1227: Cards of Love

May 29 -- Love LetterOne of the games I had the chance to try out during my recent trip to Canada was a charming little card game called Love Letter, the brainchild of Seiji Kanai and the fourth entry in AEG’s Tempest series of games that share the same setting. Today, my own copy of it finally arrived, so I thought I’d talk about it a bit. I know I already mentioned it a number of posts ago, but I thought I’d dedicate a whole post to it.

In Love Letter, players take on the role of potential suitors to the princess of Tempest. Unfortunately, grieving for her arrested mother — presumably an event which occurred in one of the previous games — the aforementioned princess has locked herself in the castle and is not receiving visitors, let alone missives declaring various eligible bachelors’ undying love for her.

Or is she? Fortunately, there is a selection of people around the castle who are able to get your sweet words of love to the princess, and it’s entirely possible that you might be able to get her to come out of her room, if only you can just get that message to her.

These people — including the princess herself — are represented by the 16 cards that make up the complete Love Letter deck. Each is marked with a number, which denotes how “close” that person is to the princess, and each number also corresponds to a particular type of character. All the “1” cards are guards, for example, while number “8” is the princess herself. Certain cards, such as the princess, her best friend the Countess, the prince and the king, only have one card each; others have several duplicates, with the most numerous being the guards.

A round of Love Letter runs thus: first a single card is removed from the deck, without anyone seeing what it is. Following this, each player is dealt a single card, which becomes their hand. On each player’s turn, they draw a card from the communal stack of remaining cards and either discard it or the other card in their hand. When a card is discarded, its special ability must be resolved. If a player discards the princess, they are out of the round as the princess has thrown their letter into the fire. Other cards are laid face-up in a stack in front of the player, allowing the others to see which cards have been discarded already, and thus deduce which ones are probably in the other players’ hands.

Knowledge of the other players’ hands is extremely important, as several of Love Letter’s cards have special abilities that can knock out players if you correctly identify their cards. Guards, for example, allow you to ask another player if they have a specific card in their hand, and if they do, they are caught by the guards and are out of the round. The Baron, meanwhile, sees you compare your other card’s rank with that of another player, and the highest rank wins. This has the unfortunate side-effect of also revealing your hand to the player you’re comparing against, so you’d better be sure you’ll win before pulling out the Baron.

It quickly becomes apparent after a short session that Love Letter is a game about bluffing. Certain cards are clearly designed with this in mind — for example, the Countess card, which is second only to the princess in terms of rank, must be discarded if the player has the prince or king as their other card, since they don’t approve of her. However, there’s nothing stopping you from discarding the Countess when you don’t have either of these cards in hand — purely to make people believe that you do.

The round ends either when all players except one have been eliminated, or if the draw deck is exhausted, at which point all surviving players reveal their hands, and the highest-ranked card wins a token of the princess’ affection. The cycle then repeats until someone gains the required number of tokens, determined by how many people are playing.

Love Letter is a simple production, but it’s, if you’ll pardon the phrase, lovely. It doesn’t come in a standard game box — rather, it comes in a charming little red velvet bag with the game’s name embroidered on it. The cards themselves are of decent quality and sport some lovely artwork, and the tokens of the princess’ affection are that kind of little coloured transparent plastic cube that look like they’d be delicious but will actually probably cause you to choke.

The game itself is ideal filler material, as it’s over and done with within about 15-20 minutes, which makes it a great pre-dinner game, or a great game to play while you’re waiting for one of the rest of your group to finish having a long poo or something. It’s also quite ridiculously cheap, though it is a tad hard to find at present due to its sudden explosion in popularity.

In the meantime, find out a bit more about it over at BoardGameGeek, the best resource for board game information on the whole Internet.

1202: Say Anything

We’re in Canada! Also quite jetlagged. Andie flaked out pretty early and went to bed, but I powered on through and played a bunch of board and card games before being introduced to Adventure Time (hilarious) and Polar Bear Cafe (also hilarious, but in a completely different way).

We played a few games this evening, including Love Letter, Magical Athlete and Say Anything. All of them are pleasantly lightweight, quick games that can easily be slotted in to an evening, and they’re also particularly friendly to casual players or inexperienced gamers.

Love Letter is an exercise in simplicity. Each of the players are a prospective suitor to the princess, and they’re trying to get their love letter into her hands. The card they have in their hand at any one time represents who has their letter at any given time, and the numerical rank on the card represents how “close” to the princess the love letter is. When the deck — which is made up of just 16 cards — is exhausted or all players except one have been eliminated, the surviving player with the highest-ranked card is declared the winner of that round. Play then repeats until someone has won four rounds.

The interesting part of Love Letter comes in the special effects all the cards have. Each turn, you draw a second card, and you must then “play” one of your two cards by discarding it. Discarding any card causes its effect to occur, and these range from swapping hands with other people to being able to peek at their cards or potentially eliminate them from the current round. As you might expect, the princess card is the strongest if you survive to the end of the game, but if somehow you find yourself having to discard it, you’re immediately eliminated.

It’s a very simple game that is easy to understand, and there’s a surprising amount of hidden depth to it — card-counting, bluffing and working out the best way to pull the wool over the other players’ eyes.

Magical Athlete, meanwhile, was described to me as “Snakes and Ladders with special powers”, and that’s a fairly apt description. The game unfolds in two phases — firstly, each player must assemble a team of five magical athletes, each of whom have their own special abilities, and secondly, everyone then has to compete in five rounds of roll-and-move racing using a different one of their chosen characters each time. The player with the most points at the end wins.

While roll-and-move games rely heavily on luck, Magical Athlete sidesteps the experience being completely random through the aforementioned special abilities, many of which are designed to either help the owner out, hinder the others, or sometimes both. Many of the abilities are also designed to interact with one another to various degrees, which makes for some interesting encounters. By far the most memorable race we had earlier included the combination of the Siren, who pulls every other player towards her — forwards or backwards — by a single space at the start of her turn; Cupid, who moves forward five spaces any time a male and a female character occupy the same space; and the Pirate, who can “kidnap” any player and bring them back to their space. Consequently, the race became a farce: Siren constantly pulling people onto her space activated Cupid’s power, which meant that Pirate would inevitably pull him back every turn.

It’s a fun game — perhaps light on the strategy, but a lot of entertainment to be had here from simply observing how the different cards interact with one another.

I think my highlight of the evening had to be Say Anything, though, which has a certain degree in common with Cards Against Humanity, only with dry-wipe markers and less filth provided up-front.

In Say Anything, players take it in turns to read one of several different questions from a card, and the other players must then scrawl an answer on their own personal whiteboard and put it in the middle of the table. The asker then picks their favourite and secretly records their choice, then everyone else bets their two coins on which one they think the asker will pick. Points are then awarded according to whether players bet on the asker’s pick and various other means.

The beauty of Say Anything is that it “scales” to any type of social group — I’m not talking about difficulty or group size, but subject matter. The questions are all fairly “general” and you can literally write anything you want on your whiteboard as an answer — even if it’s not “true”. Like Cards Against Humanity, there’s an element of playing to your “audience” when providing an answer, but unlike that game, there’s no obligation to delve into depravity unless you really want to. Cards Against Humanity is as filthy as you make it to a certain extent, but there’s little denying that a card that reads “Pac-Man uncontrollably guzzling cum” is anything but questionable in nature. There’s nothing stopping you writing exactly the same thing in Say Anything, but equally you’re not forced into the less salubrious side of things unless you want to. This means it can be played with the whole family, as opposed to Cards Against Humanity’s well-deserved “mature” rating.

I’d write more about all of these but I feel like I’m about to pass out from tiredness/jetlag. So, hello Canada, goodbye U.K. for a couple of weeks — expect updates at strange times for the next two weeks! 🙂