2177: Black Screen of Death

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I’ve noticed something annoying about technology, particularly entertainment technology: the moment you want to revisit something you haven’t played/watched/listened to for a while, the technology that makes doing so possible is almost certainly going to fail somehow.

This has happened to me on numerous occasions ever since I was a youngling. From games that refused to boot on our old Atari 8-bit to… well, today, games that refuse to boot on my Windows PC, it’s an inordinately frustrating experience.

It’s more frustrating than something just normally not working, because the fact that you haven’t indulged in the thing in question for a while means that you build up a certain degree of anticipation in your mind for the first time revisiting it in weeks, months, perhaps even years. As such, it’s extremely disappointing when you find yourself unable to satisfy your hunger for the thing you were craving.

Today, I had an extremely strong desire to play Bizarre Creations’ swansong Blur, one of my favourite racing games of all time. I own both the Xbox 360 and PC versions of this game — the PC version being something that I’m actually seemingly rather lucky to own, since it has been pulled from the Steam store at some point in the last few years — but I was keen to play the PC version, since it runs at a superior framerate and resolution to the 360 version. Plus I’d been having idle thoughts about doing a “racing games supertest” series of videos, and Blur was one of the games I particularly wanted to highlight.

Blur has run fine on my machine before and I don’t think I’ve made any significant changes to it since the last time I ran it. I’ve perhaps replaced the graphics card in that period — which may be the issue, though I don’t see why — but that’s about it. But no; I was to be denied. I fired up Blur via Steam, saw the familiar noisy Activision logo followed by the now somewhat forlorn-seeming Bizarre Creations logo… and then the menu music started.

And then nothing happened. No spinny thing in the corner saying the game was loading. No main menu. No prompt to login. Just the menu music, and a Steam popup with the CD key that I was unable to dismiss.

I tried again on the offchance it was a random crash; no luck. I took to Google in an attempt to find the cause of the problem, or indeed if anyone else had had it — note to game developers: if you name your game a single word, please don’t name it after a common graphical setting, because it really makes situations like this a lot more difficult than they need to be — but I was ultimately disappointed, since this was, inevitably, one of those situations where lots of people in the last five years have had this problem, but none of them have come up with an adequate solution.

I tried the few solutions that were offered, and swore silently at Yahoo! Answers commenters making inane, generic comments about Windows updates and checking video drivers, but none seemed to work. As I type this, I’m restarting my PC — a rare treat for that machine, which tends to stay on most of the time — in a last-ditch attempt to see whether or not that works. If it doesn’t, I guess I’ll have to be satisfied with the 360 version; no great loss, since that’s the version I originally “discovered” the game with, but it would be nice to run it at 60fps and 1080p.

Oh well. It’s getting late now, anyway, so probably no Blur for me this evening. Fingers crossed I can get it working eventually though…

EDIT: Restarted computer. Game now works. Maybe those Yahoo! Answers idiots weren’t such idiots after all.

1621: Requiem for a Dead Game

Pour one out, if you will, for Blur.

Longtime readers may recall that I was rather enthusiastic about Blur when it first came out — largely for what I thought at the time was a good example of how to use “social features” effectively. Of course now, in 2014, “social features” are everywhere in games and have a habit of getting in the way more often than not, so I’m not entirely sure I still feel the same way, but Blur certainly had a lot going for it.

Looking back on my past entries, I realise that I never really waxed lyrical about what a remarkable game Blur truly was, though. I talked a bit about its developer Bizarre Creations — Blur was to be one of its last games — but not about what made Blur special.

For the unfamiliar, Blur was a racing game. Nothing unusual for Bizarre Creations, who had previously given us the wonderful Metropolis Street Racer on Dreamcast, which was succeeded by the Project Gotham Racing series on Xbox platforms. Both Metropolis Street Racer and Project Gotham Racing struck a good balance between the realism of “driving simulator” games such as Gran Turismo and Forza Motorsport, and the more arcadey thrills of titles like Ridge Racer and its ilk. Stuffed full of real-world cars screeching around beautifully depicted real-world locations mapped in what was considered for the time to be almost “photo-realistic” detail, both Metropolis Street Racer and Project Gotham in its various incarnations places a strong focus on driving stylishly in order to gain “kudos”. Powersliding around corners, overtaking your rivals, getting air off the crest of hills — all of it would add to your kudos bank, and there was an extremely addictive high score-chasing thrill to it all.

Blur, meanwhile, took the Project Gotham formula and added a twist that took it further from sim territory and well into the realms of arcade silliness. Although still involving real-life cars screeching around real-world locations, Blur went that extra step and incorporated power-ups too. Powerups that let you shoot homing missiles at your opponents, or rapid-fire bullets, or send out devastating shockwaves, or simply boost past your rivals while flipping them off.

Sound familiar? Sound a bit like Mario Kart? That’s because Blur pretty much was Mario Kart, albeit with much more realistic visuals and less fantastic tracks. It was genuinely something that hadn’t really been done before — there had been automotive combat games, but they tended to focus on destruction derby-style gameplay rather than racing with powerups — and thus it was immediately memorable.

And the multiplayer! My goodness, what a fantastic experience that was. Shamelessly lifting Call of Duty’s system of experience levels and unlocks, Blur’s multiplayer rewarded repeat play by providing you with all manner of ways to customise the way you play, as well as a selection of new cars to enjoy. The game was well-balanced, though, in that having a high rank didn’t necessarily confer you an advantage as such, just more options from which to choose. It was enormously addictive and, for someone like me who generally doesn’t enjoy competitive multiplayer games all that much, enjoyable for a surprisingly long time.

I booted the PC version up today after having a bit of a hankering to play again, and out of curiosity I fired up the multiplayer mode. There were four people online. Not four hundred, not four thousand; four. These people appeared to be actively playing, mind you, but it was certainly a far cry from the hundreds of people who used to populate the game. I admire their dedication to the game, but I also feel a bit sad that here we have an unfortunate aspect of the fast-moving nature of the modern games biz: Blur is unlikely to ever see a great deal of action as a multiplayer game again, making one of its best features now almost worthless. It’s a crying shame; Blur was sent out to die by Activision rather than being promoted properly — conspiracy theories have it that the company wanted an excuse to get rid of Bizarre Creations — and consequently never really had a chance to develop an active, long-life multiplayer community.

If I had a tad more influence, I’d do my best to try and gather people together for one last race around the game’s courses. But given that the PC version no longer appears to be available anywhere and the Xbox version requires an Xbox Live Gold subscription — which I no longer have — that’s something easier said than done.

I guess, then, that the good experiences of playing Blur multiplayer will have to live in my memory. The single-player is good — and still playable — but nothing quite compared to the thrill of taking on human opponents. It’s a pity very few people will have the opportunity to enjoy that, and I’m glad I had the chance to do so when the game was most active.

#oneaday, Day 140: Being An Asshole

Every time there is a “new advance” in AI for video games, the first question a lot of people ask is “how human is it?” How does it compare to playing against a real, actual, human person? A gaming-related Turing Test, if you will. And the answer is always “it’s not very human”. There’s one reason for this – computers can’t be assholes.

I was playing Blur multiplayer tonight and the one thing that struck me is how much of an asshole players online can be. That’s not a criticism, by the way. In fact, the sheer assholeness of a lot of online Blur players makes multiplayer races a pretty thrilling experience. And the AI players in the single-player, while frustrating, aren’t assholes. They never drop a mine directly behind a powerup so you grab the powerup and then explode. They never use a Barge to knock you off a cliff. They never swerve into you at the start line and bash you into a wall. They never wait until the home straight to launch a mine right up your arse and sail past in the last half-a-second of the race. They never park sideways across a narrow bit of track just to get in the way.

This sort of creative sadism which online Blur players have developed is what makes the multiplayer so much more appealing than the single-player mode. It’s really interesting to see the tactics that people have obviously developed independently without any prompting from the game. The “trapping a powerup” thing, for example. The AI players never do that. It’s never suggested you do it in the loading-screen tips. But it’s, when you think about it, a smart idea. Everyone is clamouring for powerups throughout every race. So why not make the more desirable ones rather more difficult to get?

This is a different sort of assholeness to the kind of 13-year-olds who scream racist, homophobic abuse down their headsets during games of Modern Warfare 2 (which they shouldn’t be playing anyway, but of course, that’s another conversation) – this is a stubborn, passionate desire to win at any cost bar cheating, rather than a stubborn, passionate desire to be a dick. And it’s fun. You can’t help getting involved. Watch other people playing Blur and all you want to do is out-asshole them. Get someone with a carefully-placed mine, or accurately slam a backward-fired Shunt into their face while they’re slipstreaming you and it’s immensely satisfying.

In fact, Blur as a whole is set up for being an asshole. Take the social gaming features I discussed the other day. What possible reason could there be for posting information about how well you’re doing other than to make other people think “I need to take that asshole down a peg or two”?

The reason, of course, that AI in single-player games being a perfectly accurate representation of a human is not necessarily a desirable thing is this: sometimes we like to win. And if you’re playing against 19 other assholes, most of whom are more of an asshole than you, very often you don’t win. That’s all very well, and competitive and so on… but if you’re playing by yourself, you want to win, don’t you? So that’s why I can say with some confidence that I really, really hope AI doesn’t ever improve to a level where it’s indistinguishable from a human. Because I like to beat it sometimes. And I’ve played over 60 online races in Blur now… and won two of them!

#oneaday, Day 135: Blurred Socialization

“Social games” are crap. There, I’ve said it. Now everyone else can breathe a sigh of relief that the elephant in the room has been well and truly pointed out.

But why are they crap? Well, the main reason is that they just aren’t very fun to either play as games or use as a means of socialising. I’ve tried out Mafia Wars and We Rule in particular. And neither of them are very fun.

Both of them involve a lot of clicking and waiting. Click on a button to complete a task. Wait for something to happen… in real time. While you wait, why not spam your friends to “help” you by clicking on the same button that you did? You’ll both get XP! Yay XP! Of course your level means little more than how long you have bothered to waste your time playing what is basically an Access database, but that’s beside the point.

The social angle is flawed too. There’s no interaction. You can request “help” from other players but there’s no means of actually playing together concurrently. In some games you can’t even send messages to each other.

Then came Blur. Blur single-handedly shows the correct way to develop a good social game: by building a good game first, then a social network around it. Too many other titles do this the other way round, and that’s what causes them to be the shallow, meaningless garbage that they are.

Blur is different, though. Even without the social features it would be a great racer featuring the “why hasn’t anyone done this before?” combination of realistic racing and Mario Kart-style powerups. But add in the ability to taunt friends publicly via Facebook and Twitter, not to mention the incredibly solid “Friend Challenge” system, and you’ve got a winning experience on your hands.

Playing Blur is actually remarkably akin to logging into something like Facebook. Starting the game greets you with a “Previously on Blur” feature showing you the next milestones you might reach, a bit like Facebook’s News Feed shows you recent happenings. Then you might want to check your messages, so you look at the Friend Challenges screen. You see that three of your friends have challenged you to beat their times, so you while away a short while beating them senseless… or not. Then you take on some of the single-player, and achieve something you know none of your friends have, so you post it to Facebook. Then… the list goes on. All the while you’re having a good time playing a great game AND sharing the experience with friends.

So, social game developers? Please stop being satisfied with the derivative shit you’re coming out with. The shit you are deriving your new shit from wasn’t very good in the first place. So actually hire someone who has played a video game before to design your game, then build the social features around it.

Rant over. I’m off to play Blur.

#oneaday, Day 54: End of another week

It’s that time again. Friday night. I chose not to listen to Radio 1 on the way home tonight, which means I didn’t want to throw things at Annie Mac and her stupid jingles. Whoever decided the airhorn should be the iconic sound of “I Think This Is A Fine Piece Of Music And No Mistake” should be punched in the testicles or lady-equivalents. But no matter, because I didn’t actually hear it tonight. I drove home listening to, of all things, The Sims 3 soundtrack. What? It’s cheery and relaxing, and after the day I had, I needed cheery and relaxing. It was that or whack on Bayonetta’s soundtrack and freak people out with either J-pop or epic scary choirs blasting out of my car.

This weekend I will be editing the next SquadCast on the subject of Machinarium, an endearing little adventure/puzzle hybrid available for PC and Mac. I will refrain from talking about it too much here as we discuss it at great length on the SquadCast which should, barring disasters of unforeseen proportions, be available by the end of the weekend.

Other plans for the weekend include Final Fantasy XIII, which I’m enjoying a great deal so far, and maybe a bit more of the Blur beta, which I’ve been playing a little bit of this evening – check out my thoughts here.

I’m actually looking forward to being unemployed as I’ll have time to do lots of things I’ve been meaning to for ages but have usually been too exhausted to. Sitting on my imaginary To-Do list is the production of a website for my potential computer tuition services, some more writing for here, pJedi and BitMob, some chasing of potential sources of freelance writing work and, of course, some time to actually wind down. After the week I have coming up, I will probably need it, but the less said about that, the better.

Then there’s PAX. I can’t wait. It’s going to be an awesome time when I get the chance to see some very dear friends – some for the first time, others for the second. After that, who knows where things will lead?

My new life may not be easy all the time, but I’m certainly looking forward to taking control and doing things for myself.