1975: Bahamut Down

In the early hours of this morning, Wuckle and I achieved something I hoped we’d achieve before Friday: we defeated Bahamut Prime in The Burning Heart, bringing our expeditions into the Final Coil of Bahamut to a close — for now, at least; we have some members of our static raid group who are still yet to clear these fights, so we’ll be helping them through at some point soon.

As the “true final boss” of the game, I was hoping that the Bahamut Prime fight would be pretty spectacular, and sure enough I wasn’t disappointed. Here’s a video (from my character’s perspective as a Black Mage) of our clear:

The fight is not only a suitably challenging battle to bring the main endgame raid of “vanilla” Final Fantasy XIV to a close, it’s also a fitting conclusion for a Final Fantasy game. Japanese role-playing games are often known for getting a little… peculiar in their final confrontations, with final bosses often being fought in space, in clouds of darkness, in strange swirling miasmas or inside the cores of planets. In the case of Final Fantasy XIV, your battle against Bahamut Prime takes place within Bahamut’s own heart — Bahamut Prime, it seems, is not literally Bahamut himself (since he is both absolutely massive and in the process of being regenerated by the various Coils) but rather a manifestation of his will and rage.

This doesn’t stop him being a formidable opponent, mind you. The fight combines mechanics from a number of earlier battles to create a confrontation where you have to use everything you’ve learned about handling mechanics to be successful. There’s heavy amounts of damage. There’s people taking responsibility for ensuring the group isn’t wiped out by carelessness or inattention. There’s puddles of nasty shit on the floor that you have to drop carefully. And, of course, there are Divebombs, Final Fantasy XIV’s most notorious enemy ability, first introduced in the Turn 5 fight against Twintania, later seen in a somewhat different format in the Turn 9 fight against Nael deus Darnus and finally seen from not one but two independent sources in the Bahamut Prime battle.

Divebombs are notorious because in the case of Turn 5 in particular, they were the “roadblock” that stopped a lot of groups from progressing further, simply because they’re tricky to handle properly and can have devastating consequences for the whole group if handled incorrectly. Their inclusion in each of the three “final” battles in the three separate parts of Coil shows the battle designers’ awareness that they are a challenge — albeit a surmountable one — and a desire to test players’ abilities to the maximum, often without the helpful visual telegraphs that many of the other enemy attacks in the game have.

But anyway. You didn’t come for a deconstruction of the mechanics of Final Fantasy XIV’s raids. (Probably.) You came to hear me enthuse about beating a spectacular final boss fight — and, if you’ve watched the video, you’ll see that it most certainly is.

As I’ve written about a few times previously on these pages, I’m a big fan of well-done final confrontations, and a big part of an effective one in my book is good use of music. Turn 5 and Turn 9 (the previous “final bosses” of the game prior to the introduction of Final Coil) both had great music that was unique to the fight (or “almost unique” in the case of Turn 5 — it’s also used for the final boss of the main 2.0 storyline as well as a later confrontation); Turn 13, meanwhile, makes stunningly effective use of the game’s main theme song “Answers”.

“Answers” is one of the first things you hear in A Realm Reborn, since it accompanies the dramatic introduction sequence that depicts the end of the 1.0 world through the Calamity — an event that those who played the original incarnation of Final Fantasy XIV actually lived through.

The Calamity saw the descent of the artificial moon Dalamud as a result of the machinations of Nael van Darnus, an overly ambitious Imperial legatus and the main antagonist of the 1.0 storyline. As the moon approached Eorzea, however, an unexpected thing happened: it burst open to reveal a very angry Bahamut, who proceeded to lay waste to the realm in his somewhat understandable rage — after all, you’d be pissed off if you’d been locked inside a moon since ancient times, wouldn’t you?

All looks lost for Eorzea, but the intervention of Archon Louisoix, a major character in the 1.0 storyline and quests, sees something mysterious happen that no-one quite understands or remembers. Everyone wakes up five years later in a realm that is somewhat different to what it once was, but still very much intact. This is how A Realm Reborn kicks off, but the main storyline then goes off in its own direction and the truth of what really happened in the Calamity doesn’t start to be revealed when (if) you venture into the Binding Coil of Bahamut.

Through your explorations of the three Coils, you discover not only the truth behind the Calamity, but also what happened to a number of important characters who had apparently disappeared or died — most notably, Louisoix himself and Nael. Needless to say, everything comes back to Bahamut in the end — but during your investigations you also discover exactly what it was that led to Bahamut’s imprisonment inside the artificial moon, and why he’s so full of rage and resentment towards humanity.

Since “Answers” is a song so closely tied to this storyline, it’s fitting that it should be the accompaniment for its final conclusion. And it’s used beautifully throughout the fight, too, beginning with the mournful baritone lyrics speaking of suffering and pain, moving through the gentler, sweeter female lyrics that speak of “the land’s light of justice” and walking free before eventually culminating in the gloriously thick-sounding choral finale. The music isn’t just played straight through, though; the simple, sparse baritone singing is used in the fight’s first phase, the female lyrics come in in the second phase as you start having to deal with Bahamut’s minions as well as the dragon god himself, and the explosion of passion that is the finale comes as Bahamut Prime begins casting his ultimate attack Teraflare: a devastating blast of flaming energy that, assuming you survive, signals the beginning of the end.

Final Fantasy XIV uses music spectacularly well throughout to help with its storytelling. Each of the story’s main confrontations are accompanied by their own unique theme tunes, many of which have relevant lyrics. The presentation of the game’s absolutely, positively, definitely final battle (until Heavensward, obviously) is no exception to this, and I’m very excited to hear what Soken and his team come up with to accompany our new adventures.

It’s now 1am, though, and since I’ve had like three hours sleep, I think it’s probably time I caught up a bit.

1729: Twintania’s Revenge

I cleared Turn 5 of The Binding Coil of Bahamut in Final Fantasy XIV once again this evening, adding another member to the roster of our group of (hopefully) regular raiders.

This time around, I decided that I was going to try and tank it. Although I have a level 50, well-geared Paladin class that I’m pretty confident in using for straightforward stuff like dungeons, complicated 8-player fights like Turn 5 have been something I’ve generally shied away from to date, unless I could rustle up a group of people I know and trust — and whom I don’t think will yell at me if I make mistakes.

I decided I wanted to give it a go this evening, however, if only to be able to help out other prospective Twintania-downers with more than one possible role in the future. And so I stepped up.

For those unfamiliar with Final Fantasy XIV or MMOs in general, a couple of definitions are probably in order. Tanking is the role in a party that maintains the attention (“aggro” or “enmity”) of an enemy and takes the brunt of the damage while the rest of the group either stick them with the pointy end (melee DPS), throw pointy or flamey things at them (ranged DPS) or heal people as necessary. In 8-player battles such as Turn 5, you generally have a “main tank” (or MT) that maintains aggro on the boss for the majority of the time, and an “off tank” (or OT) that either has a different role to perform in the fight (as in the case of Turn 5) or alternates tanking the main baddie with the MT (a process called, unsurprisingly, “tank-swapping”).

Being an off tank doesn’t necessarily mean you have an easy job, though. In Turn 5, the off tank’s job is actually probably harder than the main tank’s, so I volunteered for the main tank role, while our other Paladin, who had previously main tanked Turn 5 on our previous clears, stepped into the off tank role to get some experience there.

The battle began. Jovayne, our off tank, started the fight, pulling Twintania and her three Scourge of Meracydia enemies to him and getting their attention. I then ran in behind him, used my Provoke ability on Twintania, then pulled her away from the main pack, as is the main tank’s job in this fight.

It’s at about this point you realise quite what a different affair tanking is to almost any other job on the battlefield. While if you’re playing something like Black Mage or Bard, you’re probably flinging things at the back of your foe, as a tank they are right in your face — and when it’s something as giant and threatening as Twintania, the experience is genuinely intimidating, particularly as you see your hit points fluctuating by frankly terrifying amounts with each hit you take, though.

You have to trust in the people with you, though; unlike a single-player game, you can’t do everything yourself in an MMO, and learning how to trust others is an important part of learning to play well. I’d take a lot of damage from Twintania’s powerful attacks, but I knew that the healers would be there to keep me safe. I’d make their job easier by making use of my defensive abilities, which reduced some of the incoming damage, but ultimately my life was in their hands.

The rest of the fight progressed slowly as, on the whole, the party was fairly inexperienced compared to the last time we cleared it. We did make steady progress, though, with the notorious “Divebombs” phase, during which Twintania swoops across the battlefield, dealing heavy damage and an enormous knockback to anyone she hits, proving most troublesome, as ever.

Mistakes were made by all — particularly me, since I was playing a role that is still relatively unfamiliar — but eventually we made it through together. When we successfully passed the second most difficult phase of the fight (known as “Twisters”, after the instant-death ability Twintania uses in this phase) and were into the home straight, it was a real, genuine, heart-in-mouth moment: just a video game, perhaps, but the feeling of genuine excitement of knowing that you are (probably) going to overcome one of that game’s toughest challenges is absolutely magical.

I was really happy after we finished, since successfully tanking it felt like a significant milestone in my development as a player. I’ve talked before about how I feel like I’m actually quite good at this game, in contrast to a lot of other things I play, and broadening my virtual skill set in this way is very satisfying and enjoyable indeed. Plus it makes me feel like I’m growing in confidence — not just as a player, but personally speaking, too. That’s pretty awesome, no?

1643: Twintania Down for the Count

It’s taken a lot of effort — including the effort to gather groups of people together for a common purpose — but this evening… morning… whatever it is now, I finally cleared Turn 5 of The Binding Coil of Bahamut in Final Fantasy XIV.

For those unfamiliar, The Binding Coil of Bahamut is a five-part dungeon for level-cap players. It was originally designed to be the absolute hardest challenge in the game, but has since been superseded by new content added in the three big patches there have been since launch. It’s also been “nerfed” considerably, with players going in now being the recipients of the “Echo” buff — a 20% increase to maximum hit points, damage dealt and healing received. The thinking behind this gradual easing of its difficulty is so that, in theory, everyone will eventually be able to make it through — and that they might want to do so, because it offers some intriguing story content along the way.

Even with the 20% Echo buff, however, Turn 5, the fifth and final part of the dungeon, is still a stiff challenge. It’s theoretically simple, consisting of nothing more than a boss fight between a party of eight people and a rather pissed-off dragon called Twintania, but it’s a very demanding confrontation, requiring detailed knowledge of the mechanics, what to expect from the fight at every stage and fast reactions. As such, it’s still a significant achievement to make it all the way through.

It’s taken a good few hours — and several different parties — over the course of the evening to get through, but we eventually made it by the skin of our teeth. Not before we had an agonising defeat with Twintania’s HP down to just 1%, of course, but we eventually made it nonetheless.

Turn 5 in particular is a good example of how high-level content in MMOs differs from more accessible challenges such as dungeons with lower player counts and open-world content. It demands either solid communication — which is why many players choose to make use of voice chat rather than the game’s text-based chat — or extensive knowledge of what to expect from the fight. Or, preferably, both, because even with an experienced group, sometimes people’s attention wanders, causing mistakes that can easily snowball out of control. Not only that, though, but as cheesy as it sounds, the amount of teamwork required for a successful clear is the sort of thing that really helps to build bonds between friends.

It’s the kind of challenge that I don’t think would be for everyone. Turn 5 in particular presents such a daunting challenge to many players that I wouldn’t be at all surprised if there were plenty of dedicated endgame players who never cleared it. Which is a bit of a shame, as it’s a spectacular, genuinely thrilling fight — and the perfect antidote to those people who feel that other content in the game is a little on the easy side. (It definitely is if you overgear yourself, which is quite easy to do these days.) Not only that, but my God, did it feel good when we eventually beat it. There may have been an audible “Yes!” from everyone participating when that HP bar finally dropped to 0.

Anyway. Battling that fearsome foe has led me to the doorstep of 4am, and so I’m going to go and get a few hours of sleep now. Well-earned, I’d say.