stopping – or really thinking as I go along. As a result, the output produced is sometimes not of the finest quality, but it can offer some interesting insights into my own brain.]

Start the clock!

I'm in Costa Coffee. Does the place you're in when you're writing affect what you write about? Well, of course it does – the proof is right there. I said "I'm in Costa Coffee" and then started to write about being in Costa Coffee and whether or not that made any difference to what I write about. So yes, yes it does.

I'm having the same trouble as last time with this freewriting lark – being too well-trained means that any time I make a mistake, be it typo or clumsy word formation – I automatically backspace and correct it. It's an automatic reflex action. I can't help it. I actually can't stop myself from doing it. I suppose in so far as bad habits go, there are worse ones to have than an anal attention to detail when it comes to spelling, punctuation and grammar.

I wonder how much I'll write today? Last time I believe it was in the region of 800 words, which would be consistent with my semi-inhuman typing speed of 85wpm. Can you be semi-inhuman? I don't know. I'm sure that inhuman things might have more difficulty typing, though, unless they're intimately familiar with the English language.

One of the toilets here at the coffee shop is closed. The barista has just asked for a "wet floor" sign. One can only imagine the terrors that have undoubtedly been unleashed in the lavatories here. To quote Simon Pegg from Black Books, "One of our valued customers had blocked one of the toilets with Monster Munch! How can we, as a team, get that sorted out?"

Not sure why that popped into my head. I think it's the sight of a smug Simon Pegg handing a bucket and rubber gloves to a bemused-looking Bill Bailey that is the thing that stayed with me from that episode. Black Books is excellent, incidentally, if you've never seen it. It's completely off-the-wall batshit crazy (and Americans don't seem to get it, or at least my American sister-in-law didn't quite seem to get it) but I find it completely hilarious. It's a very different kind of humour to something like Spaced – absolutely my favourite TV show of all time – but it's still great, and it introduced me to Dylan Moran, whom I'm constantly confusing with Chris O'Dowd from The IT Crowd. I can't help it – angry Irish man with curly, wayward hair? Roy from the IT Crowd and Bernard Black have a fair bit in common.

I pressed Shift five times while I was thinking (and typing) there, and Windows decided to do that helpful popup about "StickyKeys". It's ironic, really, isn't it, that the so-called "Accessibility" features of nearly every operating system I've used are actually inconvenient to the people who don't need them. I guess that's not so strange really.

Three and a half minutes to go, and I haven't touched my coffee yet. I can't really touch it while I'm typing though, can I? Not unless I did a very undignified "bend forward and slurp it" sort of manoevre (or however the fuck you spell it – it's one word I always forget) – but I've decided against doing that. Besides, it's probably too hot anyway.

Hot coffee. Wasn't there a story a few weeks back about some chav in this country spilling tea over their crotch from McDonalds and attempting to sue, much like the case from America a few years back? Why would you bother to do that? Actually, I know the answer – to get some "free" money. I wouldn't sue someone if I'd poured hot tea over my balls having been holding the cup between my thighs (as this person had) – I'd be screaming in agony, probably, and refusing to do anything useful for a few weeks, but there's no way I'd think it was the fault of the person who sold me the damn tea. If they didn't throw it in my face, it's my fault for anything that happens once I've taken hold of that cup.

Under a minute to go. I wonder if I'll finish a sentence, or indeed a paragraph in time? I'm up to 734 words… No, 742. WordPress' word count doesn't update immediately, so that figure may be off. But still, that's not bad work for ten minutes non-stop typing, is it? Ten seconds to go. Five. Four. Three. Two. One. Bye bye!

One A Day, Day 32: Writer's Unblock

Look at me, blogging in the middle of the day like it's the most natural thing in the world.

Writing's a funny thing. If you're a writer, you'll know the feeling you get when it's a "writing day". I'm sure this is different for everyone, but for me I know it'll be a good day to write if I find myself composing introductions to articles in my head while I'm doing other things. Because, after all, getting started is always the hardest bit, right?

So now I've written the article for which the introduction popped into my head while I was at the shop buying milk. No, you can't see it. Yet. As introductions go, it wasn't anything particularly groundbreaking or astounding, but an introduction it was nonetheless, and from that starting point I could continue on to write the rest of the article.

I don't write like we were taught in school. I remember when we were first taught "how to write an essay", with encouragements to plan things out beforehand – to plan your introduction, to plan your conclusion, to plan each paragraph using a "point, example, explain" structure (which one English teacher memorably referred to as PEEing all over your work) – and thinking "gosh, that sounds like a lot of unnecessary work".

By the time I was writing essays for school, I had already been writing for my own pleasure for some years. The box of 5.25" floppy disks which is currently sitting in my living room accompanied by the Atari 800XL with which they are used contain a couple of disks worth of my "Cyril the Dragon" stories, which were vaguely hallucinogenic tales that only a young child with an overactive imagination could come up with. If I ever get the cable to link the Atari to a PC working, I will be sure to publish some of that juvenilia on this very site for all to admire. To get to the point (maybe I should have planned this paragraph) – these stories were unplanned, written purely by sitting down, starting typing and seeing what happened next. As the product of a young child's imagination, you can clearly see the influences on the things which took place – mostly video games, some television, some books, some comics, some things which had actually happened – but most importantly, I hadn't actually planned it that way. It just sort of came out.

Writing in this way is actually quite a relaxing experience. Those who study this sort of thing call it "freewriting". Technically what I'm doing right now is almost freewriting – the only thing setting it apart from true freewriting is the fact that I'm going back and correcting mistakes. True freewriting is where you sit down with a piece of paper, don't look at it, don't listen to anything and just write, without stopping, for a set period of time, then only look at what you've written once your time's up.

Some seriously odd things can come out. For a Creative Writing module that I did as part of my degree, we had to do this every day for about a month. Some days, the beginnings of stories came out. Other days, my internal monologue came out onto the page. Other days, I wrote about how I was feeling, or who I was thinking about, or my aspirations for the future. None of them were great pieces of writing, but they were interesting insights into what was going through my head at the time. I don't think I still have the pieces of paper on which I wrote them, which is a bit of a shame. Perhaps I'll try it again sometime, though.

In fact, that sounds like tomorrow's blog entry is ready to go already. Expect tomorrow's entry to be even more gibberish than usual, in that case.