Photography in this post courtesy of Laura Bishop. If you’re reading on Facebook and you can’t see said pictures, click here to see the full article.

So I went out the other night. This is a pretty rare occurrence and worthy of discussion in and of itself but I’m not here to do that. Instead I’m going to be focusing on the gig I went to see – Penny Arcade, live at the Hobbit pub, Southampton, UK. I’m going to say now to all the gamers reading that this post has nothing whatsoever to do with Gabe and Tycho and the nomenclature of the band is a complete coincidence, apparently. Who am I to argue?

Live gigs here in Southampton are often a case of a million people crowding into a tiny pub that can seat about three old men and a dog around the fire, listening to ear-shatteringly loud music whilst downing drinks that look like they’ve been piped directly from the local toxic waste dump to the spigots, served frantically by an underpaid and overworked staff clearly insufficient in numbers to cope with the number of rabid, binge-drinking fans.

The Hobbit is, of course, no exception to this rule, with crowds regularly squeezing into its little downstairs bar (a little larger than the average living room) to listen to some tunes and destroy their brain-cells with the vibrant primary colours of the Lord of the Rings-themed cocktails. Actually, “themed” might be pushing things a bit far, as I don’t remember Gollum having a thing for Bols Blue, though many is the time that consumption of too many Gandalfs has led to a fall into darkness, albeit not accompanied by a big flamey demon thing. (Balrog. I know. Be quiet.) Despite all this, however, the Hobbit remains a popular nightspot with a lot of local acts of a variety of styles from the Southampton area performing there on a regular basis. Plus sometimes there’s a guy who comes around and sells fish. Really.

Penny Arcade, consisting of Alex Burton on guitar, Matt Rampton on vocals/bass and Tom Uplifter on drums, were performing as part of a complete evening’s set including other local performers Andy from Haunted Stereo, and Long Shore Drift. In total, they graced us with six songs, including Straight Through, I’m Not Sleeping, Are We Talking, Jaws of the Enemy, Katie and a work-in-progress song called “Rocket Ship” performed solo by vocalist Matt. Are We Talking and I’m Not Sleeping can both be heard on their MySpace page, if you’re reading this and are curious. You know you are.

Penny Arcade’s sound is a pleasingly smooth guitar-bass-drum combo which, when coupled with the distinctively melancholy sound of Matt’s vocals, is very listenable. The band keeps a deliberately lo-fi sound, with minimal guitar effects being used and repetitive, hypnotic guitar/bass riffs and beats making up the majority of the songs’ backings. Performing with a more “clean” sound and using minimal effects to hide behind can be a challenge for many bands as it often highlights the shortcomings of their own technical abilities, but Penny Arcade manage to perform very tightly together as an ensemble. Their songs have an intimate, personal feel to them, with Matt’s vocal performance style of eyes closed, mouth to the microphone and little in the way of body movement draws the audience in and encourages them to focus on what it is he is singing about throughout. This is a great style to perform in a venue as intimate/cramped (delete as applicable) as The Hobbit – arguably made rather more poignant by consuming just one too many Gandalfs to get one to that “drunken melancholia” stage.

Penny Arcade’s style undoubtedly isn’t for everyone. They’re low on flashy glitz and overt showmanship, both in their unassuming physical performance styles and the sound of their music in general, but they’re all the better for it – to me, at least. All three performers look deep in concentration during their performance, which is in keeping with the “personal” feel to the songs, and the whole gig felt like the audience were being let in on some kind of secret. This is the kind of thing that I have a lot of time for, and it’s this kind of feel that keeps people coming to the Hobbit for gigs – however sticky the floor gets, however terrible those vibrantly-coloured cocktails may make you feel the next day, however many sweaty bodies you may be squeezing yourself up against (and not in a good way… usually) – it’s the intimacy of the venue and, by extension, the intimacy of the performances there that works so well. Penny Arcade fit right in, and I hope to see more of them in the future.

As for the other bands? Well, to be honest, I couldn’t comment. Gandalf number three made me fall into darkness.

Photo credit: © Laura Bishop, 2009.