#oneaday Day 69: A Grand Day Out

We had a work day out today. Despite us not being based in London and none of us living in London, we went to London.

I haven’t been to London for a very long time. For context, the last time I went to London they had not introduced the ability to “touch in” and “touch out” on the Underground with a credit or debit card.

My work colleagues went to The Crystal Maze Live Experience first of all, but I passed on that as I suspected I probably wasn’t physically fit enough to take part. A shame, because it sounds like it was fun, but I don’t mind too much. I’m knackered enough as it is!

Instead, I joined everyone for lunch at Covent Garden. We went to an “Asian fusion” place with touchscreen tables that didn’t work very well, and had a selection of Japanese-style tapas. Pretty tasty, though I have been left with foul smelling burps.

I suspect that may have been more to do with the cocktails we had at our next destination, an arcade bar just off Oxford street. This was a dingy basement with lots of blacklight and some great arcade machines, though a few clearly needed a bit of TLC on the displays.

There was a great mix of classic stuff, including oldies like Galaga, Pac-Man and Donkey Kong, along with later large scale stuff like OutRun 2 and all three Time Crises. It wasn’t free play, sadly, you had to buy tokens (£9.50 for 15, and a lot of games took 2 tokens) but the CEO was kind enough to provide us a generous allowance. There were also plenty of consoles equipped with Everdrives and equivalents, and those were free for anyone to play.

It was an enjoyable hangout. A little loud for decent conversation — from the music rather than the machines — but there was a nice vibe, and it seemed to pick up and become quite lively as afternoon turned to evening. The gaming-themed cocktails were great, too, even if they were all at least £11 a pop.

I am, however, as previously noted, absolutely pooped, so now it is time to sleep. I suspect I will sleep well tonight!

Want to read my thoughts on various video games, visual novels and other popular culture things? Stop by MoeGamer.net, my site for all things fun where I am generally a lot more cheerful. And if you fancy watching some vids on classic games, drop by my YouTube channel.

2514: Ghost Train

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A short while ago, Pac-Man Championship Edition 2 was considerably reduced in price on the PlayStation Store, so I grabbed a copy. I’m a big fan of the previous Pac-Man Championship Edition games — particularly Pac-Man Championship Edition DX, which is one of the finest arcade games ever created — but had heard mixed reviews about Championship Edition 2. Still, I was willing to give it the benefit of the doubt.

The first thing I’ll say about Championship Edition 2 is that its big new structural addition — a so-called “adventure mode” — is total garbage. It consists entirely of time attack phases in which you have to eat sufficient dots to make a piece of fruit appear — very rarely is this the entire maze worth of dots — and repeat until you have eaten sufficient fruit to clear the stage. At the end of every block of near-identical levels is a supposed “boss fight” in which you do exactly the same thing, only with a giant ghost bashing into the background every so often.

“Total garbage” may be an exaggeration in retrospect, as these challenges are mildly diverting, but they miss the entire point of Pac-Man Championship Edition, which is to score as many points as possible against a strict time limit.

Fortunately, the Score Attack mode is a lot of fun, and Championship Edition 2 is a different beast from its predecessors in a number of ways.

Firstly and most significantly, bumping into a ghost no longer immediately kills Pac-Man, unlike all the previous incarnations of the game including the previous Championship Edition installments. Instead, Pac-Man bounces off the ghost, though bumping into one several times (or once on Expert mode) causes the ghost to become “angry”, which makes it speed up, chase Pac-Man and become fatal to the touch. However, sometimes it is desirable to do this, since making a ghost angry causes it to fly up in the air and out of the way for a couple of seconds, so you can deliberately provoke a ghost in order to clear a path for yourself.

Secondly, the “ghost trains” introduced in Championship Edition DX work a little differently. There are several modes of play — the first has four ghosts wandering around, but only one of them forms a train when Pac-Man passes by a sleeping minion ghost, while the other two form up to four trains in total, one for each ghost. Unlike Championship Edition DX, minion ghosts don’t join a train by a ghost passing them; they immediately wake up when Pac-Man passes by them and automatically attach themselves to one of the trains, even if it’s nowhere near where the minion was. This allows you to create huge ghost trains by planning your route carefully rather than having to manipulate the ghosts AI.

Eating a power pill works a little differently, too. Power pills only spawn on certain mazes after you’ve eaten a certain number of dots, and consuming one causes the ghosts and their trains to turn blue in the traditional manner. However, in Championship Edition 2 they move on set routes that are specifically marked on the maze, allowing you to predict where they are likely to go and head them off easily. Said routes tend to branch in several places in the harder mazes, so it’s not as easy as it sounds, but by learning the routes and the way the ghost trains attempt to avoid Pac-Man, you can become more and more efficient.

Oh, and ghost trains have to be consumed from their head now rather than from any point. This can be surprisingly challenging, though chomping your way through all four ghost trains in the maze, which causes both the train and Pac-Man to go flying through the air in a ridiculously overblown display of acrobatics, is immensely satisfying.

Bombs work differently, too. Rather than blasting the ghosts up in the air for a moment as in the previous installment, bombs now send Pac-Man back to the starting point of the maze, which can be a quick means of retrieving the fruit if it’s spawned and you’re a long way from it. However, bombs are worth quite a few points at the end of your allotted time, so it’s worth holding on to them as much as possible; more can be acquired by consuming every dot in a maze rather than just the amount required to spawn the fruit needed to progress.

Extra lives also show up at predictable moments — every 1 million points — as collectible items in the maze, and these are worth huge points at the end of a game, so it’s in your interest to collect them before progressing to the next maze. They’re easily missed, so the mark of a true pro Championship Edition 2 player is going to be planning their scoring effectively so that they hit a multiple of a million points at a suitable moment to grab the extra life without inconveniencing them — and not, say, crossing the million boundary on the changeover between levels, which causes you to miss out on the opportunity to collect the extra life altogether.

There’s quite a lot to Championship Edition 2, then. Fundamentally, it’s still based around Pac-Man, but it’s pleasingly distinct from its predecessors and fun in its own right. It has a couple of irritating factors — most notably a lengthy, non-skippable and rather unnecessary tutorial sequence before you can play Score Attack or Adventure mode, and, of course, Adventure mode itself, which is a waste of time — but on the whole, once you get stuck in to chasing the high scores, it’s a lot of fun. And, like its predecessors, it’s a game you can easily spend several hours enjoying when you really have more important and interesting things to do with your life.

1920: Old-School Shooting

In the same bundle I grabbed primarily for Crimzon Clover World Ignition the other day, I also received a copy of Raiden III. I haven’t played a Raiden game since the original PS1 era, when the bundle of Raiden and Raiden II that came on a single disc (Raiden Project, I think it was called?) was one of my favourite games, despite it not exactly showing off the then-new hardware to its maximum potential.

Raiden III has been an interesting blast from the past, no pun intended. Although I very much enjoy danmaku (bullet hell) shooters, Raiden III is a pleasant reminder that you don’t need to completely fill the screen with bullets to be challenging, and nor do you need an overly convoluted scoring system to be interesting. Raiden III is simple and straightforward, but actually has a surprising amount of depth and strategy to it, particularly with regard to the various weapon pickups available to you.

I was pleased to see that the bendy laser I always used to find so hilarious in the earlier Raiden games is back, though this time around it’s green rather than purple. I was also pleased to see that the red weapon is still capable of filling the screen with as many bullets as a danmaku shooter’s default player sprite configuration. And I was delighted that the game is accompanied by an appropriately cheesy yet pulse-pounding soundtrack that complements the on-screen action perfectly.

What I was most surprised about, however, is how good it actually looks despite running at 640×480 resolution (and vertically letterboxed, to boot, thanks to most shoot ’em ups’ vertical screen orientation) and having precisely no graphical options to speak of whatsoever.

Raiden III, for the unfamiliar, eschews the sprite-based ships and 2D backgrounds of its predecessors in favour of full-on polygonal 3D. The backgrounds are 3D, too, which gives them the flexibility to pitch, roll, swoop and change altitude in a far more dynamic manner than the old-school 2D backdrops, making the game quite a thrill ride. (Recent shmups from Edelweiss such as the fantastic Astebreed and Ether Vapor Remaster have continued this proud tradition in glorious 1080p.)

The most surprising thing about the visuals is how much it still looks like a Raiden game. The distinctive appearance of the player ship, its weapons and even the enemies is kept completely intact despite the move to polygonal 3D, and I think this is a large contributing factor to the game still managing to genuinely look good on a 55-inch widescreen TV at vertically letterboxed 640×480. It runs as smooth as butter, too — although I’d hope so on my rig — and has proven to be a lot more addictive than I originally anticipated when I first booted it up the other day to kill a few minutes.

Raiden III, then, provided me with proof positive that resolution really doesn’t matter to me, even as the new generation of consoles has players becoming increasingly sniffy about games that don’t run in “true 1080p”. If your overall design is up to snuff, you could be running at 320×200 and still look great, and Raiden III, like many other ageing games, is very much testament to that.