1732: The Overnighter

Just got back from an incredibly long day at work — effectively two days at work for the price of one, thanks to some overnight working as well as my normal shift. Consequently, I’m utterly knackered, so you’ll forgive any incoherence and/or typos, I hope. (I do get tomorrow off, at least; I intend to do a lot of sleeping after I have finished typing this.)

I don’t mind pulling late/all-nighters generally, because it allows me to indulge in one of my stranger pleasures: being in places that are normally full of people when they are deserted.

It’s something that’s always fascinated me, ever since I was a youngling and often got the opportunity to stay late at school to do various music activities. School concert night was always a particular highlight; not only did I tend to enjoy the concert itself, but there was something… I don’t know, almost romantic about the atmosphere around the school campus when it was all but deserted aside from a few people.

In fact, I’ve always enjoyed the night generally. When out walking in the darkness, there’s always the slight lingering fear that behind the next bush might be a knife-wielding maniac, of course, but for the most part I love the atmosphere of night-time: the peace and quiet; the way the air feels somehow different — probably because it’s not being churned up and polluted by hundreds of cars; the way everything feels like it’s going slightly faster than normal; the way bad weather, particularly snow, makes you feel like the place you’re in is a private little world.

It’s the peace and quiet part that gets me the most, I think, because it allows you to really drink in what is going on around you. You can listen to your footsteps as you walk; listen to your breathing; hear the birds start to sing to signal the beginning of the “morning” process (at least if you stay up as late as I have tonight); try to work out what the noises in the distance might be. Any sound near you feels almost infinitely louder, and hearing someone talking always feels like you’re intruding on a private moment. (Perhaps you are.)

It’s the contrast, too; I love comparing how a deserted place in the dead of night compares to how I know it is in the daytime. By day, it might be bustling hub of activity, with the constant noise of human interaction all around at all times. By night, it might be totally silent; you might be the only person there. There’s a sense of being in the unknown; of being somewhere “forbidden”, even if you have every right to be wherever you are.

In fact, were it possible to live one’s life in a more nocturnal manner, I think I’d happily do so. Judging by my drive back from work tonight, it would certainly save on traffic frustrations, if nothing else!

#oneaday, Day 168: Into Dreams

I was awoken this morning by the conclusion of a peculiar and very realistic-feeling dream. The details of said dream are fading a little now, making me wish I’d written this post sooner. But I shall attempt to explain what I remember. There’s not actually that much.

I was in the dining room of my parents’ house. I believe it was the dining room as it looked some years ago, i.e. when I was a kid, not how it looks now. It hasn’t changed that much, but there’s been a few additions, such as a couple of clocks and chairs that used to belong to my grandparents. Those things weren’t there in the dream, at least I don’t think so. Oh, does it matter? Probably not. The main point of the dream was not that I was in my parents’ dining room. It was the fact that I was in there with two other people, the identities of which have slipped out of my mind for now. But I believe they were people you wouldn’t expect to be doing what we were doing.

No, not that. Get your mind out of the gutter, you disgusting pervert.

We were singing. Specifically, we were singing Silent Night. A cappella. With improvised harmonies and counter-melodies. It was hauntingly beautiful in that slightly sinister and aggressive way that male voice choirs tend to be. As soon as the song finished, I woke up on the sofa I’d been sleeping on after a night of babysitting. (I know, right. Hardcore Saturday nights for the win.)

Bizarre. But not the most bizarre dream I’ve ever had.

I used to have several peculiar recurring dreams as a child. Both of them are utterly nonsensical in the way that only a child’s dreams can be. I haven’t had any recurring dreams like that for a long time. I actually kind of miss them a bit. Sort of. Although one of them was a bit scary.

The first involved a cuddly-toy pyjama case I had as a kid. This pyjama case was a brown bear from America and as such was appropriately named American Brown Bear. He was a cheerful-looking sort of bear; a bit skinny when he didn’t have any pyjamas in his stomach, but otherwise he was fairly happy and smiley. So I have no idea why I found him so terrifying at night. Or indeed where this dream about him came from.

It would always be the same. I’d dream that I woke up and needed to get out of bed for some reason; perhaps to go to the toilet, or get a drink or something like that. Perhaps the context changed. But the need to get out of bed is a constant.

When I was a kid, I slept in a bedroom that required passing by a window to get from the bed to the door. In the dream, when I passed the window, American Brown Bear would leap out and shout something indecipherable which to this day I haven’t worked out what it actually was, but sounded awfully like “MRS LINCOLN PUPPIES!”, which of course makes absolutely no sense whatsoever. This is, of course, leaving aside the fact that my pyjama case was talking to me.

There was never any sort of satisfying conclusion to the dream. It usually woke me up. I never did find out what it meant.

The second recurring dream was more surreal. Yes, more.

I’d wake up in the dream and I’d be in a strange landscape. It’d always be night-time, the sky a shade of dark navy blue with stars and a crescent moon. It always looked more like an artist’s rendition of “night-time” rather than a realistic image. I believe it may well have been based on the image there was in a print of a painting we had on our landing. I forget the name of it or indeed who it was by. But I have a feeling that was the kind of image.

Anyway, that wasn’t the weird thing. The weird thing was the fact that there was a silhouette of a tree in the distance (which I was shocked to discover ended up marking the end point of the first level of Flower on the PS3—yes, it totally was the same tree and I wasn’t just projecting my childhood memories onto it at all, dammit) and in front of the tree there was a field I had to get through. Yes, had to. Because I really needed to get to that tree. I don’t know why, and I never did. Because the field in question was made of strawberry mousse, high up to the height of those fields of sunflowers you see in zombie movies. Strawberry fields forever, quite literally. The only way through was to eat it. I could have dug through, probably, but I’d get my hands all sticky.

Inevitably, I’d end up getting lost, despite reaching the tree only necessitating travelling in a straight line for a considerable period of time. At the point I got lost, I’d rise up above the mousse-field and see how far I had to go, and the path I’d carved (eaten). It always twisted and turned inexplicably, and I was never anywhere near the tree. Then I’d wake up.

So there you are. Childhood recurring dreams… nightmares, whatever. Perhaps they might explain a few things? Or perhaps not.