2308: An Open Letter to @wilw About Games as a Lifeline, “Male Tears” and Inexplicable Blocks

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Hi Wil,

You don’t know me, and I don’t know you. Apparently I’ve done something to offend you in the past, though, because you have me blocked on Twitter. I don’t know why and I don’t know when this happened because as far as I know, we’ve had no direct interaction on any occasion ever, but I will apologise for whatever it was anyway. I will also express my sincere disappointment that someone I used to look up to as a bastion of what modern nerd culture should aspire to feels somehow threatened or upset with something I’ve done in the past — threatened or upset enough to simply cut me off from the prospect of ever interacting with him.

I was an avid viewer of many of the Geek and Sundry videos when it first launched — particularly Tabletop, which introduced my friends and I to a number of board games that are still in our regular rotation. Tabletop was an excellent show that gave a good flavour of how the various games played — even if there were occasional bits of fuzzing over the rules in the name of keeping things snappy! — as well as providing a great opportunity for some of the most entertaining, fun people in geek culture to come together and have a good time. A good time that was infectious — so enjoyable was the atmosphere on Tabletop that it felt like the audience was right there with you all, sitting around the game table, rooting for your favourite player to win and commiserating with you when you inevitably came lost. (As the resident person in our tabletop gaming group who perpetually comes last in pretty much everything, I could relate to your position quite a bit.)

On a more serious note, nerd culture in general is something that I’ve talked a lot in the past about giving me a lifeline when I needed it. In the case of video games, they’ve provided a constant and much-needed centre of stability in a life that has often been chaotic and beyond my control and understanding; in the case of tabletop gaming, they provide one of the few means of face-to-face social interaction in which I feel completely comfortable, whether it’s with close friends or, as it was for me this Friday evening just gone, complete strangers. I think it’s the fact that interactions over a tabletop game are, for the most part, clearly structured: it’s why I gravitate towards games with clear rules, turn structures and player roles as well as those with strong themes that include flavour text I can read out dramatically to our group. Conversely, those games that require a certain degree of negotiation or freeform interaction are those I feel less comfortable with, since I’m sometimes not quite sure what I’m “supposed” to say.

But all that’s by the by; it’s just a bit of context of who I am. Needless to say, games of both the video and tabletop variety are extremely important to me; as you said in your keynote speech at PAX East in 2010, “some of the happiest days of our lives would not exist without games and gaming. Games are important. Games matter.” I agree entirely, and when I took a risk, flying from the UK to Boston, MA for that PAX East — my first time attending such an event, and only, I think, the second time I’d taken a solo trans-Atlantic flight — I found somewhere that I really felt like I belonged. My life was, at that point, a bit of a mess: my marriage was falling apart — my wife at the time would go on to leave me shortly after I returned from Boston — and I didn’t have a reliable source of income. Games gave me a sense of being grounded; somewhere to retreat to when I couldn’t face the terror that everyday life at the time confronted me with. Games gave me common ground with which I could interact with other people; games gave me something to talk about, something that I could call “mine”.

That time in my life was turbulent. I’ve had ups and downs since then, and as I type this I’m very much in a “down”. Over the years since 2010, I’ve come to recognise the importance of acknowledging one’s emotions, the causes of these emotions and the ways to deal with them. I’m not afraid to cry as I once was back in high school; as someone who sometimes has difficulty expressing exactly what he wants to say verbally, there are times when bursting into tears says more than words ever can; there are others when the act of opening those floodgates allows the repressed emotions to be released in a more controlled manner once you’ve calmed down a bit, letting you communicate what’s really bothering you after the storm has subsided. Crying is important. Crying matters.

Which is why this image you posted on Twitter bothers me so much:

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For anyone reading this letter who doesn’t already know, the expression “male tears” is usually used by the more toxic side of online activism as a means of demonising men — usually straight, white men — when they wish to express themselves. It’s largely brought out during arguments between the more militant side of feminism and those — usually, but not exclusively, men — who are tired of all the sociopolitically charged fighting that takes place every day on the Internet, particularly those who fight back somewhat aggressively with foul language, threats and exhortations for people to kill themselves. The “joke”, such as it is, is that all this unpleasantness just bounces off the noble “progressive” types — referred to disparagingly by their critics as “Social Justice Warriors” or “SJWs” for short, an epithet which these people flip-flop between absolutely hating and trying desperately to reclaim in the same way black culture has largely reappropriated “nigga” for itself — and is just interpreted as straight, white men crying about something not going their way for once; the fact that “male tears” is written on a mug allows the “progressive” activist the opportunity to drink from it, suggesting that they relish the opportunity to feed on the tears of their enemies.

Pretty unpleasant however you look at it, and while the original intention may not have been to reinforce traditional ideals of what these same people call “toxic masculinity” — stereotypes such as “big boys don’t cry” and “be a man for once” — I can’t help but look at it that way. Speaking as a (straight, white) man who does cry, isn’t ashamed of the fact that he cries and, in fact, has cried quite a bit over the last few months due to his own life situation and the suffering of the person he loves most dearly in the world: to see the idea of “male tears” used so gleefully and indiscriminately as a means of oneupmanship, of proving one’s “progressiveness” feels grossly distasteful and insensitive. To have it proudly promoted by someone I once looked up to as almost an idol; someone I thought I could aspire to follow in the footsteps of; someone who proved that a person with my interests could find success and a place for themselves in the world? That just feels like a stab in the back, with a few good twists for good measure.

I don’t deserve to feel like that, and I’m pretty certain I’m not the only person who feels this way. Some may express their disappointment and upset with this more eloquently or more aggressively than others, but however they choose to register their discontent and however much or little I agree with their methods of expressing it, I understand it completely. As someone who, now 35 years of age, was often ostracised and ridiculed for his interests and hobbies in his youth, was subsequently delighted when geek culture started to become fashionable over the course of the last decade and most recently has noted with a growing sense of discomfort that the things he finds most relatable, most important to him are those that are getting relentlessly torn down in the name of being “progressive”? It hurts. A lot.

I haven’t done anything wrong. I haven’t hurt anyone. I just want to be left alone to enjoy the things I enjoy with friends who also enjoy those things, and likewise to leave those who are interested in different things to do what they enjoy. I don’t care about this perpetually raging culture war that has all but destroyed meaningful online discourse around video games in particular over the last five or six years, and put a serious strain on a number of friendships. I don’t believe in a “one size fits all” approach to inclusivity and diversity, which is what many “progressive” types seem to argue for; I instead subscribe to a “many sizes fit many” ethos, which makes for a more vibrant, interesting and cross-pollinating culture in the long-term. And yet somehow, at some point, I’ve been branded with a scarlet letter, thrown in the pit with all the other social rejects. I’ve also been called a paedophile, a pervert, a misogynist and plenty of other things besides. My crime? I like Japanese video games with pretty girls in, and frequently argue against the misrepresentation of these games as soft porn in the mainstream press by those who won’t take the time to engage with them.

Frankly, the whole situation makes me want to cry, but now I feel I shouldn’t, because it will just, apparently, give you some sort of satisfaction. And that, to be honest, seems like the very inverse of your own credo, your own Wheaton’s Law, of “Don’t be a dick!”

You almost certainly won’t read this, Wil, because having blocked me on Twitter I’m not sure there’s any way you’ll see it outside of someone you haven’t blocked directly sharing it with you, and I don’t see that happening. But I wanted to post it anyway; even if you don’t read it, hopefully it will bring some sense of comfort to those who feel the same way I do about all this; put some feelings into words; provide a sense of solidarity.

As you argued in your speech, this feeling of solidarity, of belonging, is extremely important. We should all strive to help each other feel like we belong doing the things we love with the people we love in the places we love. With photos like the one posted above, you deliberately block off people from feeling like they can engage with this part of culture they adore, and people they might well otherwise get on with. And whether or not you believe that “male tears” only applies to men who don’t know how to behave themselves politely and appropriately, know that it can — and will, and has — been interpreted in a way that just comes across as exclusive, combative and gatekeeping: the exact opposite of what you yourself argue we should aim for.

This whole situation needs to stop, as soon as possible. I hate it. Everyone else I know hates it. Can’t we all just get around a gaming table and settle this the old-fashioned way: with dice, cards and chits — maybe even some fancy miniatures?

Thank you for your time, and thanks for reading, whether you’re Wil Wheaton (unlikely) or some random passer-by who just wanted to see what I had to say.

Love & Peace
Pete

#oneaday Day 805: Geek and Sundry

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I’m a big fan of both Wil Wheaton and Felicia Day. The pair of them, along with people like Jonathan Coulton, Paul & Storm, Gabe and Tycho and numerous others, have done a great deal to make being a geek “cool”. And not in a particularly obvious “hey, we’re going to make geekdom cool!” way — simply by being themselves and exhibiting an admirable amount of passion in their interests, they’ve brought numerous geeky pursuits to the attention of a wide variety of people who may not have investigated things like board games, web shows and other eccentricities before.

Today, Wheaton, Day and several others took a big new step in their campaign to provide bored geeks with ways to waste their time. The launch of Geek and Sundry had been teased — particularly by Day — for some time, and Sunday saw a 12-hour Google+ hangout “subscription drive” show to promote the new site, featuring a variety of events and very cool-sounding interviews. As I live in the silly UK time zone, I was fast asleep for most of these, but the good bits are likely on YouTube somewhere.

Anyway, what is Geek and Sundry? It’s a YouTube channel. Nothing overly fancy there, but unlike a lot of YouTube channels, Wheaton, Day and their team have made a big effort to organise their work and provide regular programming. And between them, there’s a wide variety of different shows that will cater to most (geeky) tastes. I spent a bit of time checking out a couple of the shows today, and I can see myself regularly checking in on them. They’re good quality, interesting and presented by charismatic, likeable people. Doubtless not everything will be to everyone’s taste — I know for a fact I have a number of friends who find Day’s ditzy “Elliot Reed”-style personality quite irritating, for example, so they may wish to avoid her content — but there’s a broad mix of things that should, between them, appeal to most people.

So what’s on offer? Well, I could spend some time describing each show in detail but they’ve been good enough to provide trailers for each bit, so let’s just explore those, shall we?

The Guild

Many of you will be familiar with The Guild by now, as it’s been running since 2007 and has appeared on YouTube, the Xbox Live Marketplace, Zune Marketplace, MSN Video, iTunes, Netflix, Hulu and DVD. For those of you who aren’t, it’s a comedy series about the lives of a group of online gamers who all play a massively-multiplayer online RPG together. Exactly what game they play is never revealed, with them referring to it only as “The Game”, but the focus is more on the quirky “real people” who make up the titular Guild rather than their online personae.

Day stars as Cyd “Codex” Sherman, who has to attempt to do her best when a guildmate — previously only known online — shows up on her doorstep. Hilarity, as you may expect, ensues.

Geek and Sundry will be showing the fifth season of the successful show.

The Flog

Fans of Felicia Day, this is where to go. The Flog is a weekly “vlog” show in which Felicia Day babbles nonsense for a few minutes and then goes off to do something interesting. The first episode sees her going to visit a blacksmith so she can better appreciate her Skyrim character’s level 100 blacksmithing skill. She gets very excited about hammers, which is kind of adorable.

Tabletop

This has been the highlight of what I’ve watched so far. Wil Wheaton hosts a half-hour show devoted to a specific tabletop game. Throughout the course of each episode, he and his companions explain the rules of the game under scrutiny and play through it. (You don’t see the whole game — just “edited highlights”. Probably for the best, given the lengthy playtime of many board games.)

The format looks to be a great way to find out more about various tabletop games, and the banter between Wheaton and his guests is entertaining. The first episode demonstrates Small World, which is a game I’ve been interested in for a while.

Sword and Laser

Those who enjoy those strange tablet devices with paper pages will want to check out Veronica Belmont and Tom Merritt’s show Sword and Laser. Based on the duo’s podcast, the show focuses on sci-fi and fantasy and features interviews with authors, reviews of new releases and discussion of recent news in these genres.

Written By a Kid

This has the potential to be a lot of fun: original sci-fi, fantasy and horror stories by kids aged between 4 and 9 are turned into live-action and animated shorts by a variety of directors including Dane Boedigheimer (Annoying Orange), Rhett & Link (IFC’s Commercial Kings) and Daniel Strange (Between Two Ferns with Zach Galfianakis).

LearningTown

Fans of “nerdcore” music will be right at home with this one, as dynamic musical duo Paul & Storm “blend vocal harmonies with comedic scenarios as they are tasked with reviving the flagging educational show of their childhoods”.

If you’ve ever witnessed the majesty of Paul & Storm performing “Frogger: The Musical”, then you’ll likely know what to expect from this one.

Dark Horse Motion Comics

Finally, comic book fans will want to check in on the Dark Horse Motion Comics show, where a number of Dark Horse Comics properties including Hellboy, The Goon, The Umbrella Academy and others will be brought to live with motion graphics. The first episode is already up, based on “The Secret” by Mike Richardson, with art by Jason Shawn Alexander. (I know nothing about comics. I include these names for the benefit of people who do!)

I’ve subscribed already, as several of these shows sound like they’re going to be great. The first episodes of some are now available, with others to follow in the next couple of weeks.

To find out more, check out the official website or subscribe on YouTube.

#oneaday, Day 74: Don’t Be A Dick

Just watched Wil Wheaton‘s Awesome Hour on the PAX 09 DVD. This has made me sorry I missed his keynote speech at PAX East, as he’s a fantastic public speaker, an excellent storyteller and a genuinely funny guy. Modest, too, which is always nice to see.

It’s strange to think about these people that we got the chance to see or even meet at PAX being “celebrities” in the geeks’ world, but complete unknowns to everyone else. The thing is, I personally feel that Wheaton, along with Gabe and Tycho from Penny Arcade, are far more admirable human beings than many people who are constantly in the news. What is it about them?

Well, I know why they are admirable people: they’re not dicks. But why do they toil in obscurity? Because of their geeky interests? Perhaps. I say it’s a shame. But it’s probably for the best. Would these guys be the same people they are now if they were constantly in the spotlight? Who knows. Perhaps they would be. I’d like to think so. But it’s actually kind of nice to have figures to look up to that belong entirely to your own subculture.

Wheaton said some interesting things in his speech and Q&A session, particularly about self-publishing material that you’ve written yourself. It’s something that I’ve considered myself, actually. But, of course, I need to write something first. I have quite a few half-finished novels in a folder on my computer (in fact, that folder’s made the jump across at least four different hard drives now) and an abortive attempt at last year’s NaNoWriMo in the planning stages.

If there’s one thing that this One A Day experiment has proven, it’s that I certainly can churn out some writing each day. Some of it’s not great, of course – I’m writing this at the same time as watching the end of Wheaton’s spot on the PAX DVD, for example – but I certainly don’t have a problem churning out… stuff. So perhaps I should try and actually, you know, write something.

So tomorrow I’m going to try and start a novel. And try and finish it. Not tomorrow, obviously, but I’m going to make a good attempt to write a bit every day. I’m going to take the NaNoWriMo approach of doing a brain dump every day and edit it later. I have a few ideas floating around in my head and have done for some time. Some of them are compatible. Others are not. The difficult thing is coming up with a concept that’s not shit. Or coming up with a good concept and ruining it with a shit twist. If there’s anything that Douglas Coupland novels have taught me, its that you don’t have to have big, stupid, dramatic twists to make a decent story.

So let’s see where this goes. I’ll post regular updates on here. If you’re lucky, even extracts. Though I’m weird about people reading work-in-progress writing, so you’ll have to be very lucky. But it starts tomorrow. You’ll see. You’ll all see! Bwahahahaha! *jumps out of window*