Tag: pop songs

2540: Royalty Free

I was surprised to discover that a device exists purely for the purpose of streaming shit music into shops.

Actually, let me correct that: a device exists purely for streaming royalty-free music into shops. There’s a good reason for this, of course: music in the background generally makes for a livelier, more pleasant atmosphere, but not all businesses find it practical or desirable to pay up for PRS and suchlike in order to use copyright-protected music, and as such we have the rise of the royalty-free artist and their music to fill this apparent gap in the market.

The aforementioned device isn’t, shall we say, a perfect bit of kit; the available music on offer is relatively limited, and its shuffle algorithm is so unsophisticated that it’s not at all unusual to hear the same song five or more times over the course of a single hour, but it does at least perform its basic function reasonably effectively. And more to the point, through a bit of the old Stockholm Syndrome, finding yourself in an environment where this nonsense is all you are able to listen to means that after a while you might actually start liking some of these songs.

Songs like Kady Z’s Game Over.

https://www.youtube.com/watch?v=UCKEoC9GRDA

Or indeed Kady Z’s Beautiful Disaster — apparently Kady Z, whom I had never heard of prior to actually investigating the dreadful but catchy lyrics to Game Over, is pretty much the queen of royalty-free music.

https://www.youtube.com/watch?v=wYFMDfQgASU

Interestingly, of all the musical monstrosities that belch forth from the aformentioned streaming box, Kady Z’s are the only ones that I seem to be able to find easily on the Internet. I’m sure the others are out there somewhere, but Game Over is the only song I’ve so far managed to find by Googling the one line of the lyrics I can actually remember. (“Game over, you and me, game over, finally free.”)

All this is perhaps because in particular the two songs I’ve mentioned above I actually don’t mind all that much. As I say, that may well be the Stockholm Syndrome talking, but from a bit of additional cursory research this evening, Kady Z appears to be 1) quite attractive and 2) actually not a terrible pop artist either, seemingly drawing influences from a number of other artists including Ke$ha (most apparent in Game Over), Katy Perry and numerous other “upbeat white chick” kind of affairs.

I wouldn’t say she’s a particular artist I’m going to rush out and buy all the albums of, but sometimes it’s kind of nice to accidentally stumble across some reasonably inoffensive new music that’s a bit outside the mainstream pop charts, which remain mostly dominated by bullshit these days — yes, I am getting old, and I’m not at all ashamed of it.

So there you have it. Make an hour-long playlist with Game Over in it at least five times punctuated by other stuff and you, too, can experience roughly what my day has been like.

2088: μ’s, Music Start, and Never Stop

0088_001

It’s been quite a while since I watched Love Live! — long enough that I’m considering watching it again, particularly as what appears to be Love Live! The Next Generation of sorts is currently brewing — but ever since I watched it, it’s been a pretty regular part of my life. Specifically, it’s pretty rare that I go a day without listening to at least a few of the songs both from the show and which were released as singles and albums as spin-off products.

One of the reasons I really enjoyed Love Live! as much as I did when I first watched it was because of the music. Sure, the story was fun and the characters were loveable and memorable, but if a show about music doesn’t have good music in it, then, well, it fails. Fortunately, Love Live! had great music that complemented the story really nicely, even if you don’t understand the Japanese lyrics.

The reason I like Love Live!’s music so much is because each and every one of them is an absolutely perfectly crafted pop song. Everything about pretty much every Love Live! song is put into place so immaculately, so beautifully, that it’s hard not to get swept up in the energy of it all. The choice of vocalists; the backing track; the melodies; the harmonies; the chord sequences — all these elements combine to make something naturally delightful and pleasing to listen to, and intoxicatingly addictive.

Here are a few favourites.

This song is only heard as an instrumental in the show itself, but I liked it as soon as I heard it with lyrics in the Love Live! mobile game. It’s a wonderfully cheerful, upbeat piece about friendship or something; it doesn’t really matter. It just sounds nice, has a catchy tune and is eminently suitable for singing along to, even if you just babble Japanese-sounding syllables to the rough melody.

Also I like the “la, laaaa, laa laa laa laaaaa” bit at the end. Andie hates it, but whatever.

I adore this song, partly because it’s the first song (aside from the OP) in the show, and it’s a beautiful moment: Honoka, Umi and Kotori all coming together to try and achieve something for the first time, even in the face of adversity. It’s also another really catchy song with some toe-tapping rhythms that fit well with the dance moves depicted in the show. And come on, listen to it. I defy you to reach the end of that without cracking a smile.

This is a gorgeous song in many ways. I particularly like it as it highlights Umi’s voice, which is one of the most understated yet pleasant to listen to voices in the cast — a fact that goes with Umi’s rather straight-laced personality. This song also reflects Umi in another way: the fact that in many ways she’s the most “Japanese” of the cast, without any particularly exaggerated physical or personality traits, and this song — particularly its calming opening — fits her perfectly.

This one… well. What more can you say about a heavy metal song about enjoying hamburgers after school? Just rock out to it.

This one took some tracking down and I wasn’t sure why… until I realised that it’s not from Love Live! itself at all, but actually from a disc of character songs for the PS3 game The Guided Fate Paradox. That said, it does feature Eli from Love Live! on vocals, and as such is worthy of inclusion. It’s also a pretty awesome song in the Castlevania mould in its own right. So there. And now I think I actually need to play The Guided Fate Paradox because I had no idea how good its music was.