Eager for a short palate-cleanser after polishing off Fairy Fencer F: Advent Dark Force last night, I sought the counsel of my online friends. Mr Alex Connolly was first to answer the call, suggesting Call of Juarez: Gunslinger, a game which I recall had everyone very excited a few years back, and a game which someone — possibly Mr Connolly himself — had provided me with a gift copy of at some point in the recent past.

I have no experience with the Call of Juarez series as a whole, or with Westerns in general, but I was willing to give it a shot (no pun intended) as it had been so well-received on its original release — particularly for the amount of content it offered for its budget-tier price.

I liked it enough to play through the whole thing today, but I was left with mixed feelings. There were some things I really, really liked about it, and a couple of things I absolutely detested.

Let’s start with the positives, chief among which is the story and the way it is handled. Presented as the recollections of ageing bounty hunter Silas Greaves, the game unfolds over the course of a series of levels punctuated by attractive cutscenes featuring the Silas of today and the companions in the saloon that he is telling his tall tale to. During gameplay, Old Silas narrates the action — with his descriptions reflecting what you’re doing and the choices that you make along the way — as well as performs most of the dialogue on the cast’s behalf.

Gunslinger particularly plays with the “unreliable narrator” trope through Silas presenting alternative explanations of what happened — sometimes saying “well, I could have done this…” at which point you have to play through the hypothetical situation before it rewinds to what actually happened. Silas also posits that much of the history of the Old West as told by “dime novels” isn’t quite what happened, and in fact he just happened to be present for some of the most notorious events in the region alongside the most notorious outlaws of the period. Indeed, in the game you run into everyone from Jesse James to Butch Cassidy and the Sundance Kid, though with Silas’ flair for the dramatic, you can never quite be sure if he was telling the truth all the way through his story.

Gameplay-wise, Gunslinger adopts a somewhat arcadey mould by featuring a combo system and points being awarded for kills. Kill bad guys in rapid succession and your multiplier climbs; dispatch them in ways other than just filling their torsos full of lead and you get additional base points multiplied by the multiplier. This isn’t much of an issue in the story mode — though points convert directly to XP, which can unlock various passive skills that make Silas’ journey a bit easier — but is brought to the forefront in the Arcade mode, where you’re tasked with attaining high scores in short, narrative-free levels.

Gunslinger’s style initially appears at odds with its gameplay mechanics, because you’re using Old West weaponry — six-shooters and rifles that are painfully slow to reload, breaking the “flow” of combat somewhat. Unlock a few skills, however, and you’ll find things become much more fast-paced and frantic, particularly once you obtain the ability to repeatedly hammer the reload button to reload more quickly. By the end of the game there’s a nice rhythm to the combat for the most part, and the story provides sufficient incentive to continue exploring.

There are two real things I didn’t like at all about Gunslinger, however. First of these was the prompt “You’re straying too far from the story…” that pops up if you walk more than three feet in the “wrong” direction during a level. This is simply bad game design; the levels should be designed in such a way that the player is confined to the “story area” without feeling like they’re confined. If there’s open space, let them use it! This became a particular issue in the final level as the Sundance Kid bore down on Silas with a shotgun; it was impossible to get more than a few feet away from him to hide without this annoying message popping up, which also happened to break Silas out of a sprint any time it appeared, too.

The other thing I didn’t like was the dueling system, although it was stylistically appropriate for the genre. In duels, you have to move Silas’ hand back and forth with the A and D keys so that it’s hovering over his holster, ready for a quick draw, while simultaneously manoeuvring an erratic, drunken mouse pointer over the enemy you’re facing off against. Once the enemy draws, you have a split-second to click the mouse button to draw your pistol and shoot them dead before they do the same to you. Trouble is, even with high “speed”and “focus” ratings obtained by performing the aforementioned manipulations, it often seemed to be a matter of luck as to whether Silas actually drew his gun as you expected and managed to get off a shot. Supposedly you’re able to dodge the bullets that come at you in this mode, but I don’t think I ever successfully achieved this; all my duels were won by what felt like dumb luck and perseverance. Perhaps there’s more to it than that, but I didn’t like their execution at all.

Aside from these issues, I enjoyed Gunslinger a lot. Its story was presented in an unusual, effective manner and its levels were well designed with plenty of variety rather than all being set in drab, brown “Old West” type settings. I’m not sure whether I liked it enough to play through it again on the harder difficulties, but I’ll probably check the Arcade mode out, at least. As for the mode where you can voluntarily subject yourself to more Duels? I think I’ll pass!