Tag: tropes

1853: Waifutine’s Day

The whole “waifu” thing is something I find quite interesting.

For the uninitiated, a proud declaration that someone is your “waifu” (or, optionally, and possibly spelled differently, “hasubando”) is something oddly peculiar to fans of Japanese popular entertainment. It goes far beyond simple attraction to the physical depiction of a character — particularly since it’s very rare for anime- and manga-styled media to have unattractive characters, particularly female ones — and instead is to do with how the character is depicted: usually a combination of artwork, animation, voice acting and writing.

I say it’s peculiar to fans of Japanese popular entertainment because you simply don’t see it happening with Western entertainment. People might be sexually attracted to someone like, say, Doctor Who’s Amy Pond; people might be attracted to the intelligence of someone like Deep Space Nine’s Jadzia Dax; people might simply want to hang out with someone cool like Robin from How I Met Your Mother (yes, these are all examples from my own personal tastes; please feel free to replace them with your own choices, including gentlemen, if you so desire) — but it’s pretty rare for someone to proudly and simply declare that one of these characters is their “waifu” (or just plain “wife”) and develop a borderline obsession with them. Among other things, it’s seen as creepy to have an obsession with a “3D” person, whereas when it comes to “2D” characters, pretty much anything goes as far as most people are concerned, since they’re not “real people” in the first place.

Perhaps it’s to do with the contrast between animation and live action: in Japanese popular media, we get animation covering all sorts of subject matter and for all ages, while in the West, with a few exceptions like Archer, The Venture Bros., South Park and a few others, animation is still seen very much as children’s entertainment, and live-action is seen as more appropriate for adults. The thing with animation is it depicts a heavily idealised perception of reality where pretty much everyone is physically beautiful and completely visually distinct from one another, and a lot of characters fall into easily definable, easily categorisable tropes that people can latch on to and identify as being appealing to them.

In this way, the declaration of a “waifu” could be argued to be a distillation of a person’s individual tastes. It’s rare (and undesirable) to pigeon-hole real people into neat tropes like tsundere, kuudere, ojou-sama and the like, since real people are complex; meanwhile, it’s expected in anime and Japanese games. These characters are deliberately exaggerated interpretations of particular personality traits; in reality, everyone might have a bit of all of these tropes in them, whereas when we’re talking about animated entertainment, one of these tropes tends to be the defining characteristic of a particular character. In other words, by declaring a particular character to be one’s “waifu” you are effectively nailing your colours to a particular personality trait’s standard and declaring that this, above all others, is something you find appealing for whatever reason.

And it doesn’t even have to match how you feel in the “real world”. I’m crazy about tsundere characters in games and anime, for example, but if I was confronted with someone who was that bitchy and mean to me in reality, I’d be quite uncomfortable. (Although if you listened to Andie and I insult one another on a daily basis — without meaning any of it, I might add — you might question my assertion here.) Likewise, something like the yandere trope can be extremely compelling — your favourite, even — in fiction, but something you would absolutely want to stay the hell away from in reality. (And with good reason; if you’re not sure what a yandere is, I’d urge you to go and play School Days through a few times; if you hit the “Bloody End”, then you’ll soon figure it out.)

On a vaguely related note, having now completed three out of the four endings of Akiba’s Trip on the Vita, I’m fairly confident that Rin will be my waifu from that particular work of interactive entertainment. And I will fight anyone who doesn’t agree she is best girl! 🙂

1527: Trope-ical Crush

The word “tropes” has taken on something of a pejorative meaning in recent years, but I find something oddly comforting about the use of common, established, recognisable tropes — particularly when it comes to Japanese entertainment. I also find it interesting that Japanese entertainment — both games and anime — is a lot more willing to fully embrace the idea of tropes as part of the medium’s language rather than attempting to hide what it’s doing.

Take the common character tropes, for example. In a typical “harem” situation (usually a male protagonist surrounded by female characters, one of whom is typically positioned as the “main” love interest, but the others of whom are optionally also either interested in the protagonist or the objects of the protagonist’s affections) you tend to have your tsundere, your kuudere, your childhood friend, your “princess” type, your genki girl and, depending on how many characters are involved, numerous others. And yet the predictability of this type of cast makeup, for me, doesn’t prove to be tiresome; quite the opposite, in fact. I enjoy being able to point to the various characters and say “well, she’s clearly… and she’s clearly…” because it provides a recognisable, established starting point for these characters that can then subsequently be built on over the course of the rest of the work.

Exactly how — or if — these tropes are built upon by the work depends entirely on the work in question. Some works embrace the established tropes wholeheartedly and make the characters into textbook examples of the character types they initially appear to be: a valid approach. Conversely, some works deliberately work to subvert the tropes they establish in their early hours with some surprising twists and turns for the characters: also a valid approach. And, for some archetypes, subversion of expectations is part of the trope itself: witness the tsundere, for example — usually frowning, overly defensive and, at times, somewhat aggressive — and how her character arc typically involves her “softening” and showing her deredere side. Or the yandere — quiet and meek, but with something seriously unpleasant festering inside that demure exterior. Knowing that at some point she’s going to strike doesn’t diminish the impact when it happens; if she’s a particularly well-disguised yandere, it’s even more shocking and surprising.

I’m a fan of tropes, then; I enjoy that feeling of comforting familiarity that comes about when I come across a new character and recognise their traits. And everyone has their favourites, too; for me, I must confess to having a soft spot for tsunderes, but I do also like a kuudere and there’s always something heartwarming about a nice childhood friends romance. And the older sister “nee-chan” type. And a cutie imouto. And… Oh dear. (Essentially, I think I’m saying that my ideal anime harem would be made up of the cast of My Girlfriend is the President.)

If you’ll excuse me, I’m off to bed to read TVTropes. (Warning if you’re at work: settling down for a “quick read” of that site is a good way to lose a few hours.)