Been playing some more Ar Tonelico 2 this evening, and I’m liking it a great deal. Like its predecessor, it has a very pleasing system of “feature creep” whereby it starts out feeling rather straightforward but gradually, over the course of the early stages of the game, introduces more and more new and interesting mechanics until you have something that is very, very distinctive.
In the original Ar Tonelico, we were introduced to the basic combat system; then the way it worked when you have the magic-using Reyvateil characters in your party; the Dive system, in which you could explore the inner recesses of the heroine’s mental “cosmosphere” worlds; the “bedtime conversations” system whereby the protagonist and the heroines could get to know each other a bit better (and subsequently unlock deeper levels in the cosmosphere); the “Grathmeld” crafting system, whereby you could take all the junk you’d acquired from the hundreds of NYO?!s you’d killed and turn them into various items, then enjoy some amusing scenes as the heroines try and convince you to let them name the item something ridiculous; and the “Install” system, whereby you’re able to insert crystals into the heroines (and yes, they relish the opportunity for innuendo inherent in this process) to power up their various abilities and customise the effect of their spells.
In Ar Tonelico 2, meanwhile, we’re first of all introduced to a new and rather odd combat system in which the two sides in the combat alternate attacking and defending for a set period of time — when attacking, you have to press buttons corresponding to the party member you’d like to attack and combine it with a directional button to do a specific move; when defending, you have to time button presses carefully to protect the back-line Reyvateil “mages” from attack, if they’re present. The way the Reyvateils work is then introduced — a weird meter in the corner of the screen reflects what they want the front line to do, and fulfilling their demands provides bonuses, helping them to cast more effective spells more quickly. Then, once again, we have the Dive system, which works largely as it did before, albeit with a lot more multiple-choice bits where you have to say the right thing to proceed. Then we have the “I.P.D.” system, whereby part of the plot dictates that you have to subdue and capture Reyvateils that are infected with I.P.D., which hasn’t been explained yet. Then we have a slightly different crafting system, whereby certain items can only be crafted in certain places (you can only make food in a restaurant kitchen, for example), and the same recipe has different outcomes depending on which heroine you get to help.
Then things get a little odd. “Dualstalling” replaces the “Install” system from the previous game, and is the only way of levelling up Reyvateils, who no longer gain experience normally. Instead, at regular opportunities, you have to let them take a bath in water infused with crystals you’ve collected or purchased. During the bath (which looks rather large and luxurious, I must say), they wander around a bit, and if they pass over one of the crystals they dropped in, they gain a temporary special effect until the next time they bathe. And if you drop in toys (bath toys, you pervert) and scented oils, different effects might emerge. Oh, and if both heroines are bathing together, they’ll often chat about things, too, which helps improve their “sync” value, which in turn helps them fight more effectively together in combat.
Then we have the “Dive Therapy” system, which I was introduced to in tonight’s session. Now the subdued I.P.D.-infected Reyvateils have a purpose — they can be “cured” by one of the characters, who is a Dive therapist. Indulging in Dive Therapy involves talking to the Reyvateil and attempting to manipulate her mood to its ideal level on a meter at the top of the screen. Administering various treatments can affect the rate at which this meter changes with each response you give to their statements. Some responses increase the meter, others drop it, and each infected Reyvateil has a “sweet spot” where the meter needs to be in order to be cured.
That’s not all you can do with them, though. The cured Reyvateils then bugger off and scatter themselves around the world to form a fan club for one of the heroines, and their affection for her increases as they see her doing cool stuff. When their affection maxes out, they will help out — exactly how, I’m not sure yet, but we’ll see.
Oh, and also through the “Girl Power” system you can “equip” rescued Reyvateils to help the protagonist out in various ways. They then level up and improve their abilities and… waah, my head hurts.
All these weird and wonderful mechanics may sound overwhelming, but they’re introduced at just the right rate. You’re shown a new concept, then given a period of time in which to explore it in practical terms. Then another one comes along, and you can explore that. And so it continues. The nice thing is that only a few of these mechanics are “spoiled” in the game’s manual, meaning the existence of things like the Dive Therapy system and various other bits and pieces are a nice surprise when you come across them for the first time. (Unless you’ve read this post first, of course.)
On the one hand, it’s nice to be ready for all the game’s mechanics and be able to refer back to a manual when you need to. But on the other, it’s quite interesting (and oddly liberating) to play a game that trusts you to experiment a bit and figure out what on Earth (Metafalss?) is going on. Take the Dualstalling system, for example — while the help menu in the game explains roughly how it works, it’s only by fiddling around with various arrangements of bathtime goodies that you’ll figure out the most effective means of letting your mage-ladies wash their stinky bits and level up.
Basically, Ar Tonelico 2’s more esoteric features are something you’ll either be on board with or not. As you’ve probably gathered, I love them — and besides, are they really any more weird than summoning giant chariot-riding penis demons by fusing cards together, or sucking the magic out of monsters to somehow attach to your own strength? No. No they’re not. So shush.
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