1386: Untitled November Creative Writing, Part 4

Sian was bored.

It was Sunday, the most boring day of the week, and she was stuck in the house with nothing to do. Her parents were both "busy," they said, which meant they couldn't take any time to give her a lift anywhere interesting, and none of her friends were free either.

She'd spent the morning reading her book, an uninteresting "supernatural romance" novel that all her classmates had been raving about recently, but which she was finding deathly dull. She had a mental block that prevented her from leaving a book unfinished once she'd begun, however, so she figured that a boring Sunday was as good a time as any to get some of it out of the way.

She had tired of the book, though; she frequently found her mind wandering as she read and had eventually given up. She tried listening to some music, but she couldn't sit still. She tried playing some games on her phone, but suffered the same problem; nothing was engaging her brain and keeping her occupied.

Sighing to herself, she opened the door to her room and decided to try fluttering her eyelashes at her parents one last time. Surely they couldn't expect her to stay cooped up here all day while they did… whatever it was they were doing sitting at their desks at opposite ends of the house. She wasn't worried about them; they always did this, and they'd been married for a long time now, so it obviously worked for them. It frustrated her, though.

Her father was predictably dismissive of her attempts to convince him. He had a whole stack of email to get through, he said, and it needed to be done right now. He did, to his credit, apologise, but Sian didn't feel particularly appeased by his half-hearted "sorry, Sian."

Her mother, however, surprised her.

"Why don't you just take the bus into town?" she said. Sian was taken aback for a moment; normally her parents weren't at all keen on her going out by herself, so this was an unexpected development — so much so that she had to check what she had just heard.

"Are you sure?" said Sian. "I mean…"

"It's fine, dear," she said. "Your Dad and I were talking earlier, and we figure it's time we let you be a bit more independent. You're sixteen, after all, and you can probably handle going to town by yourself."

At last, Sian thought, but didn't say it out loud. Her friends had been "independent", as her mother put it, for many years now, but she had always felt like a shut-in. She had fought with her parents on numerous occasions about it, but had never been able to prevail; what had changed?

It didn't really matter to her; she was finally getting to go out without a chaperone, and the reasons were unimportant.

"Here," her mother said, handing her a five-pound note. "Get yourself a treat while you're in town."

"I have money, Mum," said Sian, but graciously accepted the note regardless. Her mother chuckled.

"Go and have fun, Sian," she said. "Don't be back too late. Send me a message or give me a call when you're on the way back."

"All right," Sian replied. "I'll see you later."

She wandered out into the hall, threw her coat around herself and fumbled in her pockets to make sure she had everything. Keys, purse, phone — yes, that was everything.

"See ya," she called from the front door.

"Bye," said her mother. She heard the sound of her father getting out of his chair and coming down the stairs, but decided to leave before he came down.

The door slammed behind her, and she was free.

 

*  *  *  *

Town was surprisingly busy, despite the fact that there was a chill in the air. Sian zipped her coat up to her chin and hid the bottom half of her face inside the collar. Now she was here, she wasn't sure what to do.

Coffee, she thought to herself, glancing a nearby café. That ought to warm me up.

She strode purposefully over to the cafe and entered. The air inside was warm, and the smell of freshly-ground coffee beans was invigorating. She ordered herself a latte and a cake to treat herself, and paid with the five-pound note her mother had gave her, plus an extra pound from her pocket since it wasn't quite enough. She knew it was extravagant, but she didn't care right now; it was just nice to be out and about.

As the barista passed her her latte, she glanced around the café in search of a place to sit, and was surprised to see Miss Charles sitting by herself in a window seat. She didn't seem to have noticed Sian; in fact, she didn't seem to have noticed anything at all, since she just appeared to be staring out of the window into the middle distance.

There was a table not far from Miss Charles' table, so Sian decided to sit there and observe what her teacher was up to.

Not much, as it happened; her initial assessment was correct, as Miss Charles did indeed appear to be doing little more than staring out of the window, occasionally turning to her table to sip her large, black coffee. She still hadn't noticed Sian.

I wonder if I should go and talk to her, Sian pondered to herself. No, she probably wouldn't want that… but she does look sort of lonely. Maybe I…

Her phone chimed loudly and interrupted her thoughts. It was a chat message from Jasmine.

ey babes what u up to? x it read.

Not much, Sian tapped out in response. Just in town for a bit. She chose not to mention that she was staring at her music teacher and was contemplating going to sit with her.

She sipped her coffee and returned to gazing at Miss Charles.

She doesn't look at all happy, thought Sian. I really think I should…

Her phone chimed again.

"Oh, for fuck's…" she muttered, this time flicking the switch onto silent. She always felt embarrassed when her phone went off in public, even though she knew her ringtone was far less obnoxious than some of the ones she'd heard.

im free now, came the reply from Jasmin. wana meet up for a coffee or sumat? x

Sian was about to tap out a response in the affirmative, but paused for a moment, frowning to herself.

Sorry, she eventually replied. I have a few things to do, then I have to be back soon. Another time. My folks finally seem to be cool with letting me out of the house by myself, she added.

k x came the reply after a moment. Sian always felt a little bad when she received a blunt response like that from Jasmine, even though she knew that it was just the way she was. She hoped that Jasmine wouldn't mind being turned down, but she had something on her mind right now, and wanted to see if she could resolve it.

She picked up her latte, leaving the crumb-covered cake plate on her previous table. Then, feeling a little nervous, she pulled up the chair opposite Miss Charles and sat down.

"Oh!" said Miss Charles, suddenly snapping free from her reverie. "Um. You're… Oh, Sian? Are you all right?" Sian could tell that she was switching into "teacher mode," obviously trying to sit up straight and look a lot more prim and proper than she was a moment ago.

"It's okay, Miss," said Sian quietly. "We're not at school now. I just… I just wanted to come over and see if you were all right."

"Yes, I'm all right," said Miss Charles. "I'm just having some quiet time."

"Sorry to interrupt," said Sian with a gentle smile. She swallowed, then took a swig of her latte before she continued. "I, err, was a little worried about you."

Miss Charles' eyes widened a little, and she stared directly at Sian.

"You… were worried about me?"

"Yes," said Sian. "Friday was… not very nice for anyone, was it?"

"No," said Miss Charles with a slight sigh. "No, it wasn't. I'm really sorry about that. It put a real downer on things, didn't it?"

"It couldn't be helped," said Sian. "You hadn't… dealt with Edward before, but we all know what he's like. Seriously, it's not you, it's totally him."

Miss Charles gave a weak chuckle. "Yes, well, it doesn't—" She trailed off. "Anyway, I hope it didn't upset you too much."

"Not at all," said Sian with a smile. "I've seen people handle Edward much worse than that, believe me. A lot of people really can't keep cool when he's being a di— when he's being like that. Sorry."

Miss Charles chuckled again. She seemed to be loosening up a bit.

"Thank you for coming to talk to me, Sian," she said. "I appreciate it." She hesitated for a moment, apparently unsure of whether she should say any more. "It's… difficult," she added after a moment.

"I bet," said Sian. "I don't envy you at all. Sometimes I just want to give those kids a good slap."

"Yes, well, we're not allowed to do that, unfortunately," said Miss Charles. "N-not that I want to."

Sian laughed. "Well, we're not really allowed to, either," she said. "I sometimes think it would do some of them good, though."

Miss Charles smiled slightly uncomfortably, apparently thinking the same thing but being unwilling to actually say it out loud.

"Look," said Sian. "I'm sorry for interrupting your Sunday like this, but, well, you looked kind of sad, and I just wanted to see if I could help."

Miss Charles took a sip of her coffee, then closed her eyes and sighed deeply.

"I don't know if you can help, Sian," she said. "I'm not sure if anyone can. But… well, I appreciate that someone like you is trying."

"We're not all bad," said Sian. "Some of us are even human beings, believe it or not."

"So are we," said Miss Charles. "Teachers, I mean."

"I know," said Sian, laughing.

Miss Charles set down her coffee cup and sat forward, suddenly looking a lot more youthful.

"You know," she said. "I always hated that big divide between teachers and students, even back when I was at school."

"Yeah," said Sian. "I do too. Some of the kids in my class seem to feel obliged to just… I don't know, fight against the teachers or something. You'd swear school was some great oppressive regime or something. It's just… weird."

Miss Charles chuckled. "Yeah, I get that feeling," she said. "I haven't been in the job for very long, I know, but I think it's always been that way."

"Okay," said Sian. She swallowed, unsure of whether or not she should say the next part, but pressed on regardless. "How about… how about we be friends, then?"

That wide-eyed look again. Sian immediately regretted saying what she'd said.

"I'm sorry, Miss," she stammered. "I didn't mean… I'm sorry, I…"

"N-no, Sian," Miss Charles replied. "It's fine, I just… that's a really nice thing to say."

"Oh," said Sian. "Whew. I thought I'd crossed a line."

"You probably have," replied her teacher, laughing. "We probably both have. But you know what? Right now I just don't feel like it matters. All right, Sian, let's be friends."

"Okay, Miss," said Sian.

Miss Charles raised an eyebrow.

"If we're going to be friends," she said with a slight smile, "I'm going to have to insist you call me Kristina, or Kris."

1385: Untitled November 2013 Creative Writing, Part 3

"Oof."

She'd slumped down on the couch, expecting herself to sink into it, but it turned out it was a lot harder than it looked, and now her backside was telling her to be a little more careful next time. She winced, leaned forward and placed her drink on the table with what she thought was ladylike delicacy, but which was actually cack-handed drunkenness.

"Hey Kris," yelled a familiar voice over the din of the club. "You all right?"

"Yeah," she yelled back, aware that her head was lolling like a ragdoll as she turned to look at the person who had addressed her. Through her blurry wine goggles, she could just about make out the figure of her best friend Maxine, who had a habit of looking out for her any time she got drunk.

Maxine and Kristina had come out on a Saturday night for once. Kristina didn't normally like to do this, but she felt like she didn't see Maxine anywhere near often enough these days, especially with the fact that her evenings were normally taken up with extra work. Maxine never turned down an opportunity to go out to their favourite club — well, it was more Maxine's favourite club than Kristina's — and, more often than not, watch Kristina get steadily drunk over the course of the evening.

She wasn't drunk right now, of course; she was in full and perfect possession of all her faculties, and any lolling around was purely the result of tiredness, not the "few" glasses of wine she'd consumed this evening. "Few" was the descriptor she used when she'd lost count, which was usually the case after two small glasses of pungent house wine. This evening, she'd actually had five; Maxine knew that, but Kristina had, as usual, lost count, and as usual it was apparently up to Maxine to ensure she didn't get up to any mischief. Keeping an eye out for Kristina over the years had helped Maxine develop an astonishing tolerance for alcohol, so much so that she was pretty confident she could drink even the most hardened football hooligan under the table at a moment's notice.

"I'm fine," Kristina reiterated, even though Maxine hadn't said anything else to her. "Totally fine. Absoposolutely fine. Hey, that guy's pretty fit."

Maxine chuckled.

"He is, isn't he? But I'm not sure you're in any state to strike up a conversation with him right now."

"I told you, I'm fine," Kristina slurred, picking up her glass and taking a big swig, then wincing. "I just… bollocks, no I'm not. Excuse me."

She snatched up her handbag , stood up hastily and trotted as quickly as her heels could take her towards the toilets. Maxine sighed.

"Classy chick," she muttered to herself.

 

*  *  *  *

Not long after, a slightly sober Kristina was walking arm-in-arm with Maxine down the road. Kristina throwing up usually meant two things: firstly, that she would almost immediately become a lot more alert; and secondly, that she would probably want to walk home. Maxine knew that Kristina didn't need the support to walk any more, but held on to her arm as a sign of affection towards her friend regardless.

"I've had a shit week," said Kristina. "Life sucks."

"I don't understand why you're still in that job, Kris," replied her friend. "You obviously hate it. Why do you still do it?"

"Oh, I don't know," she said, wafting her free arm into the night air in an exaggeratedly philosophical gesture. "Denial, perhaps. I don't want to feel like a failure."

"And why should you feel like a failure?" Maxine asked. "Incidents like that little scrote you told me about earlier aside, you're doing all right, aren't you? You told me most of the other kids seem to quite like you."

"They do seem to," she said. "But I don't know if that's because I'm a pushover, or because they actually like me. I shouldn't care so much, I know; I'm not there to make friends with them, but still. But…" She trailed off.

"But?"

"Well, the school got inspected last week," she said, hesitantly.

"Oh, right," said Maxine. "I remember you telling me. Everyone was stressing out about it."

"Yeah," replied Kristina. "Well, it turns out that I'm an 'unsatisfactory' teacher."

"What? Says who?"

"Says some bitch who came in, observed twenty minutes of one of my Year 9 lessons in the afternoon, then wandered out before we got to the interesting bit. Oh, I really wish I'd let her have it when she gave me her 'feedback'."

"Oh, fuck her, Kris. You just said yourself, that doesn't sound like a fair assessment at all."

"That's not all, though," Kristina continued. "Now the school's in Special Measures because it sucks so bad, and I feel like it's my fault."

Maxine stopped walking and turned to face Kristina.

"Look, Kris," she said seriously. "If something like that's happened it's pretty clear that there's something very wrong with the whole place, not you. I really doubt they'd put the whole place in Special Whatevers because of one person. Not that I believe you did anything wrong anyway."

"I… I guess," she said. "But every time I hear the Head talk about the results of the inspection and the feedback and I hear the word 'unsatisfactory', I just feel like they're talking about me. It sucks."

"Oh, Kris," said Maxine. "C'mere." She wrapped her arms around her friend and gave her a hug. Kristina sniffed and reciprocated the gesture. The two girls pulled apart at a "weeeeyyyy!" of encouragement from a gang of drunken men a little further down the road, and continued on their way.

"Point is," Maxine continued, "you can't blame yourself. You can use this as an opportunity to improve, or you can use it as a kick up the arse to go find something else to do if you're really having such a miserable time."

Kristina said nothing. She knew that Maxine was right, but didn't want to admit it. The pair continued walking in silence for several minutes — Maxine knew when not to push her luck.

"Thanks, Max," said Kristina after a while. "I needed tonight. I know we didn't do much, but, still. Thanks."

"Any time," she replied with a smile.

*  *  *  *

Kristina wasn't quite sure what time it was when she woke up on her couch, but the TV channel she'd apparently left playing for background noise while she drifted off to sleep was displaying nothing more than a digital "this channel will be back later" page on the screen, so she figured it probably was the early hours of the morning. Someone — she figured either Maxine or herself — had put a heavy woollen throw over her, and it was lovely and warm, but she still felt a little uncomfortable. Peeling back her makeshift blanket, she realised that she had apparently fallen asleep in her clothes — though at least she had taken her shoes off.

"Ugh," she groaned to herself. "Real classy, Kristina." She swung her legs down off the couch, pushed the throw to one side and reached around behind herself to unzip her dress. She wriggled out of it and tossed it on the floor, then unfastened her bra with an exaggerated gasp of satisfaction — she was convinced that she wasn't wearing quite the right size, but she did like that one — and similarly flung that aside, too. Then she wrapped herself in the cocoon of her makeshift blanket once again, enjoying the feeling of the warmth enveloping her bare skin.

She closed her eyes, but sleep wouldn't come again. She felt completely sober now, but too tired to get up and actually go to bed properly, so she decided to stay on the couch for now. There was no-one here to judge her, after all. Fumbling around beside herself for the remote, she flicked the TV onto a channel that didn't close down in the early hours of the morning, then closed her eyes again, only half-listening to the dull mumbling of what passed for late-night TV on whatever channel she'd randomly hopped to. She was dimly aware of it being some comedy show that she didn't find at all funny, but the number of times it had been repeated meant that it was comfortably familiar, and a good way to break the silence in her flat.

She didn't like silence, or the dark, but was ashamed of these feelings; they felt childish and silly, and she had never admitted them to anyone, not even Maxine. But she had a good enough reason for them; given no other stimuli, her mind would inevitably be drawn to the things that were making her more anxious than anything else — her job; her lack of love life; the fact that she didn't really know how to make friends with her colleagues; and, of course, incidents like the one that had unfolded on Friday.

Oh, why did she have to think of that? Now it was creeping into her head again, even with the sound of the TV distracting her from her unwanted thoughts. Her eyes still shut, she fumbled around for where she thought she'd left the remote, and found the volume button by touch to turn up the sound and drown out the noise in her head.

It worked. For now. But it was only a temporary measure; sleep would soon take her, and that's when her subconscious would get to work. She was tired of the nightmares, but knew there wasn't anything she could really do about them; sometimes she wished that life was more like a fantasy story she'd read as a teenager, in which a young girl banished nightmares from people's souls and minds with the help of a magic blade that allowed her to enter another dimension — the land of dreams.

Before long, her mind wandering through idle flights of fancy caused her to drop off to sleep without noticing.

"Based on what I saw there, that was an unsatisfactory lesson," said the sour-faced woman.

"Fuck you!" bellowed Edward, bursting through the door.

"Your behaviour management needs some significant work," continued the woman, apparently oblivious to the profanity-spewing teenager in the doorway. "And the pace of your lesson is all wrong. You didn't have a starter, and you spent too long on teaching time."

"Fuck you!" cried Edward again, throwing a table aside.

"Unsatisfactory," said the woman. "Special measures."

"Fuck you!"

Kristina covered her eyes, dimly aware that what was unfolding was nothing more than a dream from her subconscious, but terrified of it all the same. She didn't know how much more of this she could take, and things were only going to get more and more difficult in the coming weeks. What could she do?

On the couch, her unconscious body twitched in its sleep, an occasional moan escaping from its lips. But there was, of course, no-one around to hear it; she was, as she had been ever since she left home, completely alone.

1384: Untitled November 2013 Creative Writing, Part 2

"You okay, sweetie?"

"Yeah, I'm… I'm fine, Mum."

Sian knew better than to reveal her true feelings to her mother by now. One hint of sadness, anxiety or any emotion outside the "happiness" part of the mood spectrum, and she'd be bombarded with a torrent of questions, ostensibly in an attempt to make sure she was "all right" but which almost inevitably made her feel worse than she had in the first place. Consequently, she'd taken to bottling things up somewhat. She knew it wasn't altogether healthy, but it had been a successful coping mechanism so far, and she wasn't about to change now.

Besides, the fact that she was feeling a little dejected wasn't, for once, due to anything in her own life. Instead, she was feeling bad on behalf of someone else; specifically, her teacher Miss Charles, whom Sian had felt was perilously close to the edge today.

Sian pondered to herself that this was, sadly, nothing unusual for Miss Charles, whom she liked and respected very much but secretly felt probably wasn't cut out for life in a school like Longmore. Not that this reflected badly on Miss Charles in Sian's mind; Sian herself often found herself thinking that she wasn't really cut out for life in a school like Longmore, either. But it was the hand that life had dealt her, and so she'd deal with it, whatever it took. It built character. At least, that was what she always told herself.

"Are you sure?"

"Yes, Mum, I promise I'm fine. Now I'm going to go and do my homework."

Before her mother could protest, she trudged up the stairs to her bedroom, closed the door — carefully, so as not to sound as if she was slamming it — and turned on the radio. It was time for the show she liked with the songs from musicals; she'd always been a fan of songs from the shows, partly because of her own studies, but had never intended to become the sort of person who listened to them in her free time. The fact that this show typically coincided with the point in the day where she would typically do her homework meant that it was a regular companion, and it had got to the stage where it was a comfortably familiar, pleasant presence to work alongside.

She unzipped her bag and took out her planner, opening it on her desk in front of her. There was only one thing she needed to do today; the rest could wait until next week. Finishing off those Maths questions needed to be done for Monday, though. It was her own fault — she'd gotten herself involved in a particularly lively and animated conversation with her friends Jasmine and Nicola rather than working in Maths today. Their teacher Mr Abraham didn't mind them chatting usually, but did insist that everyone complete all the work that was set by the time the next lesson rolled around — and the next lesson was Monday. She could do it over the weekend, of course, but Sian objected to doing homework on Saturday and Sunday unless she absolutely had to; she'd rather give up her Friday night instead, even if it was for Maths.

Sian hated Maths lessons. She knew this was an opinion that wasn't worth expressing, however, because almost everyone in her class seemed to hate Maths — and this was the top set, too. She found her distaste for the subject frustrating, because she understood that it was something that was important to everyday life in various ways, but she also knew that today there were more tools than ever that meant people would never have to remember what "some old houses creak and howl through old age" meant ever again.

She let out an exaggerated sigh, reached into her bag and drew out her Maths textbook and exercise book, then opened them both to the pages she'd marked earlier. She picked up her pencil and was just getting started on the first problem when her phone chimed. It was a chat message from Jasmine.

heard tht miss charles wuz proper mental earlier lol, it read. did u see it? xx

Sian pondered how to reply — or even if to reply — for a moment. On the one hand, she liked Jasmine and always enjoyed chatting to her; on the other hand, she also liked Miss Charles and didn't really want to gossip about her.

No, I didn't, she replied after a minute, with her customary perfect use of spelling, punctuation and grammar. She refused to compromise her own standards for the sake of convenience. Knowing Edward, though, I'm not surprised.

It was a gentle lie to try and steer the conversation away from Miss Charles. She had seen Miss Charles go "proper mental" earlier, of course, but she didn't really want to talk about it, and in fact it was recalling the incident that was making her feel so anxious right now.

She put her phone down and picked up her pencil again. It wasn't long before her phone chimed again, but she grit her teeth and told herself that she wouldn't look — much less reply — until she had conquered the first of the questions she had to complete this evening.

The question, as it happened, was rather easy, and so in a matter of moments the phone was in her hand again.

yea, came the reply from Jasmine. edwards a dick lol sounds lyk miss charles wuznt redy 4 him xx

Can you ever be ready for Edward? she replied. I don't understand why he even comes to school. Not that he does very often.

By the time the reply came back from Jasmine, Sian had conquered the second problem, too.

well its cuz his ma got fined for him being off all the time lol, it said. he may be a dick but i guess hes still scared of his ma xx

You could be right, she sent back. My battery's low and I'm about to have dinner, she lied in an attempt to end the conversation. I'll talk to you later?

The third question took a little longer to calculate, and Jasmine's reply arrived in the middle of the process, making Sian jump. She frowned, and managed not to look at her phone until she finished, though, secretly feeling quite pleased with her own self-discipline.

ok babe, read the reply. ttyl xx

Sian flicked her phone onto silent and tossed it onto the bed. There were four more questions to go, of increasing complexity, and she wanted to get them out of the way sooner rather than later. She knew all too well that it took a good two or three times of saying goodbye — or fake goodbye, at least — to get rid of Jasmine, though a long silence often did the trick, too.

The radio had started to play Memory from Cats. As much of a fan of musicals as she was, she couldn't stand Cats, and particularly couldn't stand Memory, so she flicked off the radio and completed the rest of her homework in silent protest to no-one in particular.

 

*  *  *  *

Later that evening, after she'd had dinner with her mother and father, Sian lay on her bed gazing at the ceiling. She thought of this as her "thinking position", though in actuality it was more an "anxiety position"; she tended only to lie staring into space like this when she was worrying about something or someone. And she couldn't get Miss Charles out of her mind.

She kept replaying the scene from earlier over and over in her head. She wondered if she should have stood up and said something — probably not, she thought; although she counted herself quite lucky that she was one of the few people in her year who was both academically gifted and relatively popular, she didn't fancy her chances against the seething ball of rage that was Edward. Edward was too unpredictable; he might have listened to her, he might have redirected his anger away from Miss Charles and towards her, or he might have gotten even angrier.

Sian didn't understand Edward, and that scared her. She was the sort of person who liked to figure people out as soon as possible so she knew how to act around them. She was generally quite good at reading people shortly after becoming acquainted with them, but with Edward's frequent long absences from school, she'd never really had the opportunity to get to know him, and, if she was being honest, didn't really have the inclination to get anywhere near him when he was present.

She understood Miss Charles, though. She could tell that Miss Charles was suffering, and that made her sad, because not only did she like Miss Charles as a person, she respected the amount of knowledge Miss Charles had of her subject. She liked spending time with Miss Charles, and she liked studying music with Miss Charles. It was just a shame that the experience had to be spoiled by people like Edward. She didn't even know what Edward was doing in that class; the boy had no musical talent whatsoever, and his assertion that he was "a drummer" translated, in her experience, to him being able to do little more than bang out an unsteady four-on-the-floor beat at an uneven tempo and high volume.

She closed her eyes, and saw the classroom again.

"Fuck you!" Edward yelled.

"Now, Edward," Miss Charles said, her voice wavering. "If you need to take a moment outside to calm yourself down, please do. Otherwise, please return to your seat."

Sian could tell that Miss Charles was scared. The young teacher's hands were shaking, and she was propping herself up against her desk for security — something Sian had noticed she did when she was nervous.

"Fuck you!" Edward screeched again, driving his fist into the wood of the door and apparently feeling no pain from the impact. Sian saw Miss Charles flinch and shrink away from him slightly — she certainly didn't blame her for that, because she'd felt scared too. This wasn't her first encounter with an Edward rage, unlike Miss Charles, but experience didn't make them any easier to deal with.

"Urgh, stop it," muttered Sian to herself, rolling onto her side on the bed and holding the pillow around her ears, as if doing so would cause the memory to stop replaying itself. It didn't work, of course — it never did — but that never stopped her from trying at times like this.

Eventually she sat up. Lying in thinking position wasn't achieving anything; she just wanted to distract herself with something — anything. She pulled out her phone and looked at it; she scrolled through Twitter and Facebook but found nothing of interest, then checked her favourite YouTube channels for any updates, but it seemed like everyone she might want to watch was having Friday off. Eventually she settled for a favourite cat video, watching it four times until it made her giggle out loud and start to feel slightly better.

She lay back down again and closed her eyes, trying to force her mind's eye to see the cat jumping in and out of cardboard boxes rather than Edward screaming "Fuck you!" at the top of his voice.

It's the weekend, she said to herself. And it's not your problem. Just relax.

She took a deep breath in, held it a moment, then released it. She did it again, then again, then again — and finally sank into a dreamless sleep.

1383: Untitled November 2013 Creative Writing, Part 1

The sun was going down; the light was fading. But she couldn't bring herself to move quite yet. Lolling back in her chair, her breathing heavy and laboured, Kristina Charles wanted nothing more than to get out of this place. But her body was telling her something else; it was telling her to calm down, relax, take a moment.

She closed her eyes, took a deep breath in, then rolled herself forward as she exhaled noisily. After a moment, she opened her eyes again, the papers scattered all over her desk gazing back at her; cold, unfeeling. They weren't going anywhere unless she moved them, but the last thing she wanted to do right now was touch them, look at them, do anything with them. But she knew that if she didn't do anything with them now, they'd still be there at the start of next week, and things would just continue to get worse.

It was times like this that Kristina resented the teacher's life. Even as the rest of the world was being drawn inexorably into the future thanks to technology that seemed to get more advanced by the day, the teaching profession remained resolutely set in its ways, seeming absolutely determined to keep the world's paper manufacturers in business. Everything was dealt with through some sort of printout; her desk was covered with everything from school newsletters to action plans via behaviour trackers, and she hated all of it. She wanted nothing more than to just sweep it all off her desk, into a black bin-liner and be done with it. She had contemplated it on several occasions, but had never been able to bring herself to do it.

She heard the distinctive "click" of her classroom door pushing open, accompanied by a gentle "tap, tap, tap"; looking up, she saw the familiar face of Martin, her head of department. He was smiling that gentle smile he always seemed to have on his face; she envied his seemingly unflappable nature and wished that she could "switch off" as easily as he seemingly could.

"Hey, Kris," he said. "Long day?"

"Uh," she replied. "You could say that."

"Well, the week's over now. Why don't you leave it behind for now and come to the pub?"

She looked from Martin to the stack of papers on her desk, then back to Martin. An unspoken question hung in the air.

"Leave it," he said. "I know you've had a rough time today, and the last thing you need right now is to be fretting about all that paperwork. Just leave it." He leaned in in an exaggeratedly conspiratorial fashion. "Between you and me, I ignore a good 90% of it. Most of them are like utility bills; you can leave them be until someone comes chasing you for them."

Kristina chuckled. She'd learned this herself quite early on, but she always found it amusing when someone as seemingly respectable as Martin — her direct superior, no less — effectively urged her to shirk her duties. She was under no illusions; she knew perfectly well that most of her colleagues had managed to survive as long as they had simply by knowing what work them simply had to perform, and what could be safely ignored and left behind.

"Fine, whatever," she said, shrugging and getting to her feet. "I'm not achieving anything here anyway, and moping in the dark isn't going to solve anything."

"That's the spirit," said Martin. "I think your first drink's on me."

*  *  *  *

Raucous laughter erupted around the table. Kristina made an effort to join in, but felt she didn't quite get the joke — or perhaps she simply wasn't in the mood. Either way, she was bluffing, but no-one seemed to notice.

No-one ever seemed to notice her. She was pretty sure that most people around this table probably knew her name, but she was equally sure that not one of them — with the possible exception of Martin — knew anything beyond that about her, barring perhaps the subject she taught. That said, she didn't know much about any of them, either; in the few months she'd been in this job, she'd had trouble getting to know people, partly due to her own natural shyness and partly due to the fact she'd felt from the very beginning that the staff of Longmore Community College had already formed their cliques well before she'd arrived, and that it would take a more confident woman than she to break into their inner circles.

She picked up her wine glass and swished it from side to side, the swaying waves of the wine within proving vaguely hypnotic. She wasn't even listening to the conversation around her any more; inwardly, she was counting the minutes until she felt it would cease to be impolite to get up and just leave, but another part of her mind wondered if anyone would actually notice if she did just that right now.

She downed the remainder of her wine and decided to try an experiment. She put her glass purposefully down on the table, picked up her handbag and stood up.

"Y'all right, Kristina?" said Paul, whom she knew only as the Northern PE teacher, and often the butt of some light-hearted ribbing from the "cool kids" of the English department. She was surprised to be addressed by him, but his gently lilting Sheffield accent put her somewhat at ease.

"Yes, yes, I'm fine," she said quietly, scratching her face in the way she normally did when she was feeling uncomfortable. "I'm just. You know. I'll be right back." It somehow didn't feel quite right to tell someone she didn't know that well that she was just going to head to the toilet and decide from there whether or not to make a break for it.

She excused herself and walked out into the corridor that housed the doors to the toilets. As usual, the corridor smelled strongly of urine — a stench that was wafting out from the gents', she assumed — but once she was into the ladies', the stink was replaced by that of cheap perfume, presumably applied hastily by young women off out on the town after a long week. There was no-one in the toilets when she entered, but the smell was strong; either the owner of the perfume wasn't long gone, or must have drenched herself in the fragrance enough for it to stick around long after she had departed.

Kristina opened the door to the cramped cubicle, put the seat down and sat down. She didn't need to actually "go"; she'd just come here for a moment's escape and a bit of peace and quiet. She knew that with her mind the way it was at the moment, that wasn't necessarily a good idea — quiet rooms tended to cause her to dwell on things she would rather forget — but it was, for now, preferable to sitting at that table pretending to be sociable.

Suddenly, she felt a tear run down her face. She had been expecting that she was probably going to cry this evening — she knew herself well enough by now to recognise the signs of an impending mini-breakdown — but hadn't expected it to come on quite so soon and quite so suddenly. Resigning herself to the apparent inevitability, she just let the tears silently roll down her face until there were no more.

*  *  *  *

"Hey, Kris, you all right?"

It was Martin.

"I'm all right," she said, not turning around. "I just need to go home. Sorry."

"It's all right," he said. "We were just worried about you. You were gone a long time and then you headed straight for the door without saying goodbye."

"Yeah, I—" she began, not sure where that sentence was going. She started again. "I just. I'm not feeling well. Sorry. See you Monday."

She started walking, determined not to look back over her shoulder. She didn't know if he was watching her walk away or whether he'd already gone back inside. She told herself that she didn't really care one way or the other, but really she hoped that he wasn't watching her. She felt like a pitiful wreck of a human being right now, and just wanted to curl up in bed and go to sleep. It had been a terrible day to draw a terrible week to a close, and she wanted to leave it well and truly behind her, just like she'd left the stack of papers on her desk.

She knew those papers would be there waiting for her when she got back, and in all likelihood the fallout from the terrible week would still be there when she got back too. But that didn't matter right now, she told herself. It was the weekend; a time to reflect, relax and regroup. There was no guarantee that next week was going to be as bad as this one, and who knows? All those papers might have magically vanished by the time she got back. If only.

*  *  *  *

"Fuck you!" the kid screeched. His name was Edward, and this had been her first encounter with him. She'd heard his name before in staff meetings, but since he was a serial truant, it was rare for him to be in school. She'd been secretly hoping that his truancy would continue indefinitely, culminating in his expulsion from the school without her ever having to come face-to-face with him, but here he was, every bit as unpleasant as she'd been led to believe.

"Now, Edward," she said, as calmly as she could manage. "If you need to take a moment outside to calm yourself down, please do. Otherwise, please return to your seat." She could feel her voice quavering as she said the words; she hoped it wasn't as obvious to the ears of her class.

"Fuck you!" he yelled again, punching the door. He followed his profanity with an incoherent yell that didn't appear to contain any words, then walked around the room throwing his classmates' pencil cases and books onto the floor. It was an utterly bewildering sight; it would probably have been comical to Kristina if it weren't so terrifying. She knew that this kid could snap — further than he already had, anyway — at any moment, and she didn't know what to do.

Suddenly, something in her mind went, and she felt like she was watching herself, out of control.

"You little shit!" she screamed. "Get the fuck out of my classroom now before I pick you up and throw you the fuck out! If you're so fucking ungrateful that you can't be bothered to sit down and shut the fuck up, then just get the fuck out and don't fucking come back, ever!"

There was a moment of silence. She could feel the entire class looking at her in shock. No-one was breathing. Time seemed to be frozen.

Then he leapt at her with a feral roar, screaming bloody murder — possibly literally. She put her hands up to defend herself and—

She finally woke up, breathless. Her heart was pounding, and the darkness of her room felt like it was constricting her, choking the life out of her. She was panicking, almost too scared to move, but she eventually managed to summon the strength and courage to reach over to her bedside lamp and flick it on.

As the light filled the room, she unsteadily sat up, resting her back against the headboard. It thumped gently against the wall as she leaned her weight back into it. She closed her eyes and took a deep breath just like her CDs had trained her to do, then exhaled through her mouth. Again, in; again, out. Once more, in; one more, out. She felt the panic slowly subsiding, though her heart was still racing.

This kept happening, and she couldn't control it. Her subconscious mind apparently liked nothing more than to look back on the day's events, and reinterpret them into "what if" scenarios that culminated in the worst possible outcome, usually involving some combination of furious anger and/or violence. She always woke up feeling guilty, even though she knew that she'd done nothing wrong; in reality, she'd handled things carefully, calmly and as effectively as she could under often difficult circumstances, but in her mind, things had gone as badly as it was possible for them to go.

She knew she had to change, to grow, to get stronger; she just didn't know how she was going to go about it.

1382: Foreword

It's November tomorrow, and that means NaNoWriMo. Or, if you're me, and you like to be awkward, it means monopolising your daily blog with creative writing rather than inane blog posts about nothing in particular and/or video games.

Yes! I'm going to do it again. Much like previous years, I'm going to write… something every day for the next month. Exactly what that's going to be I haven't quite decided yet — and if previous years are anything to go by I will probably "improvise" it and make it up as I go along, with variable results — but I do have a few themes, plots and characters in mind already; it's just a case of actually fleshing them out into something over the course of a month.

Normally I try and post a minimum of 500 words per day for my generic posts and often exceed that; in November, because I'm writing something a bit more long-form, I typically set myself a minimum of 1,800 words instead. I'm going to stick to that because it's worked pretty well for me in past years, and I've usually been able to churn out 2,000 words or more each day, resulting in a total of 60,000+ words by the end of the month, which is sort of novel length-ish.

As for what I'm going to write about? Well, you're going to have to wait and see, aren't you? Largely because I haven't decided which of the ideas I have I'm going to run with as yet. Those who have read my previous work know that I have various stylistic elements that I'm rather fond of using — and have been since creative writing classes at school and university, as it happens — so I'm pondering whether or not to experiment a bit with other perspectives or tenses. Again, we'll see, and I'll make a decision tomorrow when I actually start writing. Once I start writing, I will stick with whatever I go with until the bitter end, and see what happens. Sounds like fun, non? Of course it does.

I'm half-tempted to work on a story I've been working on off and on since school, but I kind of feel doing that would be "cheating" somewhat. While I'm very fond of said story and the characters involved, I do kind of want to do it justice whenever I get around to actually finishing it, whatever medium I end up completing it in. (There's a distinct possibility it will become a game rather than a book, for example.) Not that spending a solid month of churning out 2,000-ish words a day isn't "doing it justice," but I sort of feel like I want to do that without the added time pressure — not to mention the fact that there's already 17,000 words of it that I'm rather pleased with on my Google Drive that I don't really want to abandon and start again.

Anyway. I'm rambling in an attempt to fill space and do something prior to dinner being ready. Hopefully dinner will be ready soon so I can spare you further inane ramblings, and you can enjoy (or be subjected to, depending on your outlook) the fruits of my creative labours over the course of the next month. Either way, thanks for reading.

Oyasumi nasai!

1379: Press Pause

The assertion that "video is the future" of online media is probably more hyperbole than anything else — much like the argument that "free-to-play is the future" of gaming — but it still concerns and frustrates me somewhat.

This isn't to put down any of the hard work that genuinely talented video producers, editors and performers do, of course. It just makes me worried — particularly given my occupation — and also frustrates me as someone who still likes to, you know, read things.

You see, I don't like video as a generic means of consuming information. It's intrusive, it's noisy, it's disruptive and it demands your full attention for a fixed period of time. This is fine if what you are specifically doing is sitting down to watch a video, but when you want to get a piece of information quickly, video quite simply can't compare to a simple piece of text and possibly a Find function.

Video is not particularly portable, either. While mobile phone data networks — and the devices with which to access them — have improved considerably over the last few years, there's still a significant chance that if you're out and about on the go, you may not be able to watch a video link, and even if you do, there's the risk of running afoul of your mobile provider's data limits and/or fair use policies. A simple text link, meanwhile, is something that is quick to download and, perhaps more importantly, easy and discreet to browse in public or while doing other things.

It also makes me a little sad to see people well-known for their entertaining writing skills stepping back from penmanship in favour of video content. Let's take Jim Sterling, for example. This isn't specifically to "pick on" Sterling; he's just a good example of what I'm talking about.

Sterling's work around the Web has historically been somewhat provocative, but to an entertaining degree rather than any attempt to deliberately cause offence. He's mellowed somewhat from his quasi-"shock jock" nature of a few years back and become someone who can bellow well-informed vitriol without alienating people — or at least, without alienating people who don't deserve to be alienated. His reviews and opinion pieces over on sites like Destructoid were always a good read — he wrote in a distinctive voice, but from a well-informed perspective, and even if you didn't agree with his points, he usually made a convincing argument.

Now, Sterling is primarily doing video content, in which he does much the same thing. No bad thing, you might think, and indeed I've specifically sat down and watched a good few Jimquisition episodes when I wanted to have a giggle at the game industry's expense. But I'm significantly less likely to watch a Jimquisition video than I am to read an article simply because of the time involved — and now he's taken to variations on Let's Play videos I now have even less interest in his content whatsoever. It's a bit sad, though I also recognise that I am but one person and he is simply doing what there is apparently demand for.

I've made my thoughts on Let's Plays reasonably clear in previous posts, but I'll reiterate and perhaps reinforce them, since I've had a while to think about them as the format has grown in popularity: I'm not a fan. At all. Particularly Let's Plays of story-based games, which, to me, completely defeat the object of a story-based game. People already get pissy at the slightest hint of a spoiler about games, movies and other media, and yet there are people out there doing nothing but spoiling games… in more ways than one. This is baffling to me; I understand the basic concept of a Let's Play as an opportunity to see how a game plays and get some commentary about it, but to watch a story-based game with someone babbling over the top of it rather than playing it is just, frankly, the absolute last thing I want to do with my time. Again, though, I recognise that the format has popularity and there's apparently demand for it.

I guess what I'm getting at is that I don't want traditional media to go away. I don't want to see the death of long-form articles about games — or even short, snappy news pieces, though I wouldn't mind seeing the back of two-sentence placeholder pieces. I want to see talented writers continue to have the opportunity to express themselves in a medium that they're comfortable with; I don't want to be forced to watch a video just to find out what a voice I trust thinks about a particular game or issue in the industry, particularly when I'm out and perhaps want to share it with friends.

By all means, then, video content producers and consumers, keep doing what you're doing; just don't forget that the way you do things is not the only way to do things.

1378: Oh, Ambassador

Given Dave on Demand's apparent inability to stream anything to my computer at present — we wanted to watch the last episode of Dave Gorman's Modern Life is Goodish — I decided to check out Mitchell and Webb's new show Ambassadors earlier, and was pleasantly surprised by what I discovered.

Mitchell and Webb are an excellent comedy duo, and have proven themselves to be pretty adaptable and flexible through stuff like Peep Show and their sketch show. Of course, David Mitchell usually plays characters that are reasonably close to his real-life persona — or perhaps he adapts his real-life persona to be closer to the characters he plays? — and Robert Webb usually plays slightly supercilious, smug arseholes, but the pair of them actually have a surprising amount of range outside their most well-known roles as Mark and Jeremy from Peep Show.

Ambassadors is a good example of this. The show wasn't at all what I was expecting, but then, I went into it reasonably blind, so this perhaps isn't altogether surprising. I was expecting something along the lines of a modern-day Yes, Minister type thing, with bumbling, incompetent British officials having to deal with comic shenanigans in some far-off country, but what I actually got was something a little more serious. Oh, there was still plenty of ridiculousness along the way, for sure, but the ridiculousness wasn't the main point of the show; in other words, it was more of a "comedy drama" than a straight-up comedy.

Mitchell plays the British ambassador to the fictional country Tazbekistan, while Webb plays his second-in-command — who is actually a little more assertive and confident than his "superior", but who is also being blackmailed for some reason or another that hasn't yet become altogether clear. They're supported by a strong cast of other actors playing officials from both Britain and Tazbekistan, and the first episode revolves around Mitchell having to juggle the seemingly conflicting questions of whether to negotiate the release of a human rights activist or a lucrative arms deal with Tazbekistan for helicopters that can "pick off a rabbit from 70 miles away."

I can't say I'm massively switched on politically and thus can't really comment as to how "biting" the satire inherent in the show really was, but leaving that aside, the show itself was entertaining enough. Mitchell and Webb are always very watchable, and seeing them play characters other than Mark and Jeremy (or variations thereof) is rather pleasing. If nothing else, Ambassadors certainly shows that the duo have the capacity to be serious when it counts — and when strange things do happen, their particular brand of deadpan humour contrasts well with the sillier things going on.

I'll be interested to see how the show develops. With hour-long episodes and the addition of drama to their usual comedy, it's a lot slower-paced than Mitchell and Webb's previous work and thus it will be a good test of their abilities, and whether they can carry an interesting story as well as a series of amusing happenings. The first episode was certainly a reasonably strong start — I'm looking forward to seeing if it continues.

1375: Desu

A few weeks into my Japanese evening class and I'm enjoying myself. There's been a fair amount of stuff I'd managed to pick up naturally simply through watching anime, playing games and looking things up myself out of curiosity, but it's nice to know that I was at least correct in all of these cases.

I'm finding the process of learning enjoyable. It's been a while since the opportunity to learn something in a classroom-style environment — and no, I don't count teacher training days — and it's good to get back to it. I can't help but feel that, having chosen to do this, I'm appreciating it far more than if I was obliged to be there at, say, school or even, to a lesser extent, university.

It's also enjoyable to be in a group where there's a decent mix of abilities. I know first-hand how frustrating it is to teach a mixed-ability group, but it's quite satisfying to sit in a room with other people and be able to tell — this sounds bad, but what the hell — that I'm not the worst person there. In fact, so far I'm feeling quite confident in my own abilities with regard to pronunciation, remembering phrases and so on.

The part that's doubtless going to be somewhat more challenging is the learning of the Japanese characters, beginning with the hiragana set. I can remember a couple of "sets" of these without too much difficulty, but others are a bit harder to remember — and it takes me time to parse them into the syllables they represent. I'm sure that's something that will come with practice, but it's my one real stumbling block at present. It's not a massive problem since the majority of the initial work we've been doing is in romaji rather than kana, but I rather optimistically picked up the textbook the course is using in its kana incarnation, not realising that it pretty much expected you to have both hiragana and katakana pretty much sorted by the time you start learning words and phrases. I may have to invest in the romaji version for at least the early weeks — that or spend a bit more time doing self-study on hiragana and katakana, anyway. It'll come in time, I'm sure.

So far we've only learned a few basic words and phrases — introducing ourselves, saying good morning/afternoon/night/bye, giving our phone number — but things seem to be moving along at a reasonable pace, and the class is working well together. I still feel a bit nervous about interacting with relative strangers, to be honest, but I've been going for three weeks now, including talking to people, and haven't exploded or shat myself or anything like that, so that's good.

I'm interested to see how far this initial course takes things. I've certainly got the taste for learning again, so may well end up continuing my studies once it finishes in January — or perhaps that's the time to switch to self-study. We'll see. Either way, I'm enjoying myself at present, and hopefully it will prove useful (or at least vaguely bragworthy) at some point in the near future.

1371: Cutting the Cord

You'll recall that I've been contemplating this for some time now, but as I promised to myself, I've reached a decision: the Monday after this one just coming, I'm deactivating my Facebook account.

"Who cares?" I hear you say. And, well, that's sort of the point, really; I don't care about Facebook. It is largely useless to me these days.

As I noted in my post a few days ago, there's been a noticeable shift in the quality of posts among my Facebook friends recently. While I don't blame any of them for wanting to share things that are important to them personally, it's getting to the point where there's so much noise that there's not any room for conversation any more.

Social media is increasingly becoming "fire and forget"; people post something designed to get noticed — perhaps a passive-aggressive status update, or some sort of sociopolitical rant, or an Upworthy article with a particularly smug title — and then wait for the comments and likes to roll in. And then… nothing. Nothing at all. There's no discussion — except in rare sociopolitical cases where you can guarantee there'll be at least one person coming along to state the opposite opinion and start a tedious circular argument in which no-one ever agrees to disagree — and no real value to it all. For me, anyway.

I remember being resistant to Facebook when it first started getting big. A number of my real-life friends were encouraging me to jump aboard — remember, Facebook used to only allow you to add people you actually knew — but I thought it was going to be a passing Myspace-ish fad, and as such held off for a long time. I finally gave in while I was on holiday in the States visiting my brother, and Facebook proved to be a good means of sharing the photos I'd taken — photos that I was particularly keen to share because I'd started experimenting a bit more with composition and editing.

All was good for a while; Facebook's Groups and Events features served their purpose for a while, too, proving to be a practical means of organising collections of people and inviting people to events. But increasingly, over time, and as Facebook started to become more and more popular and more open, these features lost their value. When was the last time you responded to an Event invite? When was the last time you joined a Group?

I can trace the beginning of Facebook's downfall from my personal perspective to a fairly precise moment — it was back when they started making it into a "platform" instead of simply a site; back when Facebook games and "apps" first started appearing. I was initially in favour of this — the accompanying site redesign that came with the launch of the Facebook platform made the site look a whole lot better on big, high-resolution monitors, and it was and still is a potentially good idea to have the site act a bit like an operating system.

Unfortunately, things just declined from there. There started to be too much of everything. Too many games, too many people, too many ways of posting. People felt obliged to share each and every mundane little thing about their lives, egged on by other people and the mass media. Today, you can't watch the news without the newsreader demanding to "let us know what you think"; you can't watch a new TV show without a hashtag appearing in the corner.

These things aren't bad in isolation, of course. It's neat to be able to discuss a TV show in real time while it's on; it's cool that people have a medium of self-expression and communication that simply wasn't really possible and practical pre-broadband and smartphones. But everything just adds up to a frustrating experience, and it all but destroys the original point of Facebook — a cosy little private network where you could easily communicate with your real-life friends and share select photos and notes with them.

Times have changed. I haven't gone with them. And I'm fine with that. As such, the Monday after next, my Facebook account is going kaputt. I'm leaving a week's leeway in order to ensure that those people who do want to stay in touch have the opportunity to pick up my alternative contact details; those who don't bother? Well, it's probably time I cut those people out of my life, anyway.

If you're reading this, have (or indeed had, if you're reading this after the fact) me on Facebook and want to know alternative means of getting in touch with me if you don't already have them, let me know via a comment on this post — be sure to leave your email address in the appropriate field.

Tata, Facebook. It's been fun. It's not you, it's me.

Actually, it is you.

1366: Modern Life

I'm in a bit of a hurry tonight, so apologies if there's any typos or bits that don't quite make sense.

I'm in a bit of a hurry because in approximately 15 minutes' time I'm going to be watching the one TV show on at present that I will actually watch when it's broadcast — Dave Gorman's Modern Life is Goodish.

I'm a fan of Dave Gorman's comedy, and have been ever since I saw his show from a few years back where he travelled around trying to find all the other people called Dave Gorman in the world. He followed this up with Googlewhack Adventure which, besides teaching me what "Googlewhack" meant, was a similarly entertaining experience. And so far Modern Life is Goodish has been just as enjoyable.

Gorman's comedy is fairly distinctive in that his shows are almost structured like a lecture, complete with Powerpoint presentations, visual aids and all manner of other things. He picks a topic and explains it in detail, taking great pains to provide evidence and proof for the things he's saying, usually in the form of photographs or diagrams. He often lampoons himself, though, by launching into a detailed quasi-scientific explanation of something utterly ridiculous and pointless, yet treating it as seriously as if it were a lecture on, say, global warming, or Shakespeare's influence on modern theatre or something.

Modern Life is Goodish has been particularly enjoyable to me as a lot of his observations are in line with things I think about the modern world. It's always nice to have your own opinions (and irrational prejudices!) validated by someone else, and while I haven't always found myself agreeing with everything Gorman says — particularly outside the context of his shows, such as on Twitter — I've found enough common ground in my limited experience of him to know that he's someone that I like, and that I enjoy listening to.

The absolute highlight of Modern Life is Goodish, though, is his weekly "found poem" feature, in which he trawls comment sections of news stories from a topic he's discussed throughout the rest of the show, then arranges them into, well, a found poem. Not only is this an enjoyable feature in its own right, it brings back incredibly fond memories of an English lesson back in secondary school where we were challenged to create our own found poem using only things we could see around the classroom. Our particular effort was an increasingly urgent exhortation to "Graham Coop" (actually someone we knew from a couple of years above us whose work happened to be displayed on the wall) to put out a fire in the classroom. (Pull out pin, Graham Coop!)

I'm not entirely sure why I remember that particular experience from school, but it's one of those things that's stuck with me for no apparent reason. Graham Coop wasn't even a particularly good friend (though I did borrow Terminal Velocity from him at one point) and I haven't spoken to a lot of those other people from school for a while; regardless, that particular experience has stuck with me, and I'm reminded of it every week when I watch Modern Life is Goodish.

I'll leave you with a teaser from one of the early episodes. If you're in the UK, you can find the most recent episodes on Dave's website.