1062: In Defense of Theatrhythm iOS

It’s not often you’ll read me defending a free-to-play title these days, what with their increasingly-obtrusive business models, but Square Enix’s latest release Theatrhythm Final Fantasy for iOS is not a game that people should be attacking.

Why? Because it’s not exploitative at all. You put as much money into it as you want, and then you stop paying and get to keep everything your money has bought. There’s no consumable energy systems, no gambling to get rare cards, no time-limited premium items… but I’m getting ahead of myself. Allow me to back up and explain what the deal is for those who are not familiar with Theatrhythm and its new iOS incarnation.

Theatrhythm Final Fantasy was originally released as a Nintendo 3DS game — specifically, a full-price retail game on cartridge. It includes a variety of songs from all the Final Fantasy games from I-XIII (excluding the spin-off X-2 and XIII-2 titles) plus also offers some additional songs for download for a fee. It is a rhythm-based music game — you tap, swipe and hold the touchscreen in time with various pieces of music to trigger various visual effects inspired by past Final Fantasy games. It’s a simple but fun game, as most rhythm games are.

The game itself has several modes, and an obvious sense of progression. You play through all the songs on the easiest difficulty, then on the harder difficulty, all the while collecting an in-game currency called “Rhythmia”. When you’ve collected 10,000 Rhythmia, you’ve basically “finished” the game, though there’s nothing stopping you going back and trying to beat your scores, taking on the various “Challenge” missions or indeed purchasing the additional content.

Now Theatrhythm Final Fantasy is also an iOS game. Only instead of doing a straight port, Square Enix instead decided to revamp the game completely for mobile play. This is wise, because people play games on their mobile phone very differently to how they play on a dedicated games system, whether it’s a handheld or a TV-connected console.

Instead of the sense of progression, you’re presented with all the songs you have available — two in the basic free download, with others available via in-app purchase. You can play any of the songs you own at any time in a one-off session — good for on the toilet — or you can take on the “Quest” mode, which challenges you to make it through a bunch of songs randomly selected from your collection with a single HP bar. Quest mode rewards you with collectible cards and other goodies, so there’s plenty of replay value — meanwhile, those who have less time to spare can just fire it up for a single song, then quit.

The press surrounding the iOS version of Theatrhythm has been placing undue focus on the amount of downloadable content available for the game and how much it costs if you were to buy all of it. Now, I’ll grant to you that if you were to buy all of the songs available for Theatrhythm right now it will cost you a lot of money, and that figure will only increase as Square Enix adds content. But here’s the thing — no-one is saying that you have to buy all of that content. I have bought one pack of content (a bundle of music from Final Fantasy VIII) and I’m happy with that for now — when I tire of it, I can purchase more or put the game aside. There is no obligation for me to buy all of that content, because that’s not how free-to-play works — or not how it’s supposed to work anyway.

Put it this way — if you played Rock Band or Guitar Hero, did you feel obliged to purchase every single piece of DLC? Probably not; and here with Theatrhythm for iOS you don’t have the cost of entry — you simply pay for what you want. (Granted, both Rock Band and Guitar Hero come with a wide selection of songs, but I know very few people who like all of those)

I’d argue that Theatrhythm is actually one of the least-obnoxious implementations of free-to-play I’ve seen for a long time — as I said earlier, there’s no obligation to keep paying over and over again due to energy systems and consumable items — you simply put in as much money as you would like to spend, if any, and then you get to keep that content. The free version is limited in what it offers, but it’s enough for you to tell whether or not you’d like to spend more time with the game — if you decide you don’t like it, no problem, simply delete the app and you’re not out of pocket; if you decide you do like it, however, you can spread out how much content you choose to purchase over time.

Basically, I think what I’m saying is that we should stop trying to see free-to-play as universally evil. There are good and bad implementations, and Theatrhythm is a good one. Don’t believe me? Go play any of the interminable string of shitty card-battle games on the Mobage and GREE platforms to compare and contrast. Then you’ll see.