#oneaday, Day 276: Age of the Crossover

The Internet was left reeling yesterday with the news that Professor Layton and Phoenix Wright were to star in a game together, news which left me in a state of semi-orgasmic shock, and yet slightly disappointed that they hadn’t also included Trauma Team and Hotel Dusk in the mix. But no matter; as my Jaffa Cake-loving friend Jasmine Maleficent Rea pointed out, the idea of Edgeworth and Layton sitting down together and discussing tea is too awesome for words.

So it seems we’re in the Age of the Crossover. We’ve had the odd crossover title before, of course, Marvel vs Capcom being one that springs immediately to mind, as well as Square Enix’s bizarre 3D fighting game Ehrgeiz that featured a number of characters from the Final Fantasy series. And Kingdom Hearts, of course, which almost ignores the fact that floppy-haired J-protagonists are interacting with Disney characters presented in a completely different art style and is all the better for it.

But what else would work well as a crossover? Well, a short while back I suggested that a Call of Duty and Call of Cthulhu crossover might be a good idea. I still think that would be awesome. Particularly as there’s already been a first-person Call of Cthulhu game that was pretty good, if a bit buggy in places. In fact, I’d be more than happy with a multiplayer FPS version of awesome co-op board game Arkham Horror, although we’re kind of getting a bit off the crossover point there. Drop in the, erm, memorable Call of Duty characters, maybe?

But what else? As I suggest in today’s comic, doing interesting things with cars is always a good thing. Split/Second proves that you can make a cinematic, exciting driving game that uses a dynamic movie-like soundtrack rather than a boring licensed one. So why not take that to the next level and combine the already-epic-and-explosive action of Split/Second with the utter nonsense that is a JRPG boss battle? Let’s have racing around giant Shadow of the Colossus-style enemies, setting off environmental effects to attempt to take them down whilst they do their very best to throw the player off course. All the while accompanied by a full orchestral score and a choir of people singing loudly in Latin, naturally. (Incidentally, if you’ve never played any driving game with a custom orchestral soundtrack that involves a choir of people singing loudly in Latin then I can highly recommend it. It makes the whole experience considerably more exciting. Try the soundtracks from Castlevania Lords of Shadow or The Matrix Revolutions.)

Or you could go completely wild. Rockstar already seem pretty determined to do very odd things to Red Dead Redemption what with the zombie DLC and whatnot, so why not go the whole hog and do a Firefly crossover? It would be stylistically appropriate, after all (more so than bloody zombies) and provide an interesting twist on the Western formula, something which Firefly already does rather ably. Not to mention the fact that Nathan Fillion and the gang have already pretty much reprised their Firefly roles in Halo ODST. Shiny.

There’s plenty of scope for all manner of nonsense if you start pushing different franchises together in the name of entertainment. And I’m not talking about Alien vs Predator here. Let’s see more of these big names in gaming coming together to produce something beautiful.

So what would you like to see?

#oneaday, Day 266: Shiny!

Yeah. I know. Don’t look at the timestamp. But technically I haven’t broken the rules as I haven’t gone to sleep yet. Therefore it’s still yesterday.

Again, don’t look at the timestamp.

The reason I’m awake at this ridiculous hour and not sleeping the night away? Firefly.

I am super-late to the party on Firefly but a selection of Whedonite acquaintances have been bugging me to watch it for ages. One in particular tipped me over the edge and convinced me to grab the DVDs from Amazon. (They were cheap.) So I have. And now I’m hooked, particularly as I’ve spent the last several hours virtually watching Firefly with said person and commenting via IM.

I’ve always loved Joss Whedon’s work (well, Buffy, Angel and Dr Horrible) as he is a masterful character creator. Firefly is no exception. There is not one single person in that cast who is “filler”. They all have a role to play and all are unique, entertaining people who bring a great deal to the series. The tone is kept quite light-hearted throughout, despite the serious scrapes they find themselves in at times, and that, too, is a hallmark of Whedon.

What I wasn’t expecting was the tone and feel of the series in general. Firefly is a Western! In space. And not even a little bit. There are times when it doesn’t even try and hide it. Cattle ranching. Weaponry that looks mysteriously like revolvers, rifles and shotguns. A slightly bastardised form of Wild West American English. And some cracking saloon fights.

There’s also an element of Chinese in there, too, with the “Galactic Language” (which seems to be reserved for swearing) being Chinese, apparently. Quite what that’s all about, I’m not sure yet.

The best thing by far, though, is the writing. Every character gets some magnificent lines and Whedon’s trademark quick-fire exchanges are present, correct and frequent. Nathan Fillion’s wonderful performance as Mal is delivered with such wonderfully deadpan gusto that it immediately makes him a wonderful character. But his supporting cast are incredible too, with tough guy Jayne being a particular highlight.

One of my favourite things about the series, though, is the slang used throughout. It actually brings to mind classic RPG Planescape Torment in that, to begin with, it’s sometimes difficult to work out what these characters are talking about. But after spending a bit of time with them, you soon start getting wise to their idiosyncratic way of speaking. And you too will start using the word “shiny” in conversation.

At this stage (nearly two discs in) I’m wondering why on Earth this show ever got cancelled. It’s magnificent. It’s well-written, tightly-scripted, beautifully acted and tells an excellent story. But someone, somewhere at Fox didn’t like it, it seems, and didn’t feel it was worthy of renewing. Which is a crying shame when you see tripe like The X-Factor gracing our screens for year after year. I know X-Factor isn’t Fox. But it is shit, unlike Firefly.

So, if you (yes, you) have never had the pleasure of watching Firefly, drop everything you’re doing, watching, playing and pick up the series on DVD from Amazon.