1232: Knell of Ar Ciel

I haven’t posted about Ar Tonelico for a while, and having just witnessed the “bad ending” of the third game (ooh, it’s bad) I feel now may be a good time for a progress report on my thoughts thus far before I jump in and try for the other endings.

Ar Tonelico Qoga, as the third game is known, is a peculiar beast. While it’s the most outright “perverted” of the series — the previous two games had plenty in the way of innuendo but stopped short of being overly fanservicey, a couple of scenes where the heroines were clad only in towels aside — it’s also probably the most open-minded of the three with regard to the subject matter it tackles. This is a game that revels in sexuality in all its forms as one of its themes, and if you feel somewhat uncomfortable playing it, I feel I know Gust’s work well enough by now to say that it’s probably intentional that you feel that way.

Let me qualify the above statements a little. Insofar as the game is “perverted”, one of its core gameplay mechanics involves the female “Reyvateil” characters (essentially glass-cannon mages if you want to assign them a traditional RPG party role) stripping off their clothes throughout the course of battle. While, yes, this is gratuitous and unnecessary and etc. etc. (for the record: I am an unabashed (well, mildly abashed) pervert and have no issue with pervy fanservice in my entertainment) they do at least make an attempt to justify the reason for this happening to a certain degree in a narrative sense: Reyvateils are artificial human-like life forms that are basically equipped with Wi-Fi (bear with me) and communicate wirelessly with the titular tower of Ar Tonelico in order to produce the magic-like effects of their Songs. By stripping — or “purging”, as the game calls it — the Reyvateils are able to get better reception, so to speak, and can absorb more magic from the tower. This translates, in gameplay terms, to the “Burst” gauge, which represents how powerful the Reyvateil’s spell will be if you set it off right now, increasing at a much more rapid rate according to how few clothes she is wearing. (They stop short of her getting fully naked, I might add — after purging three levels of clothing, she’s down to her skimpies, and purging a fourth time triggers her powerful (and surreal) “Flipsphere” über-attack, at which point her clothes magically reappear.)

Read all that back again, and I’d forgive you for never wanting to give this game the time of day. A game whose female characters strip off in exchange for increased magical capabilities? Sounds like some sort of Male Power Fantasy™. And perhaps it is.

Thing is, though, Ar Tonelico Qoga is far more interesting and intelligent than just pretty girls getting almost-naked. For starters, it’s worth noting that after a certain point in the game, all the male characters will strip off at a moment’s notice too — performing each character’s best attack causes all their clothes to fall off and for you to get a good look at what each of them are packing underneath their armour. Doctor Hikari Gojo’s fundoshi in particular is a sight to behold.

But no. It’s not even about characters getting naked. Much like the previous two games in the series, the really interesting stuff comes about thanks to the “Dive” mechanic — a system whereby you can increase the power of the two Reyvateils by taking a wander through their “Cosmosphere” — a multi-level psychic world that exists within their subconscious. By exploring the two heroines’ Cosmospheres, you learn a great deal about them — facts that simply don’t come up explicitly in the game’s “normal” plot, but which can help inform your reaction to things that go on once you know them.

As is par for the course in the series, each level of the two heroines’ Cosmospheres focuses around some sort of problem that they are having — be it a difficulty coming to terms with who they are, the strange influences other aspects of their personality have on them, or simply something they’re having trouble admitting or dealing with. By interacting with the Reyvateil and the other characters in her Cosmosphere, the protagonist Aoto forges an incredibly strong, incredibly intimate bond with the heroines and gets to know them in a way that no-one else in the world does.

This leads to some really interesting scenes, many of which are touching on territory I can’t recall exploring in a game before. And unlike the gaudy excesses of the strip-centric battle system, they’re handled sensitively and with care; clearly composed by someone who knew what they were talking about.

I’m trying not to spoil anything here for those of you who are reading this and intend to play through this fascinating game, but I feel I should give one example to highlight what I’m talking about, and that is the character who, in one of her Cosmosphere levels, essentially “comes out” as being a submissive or “bottom” with somewhat masochistic tendencies. Given what you know about this character by this point, her confession is not altogether surprising, but what is surprising is that it is actually referenced and explored through more than simple innuendo.

“Don’t take off the chains,” she says after a convoluted, embarrassing and humiliating sequence of events for her, where Aoto is about to give her her freedom. “I feel safe when I’m in the chains, so long as you’re there.”

I’ll confess to not knowing anything about BDSM and related sexual preferences, but I found it fascinating to see this character opening up about her secret passions and desires like this. It wasn’t treated as a kind of “wish fulfilment” scene for male players, either; it was simple, to the point and helped me to understand one aspect of this particular character. In short, it’s the sort of thing I’d like to see explored in more games; sadly, it’s abundantly clear that very few “triple-A” producers would greenlight a game that delves into such subject matter, though thankfully there’s always the “lower-tier” games such as Ar Tonelico willing to step up to the plate and try something new.

As guilty as I feel for what occurred in the bad ending, I should probably go to bed now and absolutely not try to get a better ending now. Right? Right. Suuuuuure.