We live in an age where the default assumption about video games is that they will be big-budget affairs with star-studded voice casts, more pyrotechnics than a Michael Bay movie and, indeed, a budget to match. The reason for this is that many of the games that become household names — Call of Duty, Assassin’s Creed, Grand Theft Auto — very much fall into this category, at least partly due to their marketing budget, but also due to their perceived “quality”. Games have moved on since their roots in the ’70s and ’80s, or so the popular theory seems to go, and we should be looking to our interactive entertainment for challenging creative works that offer interesting new spins on social themes; deep emotional narratives; and innovative play mechanics.
As someone who grew up roughly alongside the birth of gaming (give or take a few years; I wasn’t quite around for Pong) I think I speak for many other members of my cohort when I say that the above is all very well and good and should be celebrated when it’s done well, but sometimes all you want to do is shoot or punch the shit out of some things without having to think about anything too complicated.
One of the things I’ve been gratified to discover about the PlayStation 4 as a gaming platform is that it appears to be becoming an excellent home to a wide variety of arcade-style experiences as well as the big-budget, big-name games of today. The PC has been happily championing this sort of thing for a while thanks to its well-established digital distribution systems, and the Xbox 360 looked for a while like it might be assisting in the revitalisation of the “arcade-style” experience thanks to Xbox Live Arcade (which started to disappear up its own arse once things stopped costing 400 or 800 Microsoft Spacebux and instead took 1200 as the “default”) but I feel like this is a field where the PlayStation 4 in particular is really starting to come into its own.
While I’m still ploughing through Omega Quintet on PlayStation 4 (I’m approaching the Platinum trophy now, at last!), the last few games that I’ve bought and really enjoyed on the platform are all short, arcade-style, score attack-type titles that are just plain fun. None of them are trying to say anything particularly deep and meaningful (with the possible exception of Astebreed, which has one of the densest half-hour narratives I think you’ll ever find in a video game) and are instead focused on the simple joy of play: the thrill of taking on seemingly insurmountable odds, the fun of seeing scores climb into the millions, the satisfaction of beating your friends.
The games in question — and doubtless there are more, but these are the ones I’ve been particularly enjoying — include cinematic Japanese shoot ’em up Astebreed, Western bullet-hell shooter Jamestown+, the Defender-inspired Resogun, the inordinately satisfying rock-bursting shmup Super Stardust and lightgun-style rail shooter (a genre I thought was dead) Blue Estate. If you’re looking for a quick fix of gaming and don’t have the time or inclination to sit down and start chipping away at something more substantial like an RPG, I can happily and confidently recommend all of the above; they’re fun, they have a ton of immediate appeal but a lot of hidden depth, they’re easy to understand and teach to others (and, in most cases, have some form of multiplayer mode) and, for those concerned about such things, they’re cheap.
Smoky, beer-scented arcades may well be fast becoming a thing of the past, but the arcade-style experience still very much lives on at home on PS4… and on Vita too, for that matter, but that’s probably a whole other day’s post, so we’ll leave that for another day!